thu 26/11/2020

art collectors

Visual Arts Lockdown Special 3: gigapixel Rembrandt, magic mushrooms, and more

The limitations of life on screen are all too apparent at the moment, and yet still there are instances where online can offer something beyond the reach of an old-fashioned trip to an art gallery. Ultra-high resolution reproductions of works of art...

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Visual Arts Lockdown Special 2: read, search, listen, create

Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms. Sculpture, painting, textiles, performance art,...

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Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age?

Of all the ventures that super-fraudster Anna Delvey might have chosen as bait for her victims, an exclusive art club was surely a masterstroke. Self regard, cunning, greed and snobbery have never been in short supply in the art world, but in the...

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Berlin: True Copy, Brighton Festival 2019 review - tricksy forgery masterclass

This brilliantly conceived and executed show is about provenance in art. It’s also about our perceptions of the truth. However, it’s a show where it would be churlish to reveal too much of what goes on. This is, of course, perverse since some will...

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Velvet Buzzsaw review - an acerbic takedown of the LA art scene

Sitting somewhere between Ruben Östlund’s The Square and Final Destination, Dan Gilroy’s Velvet Buzzsaw is a satirical supernatural thriller that goes for the jugular of the LA art scene.We open at the Art Basel Miami Beach, where art snobs with fat...

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Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

It took 24 days to sell off the 4,000 items which Horace Walpole had amassed during 50 years of avid collecting. He bought a modest property beside the Thames in Twickenham in 1749 and, by 1790, had extended and transformed it into a fairy tale...

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The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

This weekend the Royal Academy (R.A) celebrates its 250th anniversary with the opening of 6 Burlington Gardens (main picture), duly refurbished for the occasion. When it was dirty the Palladian facade felt coldly overbearing, but cleaning it has...

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Art, Passion and Power: The Story of the Royal Collection, BBC Four review - monarchs knew the power of the portrait

Henry VIII had a troubled marital history and Charles I lost his head, but both have also gone down in history as original, innovative and obsessive collectors of art, founders in different ways of what is now one of the world’s greatest...

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Modigliani, Tate Modern review - the pitfalls of excess

Modigliani was an addict. Booze, fags, absinthe, hash, cocaine, women. He lived fast, died young, cherished an idea of what an artist should be and pursued it to his death. His nickname, Modi, played on the idea of the artiste maudit – the...

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ArtReview Power 100 - an artist tops the list

Annual lists of the richest, the most powerful, the movers and shakers, have an awful fascination: like gossip, we like to look and comment while feeling slightly morally compromised. But they also have a function as a snapshot of where we are at....

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Drawn in Colour: Degas from the Burrell Collection review - guilty pleasures at the National Gallery

If only a modest fuss is being made about the rare and prestigious loan currently residing in Trafalgar Square, it could be that the National Gallery is keen to forget the role of its former director, Dr Nicholas Penny, in a row about art...

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57th Venice Biennale review - riveting and bewildering

Riveting and bewildering, the 57th Venice Biennale has just opened its myriad doors to the public with several thousand exhibits spread across Venice and its islands. The preview days were thronged with the art world and its coterie of high and low...

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