tue 26/10/2021

avant-garde

BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the stars

Birmingham emerged from musical lockdown with Stockhausen. It couldn’t have been anyone else, really. There’s something about Stockhausen’s fusion of modernity and goofy intergalactic romanticism that clearly strikes a chord in the Second City...

Read more...

Album: Conrad Schnitzler & Frank Bretschneider - Con-Struct

When does the avant-garde become folk? Both of the participants in this album have certainly been on the very cutting edge of sound-making, on multiple occasions. Conrad Schnitzler was a student of radical artist Joseph Beuys and leading light in...

Read more...

Album: bdrmm - Bedroom

Shoegaze stable Sonic Cathedral has, in truth, always been a much broader church than its name implies. From the psychedelic, sunshine pop of Gulp, to the blistering art noise of Spectres, it has consistently released music that shares a similar...

Read more...

theartsdesk on Vinyl 57: Gramme, Terry Edwards, The Orb, The Monochrome Set and much more

After C19 delays theartsdesk on Vinyl is back. My initial policy, reckoning that new vinyl would dry up under COVID conditions, was to do regular lockdown mini-editions with the material already set aside here, until it ran out. That didn’t work out...

Read more...

10 Questions for Irina Nalis

Normally we'd put a descriptor - "cellist", "film maker", "techno producer" for example - in the title of this interview, but for Irina Nalis there isn't space. Like, "10 Questions for psychologist, ministerial adviser, festival founder,...

Read more...

Francesca Wade: Square Haunting - Bloomsbury retold

These days, Bloomsbury rests in a state of elegant somnolence. The ghosts of Virginia Woolf and Vanessa Bell linger on in the shabby gentility of Russell Square and its environs, the bookish institutions that are the bones of the place conferring...

Read more...

Robert Henke CBM 8032, Barbican - a vision of possibilities from 40 years ago

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code...

Read more...

Haas Hommage à Bridget Riley, London Sinfonietta, Lubman, QEH review - vibrant abstraction

Music and visual art, at least at the highest level, should go their own separate ways; put them together, and one form will always be subordinate to the other. A composer being inspired by an artist's work, or vice versa, is something else...

Read more...

CD: 65daysofstatic - replicr, 2019

65daysofstatic, the instrumentals-only post-rock experimental band from Sheffield, have suffered from the obsessive need to brand every supposed sub-genre of music when, in their case, they are much more than a math rock or glitch band. They are...

Read more...

Reissue CDs Weekly: Fernando Falcão - Memória das Águas

Memória das Águas hasn’t figured in lists of great Brazilian albums. Its creator Fernando Falcão isn’t as celebrated as fellow countryman and musical maverick Tom Zé. The reissue of this arresting yet previously obscure album should help change...

Read more...

CD: Thom Yorke - Anima

Thom Yorke is frontman of Radiohead, a festival-headlining rock band who sell out stadiums all over the globe. His artistic aspirations, however, right back to Radiohead’s Kid A album 19 years ago, often seem to lie elsewhere, in the world of...

Read more...

CD: Holly Herndon - PROTO

To consider the third album from experimental composer Holly Herndon solely as a piece of music is to miss the point. PROTO is part artwork, part research project, on which Herndon teams up with collaborators both human and inhuman to discover...

Read more...
Subscribe to avant-garde