ballet
theartsdesk Debate: The Art of PerformanceSaturday, 10 September 2011
To celebrate theartsdesk's second birthday on Friday, we held a panel discussion on The Art of Performance at Kings Place, London, in the Kings Place Festival. Actor Toby Jones, singer-songwriter Mara Carlyle, harpsichordist Mahan Esfahani and... Read more... |
The Kitchen, National TheatreThursday, 08 September 2011
It may not serve up all that much to get your teeth into, but Bijan Sheibani’s production of this 1959 play by Arnold Wesker looks fantastic on the plate. Giles Cadle’s saucepan-shaped set is framed by a giant chalkboard, scrawled over and over with... Read more... |
BBC Proms: Swan Lake, Mariinsky Theatre Orchestra, GergievMonday, 15 August 2011
The fact that the world’s most popular ballet score had never, until last night, been performed in full at the Proms says something about the lowly regard in which musical circles long held composition for ballet. The fact that the Albert Hall’s... Read more... |
La Bayadère, Mariinsky Ballet, Royal Opera HouseSunday, 14 August 2011
The bayadere bears on her shoulder a vase of holy water, and the story of the ballet La bayadère is of her refusal to compromise. She could better her life in two political deals: become the high priest’s mistress, or later, when bitten by a... Read more... |
Mariinsky Ballet, Royal Opera House: The HighlightsSunday, 14 August 2011
The Mariinsky Ballet has just completed a three-week season, with terrific highs (and the odd low). This was the 50th anniversary of the Mariinsky's (then Kirov's) first London visit, in 1961, and it is worth highlighting the role impresarios Victor... Read more... |
Anna Karenina, Mariinsky Ballet, Royal Opera HouseWednesday, 10 August 2011
It is claimed that the philosopher GE Moore had a fantasy. After many years’ work, Tolstoy had finally finished War and Peace. Sonya had copied it out for the umpteenth time. The thing goes off to the printer. Peace reigns. And then, in... Read more... |
Don Quixote, Mariinsky Ballet, Royal Opera HouseTuesday, 02 August 2011
It is all too easy to be cynical about the ballet version of Don Quixote. With almost no part for the title character, it is a 19th-century Russian take on faux-Spanish dancing, a farce in which the barber Basilio longs for the charming Kitri, while... Read more... |
Homage to Fokine, Mariinsky Ballet, Royal Opera HouseSaturday, 30 July 2011
Mikhail Fokine, choreographer to both West and East, looked forward and back, too. He studied in the old Imperial Theatre School when the tsars ruled Russia, and he was also Diaghilev’s creative genius at the Ballets Russes, moving dance into the... Read more... |
Carlos Acosta, Premieres Plus, London ColiseumWednesday, 27 July 2011
For most dancers the first base is to get principal roles. For a star like Carlos Acosta, second base becomes urgent: to find the career path beyond classical ballet. Like Sylvie Guillem he seeks out a new contemporary dance path to fulfil, being... Read more... |
Rattigan's Nijinsky/ The Deep Blue Sea, Chichester Festival TheatreTuesday, 26 July 2011
Terence Rattigan’s art of concealment is what makes The Deep Blue Sea so rich and true an observation of the way people behave. Being deprived of his concealing mask is the crucial idea of the interesting new play partnering it at Chichester to mark... Read more... |
Swan Lake, Mariinsky Ballet, Royal Opera HouseTuesday, 26 July 2011
Act IV is the core of Swan Lake. It doesn’t seem so theatrically, being a peculiar 20-minute bolt-on after an interval that frequently lasts longer than the act that follows. But musically it transcends everything that has gone before, its thready... Read more... |
Ashton's Romeo and Juliet, London ColiseumWednesday, 13 July 2011
Like planets crossing in the skies, light years apart, but by some ocular illusion coinciding, this conjunction of the two most thrilling young Bolshoi stars in the world and Frederick Ashton’s rarely staged Romeo and Juliet really must be seen.... Read more... |
