Barbican
alexandra.coghlan
Monteverdi’s L’Incoronazione di Poppea is an opera with a one-track mind. The music throbs and pulses with dancing desire, suspensions and elaborate embellishments defer gratification, while recitative is poised constantly on the edge of melodic climax. Desire is everywhere, from the innocent flirtations of a young courtier and his lady, to the hopeless love of Ottone and of course the knowing, mature passions of the Emperor Nerone and his mistress Poppea. Without it, there’s a void at the core of the opera – a void no amount of fine singing or playing can fill.And try the Academy of Ancient Read more ...
Sarah Kent
“The minute I touched New York,” wrote Berenice Abbott, “I had a burning desire to photograph the city of incredible contrasts, the city of stone needles and skyscrapers, the city that is never the same but always changing.” Backed by funding from the Federal Art Project, the elegiac photographs she took of New York in the 1930s record cluttered corner shops and brownstones standing cheek by jowl with new high rise developments. “The past jostling the present” was how she described the juxtapositions of old and new that she found so inspiring (pictured below left: Rockefeller Centre, New Read more ...
Heidi Goldsmith
Transgressive is a bold statement for a record label's tin and, on their 10th anniversary celebration last night, there appeared instead a Caucasian calm to the events. From optimistic William Blake lyric loops in the foyer, to the persistent professions of love from the audience for anyone under the limelight.The first live act to grace the Barbican stage last night was newcomer Marika Hackman, unassuming in a simple black cape, aquamarine guitar and unbrushed Scandinavian blonde hair. The focus fell on her lilting pick pattern and twisting melody, and her presence and playing exuded a Read more ...
Heidi Goldsmith
Exoticisation, at an event named "Sahara Soul", was perhaps inevitable. With Tuareg jewellery and souvenirs in the foyer, there was a touristic expectation last night that these genuine desert-dwellers would bring the burning spirit of the Saharan blues along with their glinting necklaces. Indeed the first set was the diamond display of an all-star ensemble, brought together exclusively for this performance as part of the Barbican’s Transcender Festival.The women of Malian ensemble Tartit were the first to file onto the stage, in irridescent white gowns and ornate headdresses, to be joined by Read more ...
alexandra.coghlan
At the end of last night’s giddy, triumphant concert at the Barbican, Joyce DiDonato was presented with a bouquet by a member of the audience. It included, among more conventional flowers, a tomato plant, complete with ripe tomato. That says it all really. Just imagine Netrebko, Gheorghiu or even Bartoli faced with a tomato and the confusion that would ensue. DiDonato simply gave it a starring role in her speech to the audience, and when the tomato fell to the floor during the athletic closing vibrato of “Tanti affetti”, casually bent to pick it up before tossing it into the air – all the Read more ...
edward.seckerson
The problem with programming Charles Ives’s Fourth Symphony - and only the very bold and resourceful and/or the BBC are ever likely to do so - is that it eclipses everything, and I mean everything, in its proximity. And if it was my 90th birthday - as indeed it was on this day for the BBC Singers - I’m not sure I’d want to bask in its aura, especially since the world premiere commissioned for this big birthday - Kevan Volans's The Mountain That Left - had to be postponed due to the indisposition of its soprano soloist, Pumeza Matshikiza. This being the BBC Singers, however - a group for whom Read more ...
graham.rickson
Dvořák: Symphony no 8, Janáček: Symphonic Suite from Jenůfa Pittsburgh Symphony Orchestra/Manfred Honeck (Reference Recordings)Dvořák's Seventh has the Brahmsian drama, and the Ninth has the crowd-pleasing tunes. But the major key Eighth is the most radical, and Manfred Honeck's remarkable performance highlights its originality in some style. Honeck's interventionist approach won't be to all tastes, but he justifies every interpretive decision in his sleeve notes, and the musical results are pretty special. He sees the composer here as ''liberated from Germanic models... completely at Read more ...
Sarah Kent
Digital Revolution begins with an archive section taking you back to the 1970s when Ralph Baer developed a video game allowing punters to play ping pong on TV (below right: poster for the original Pong arcade game) and Steve Jobs worked on Break Out, in which a virtual ball bounces off a bank of horizontal lines. It reminded me of the hours I spent as a child hitting a tennis ball against our garage door; the video equivalent is similarly mesmerising, except the satisfying thwack of the ball thudding against wood is missing along with all other physical sensations.The Quantel Paintbox of 1981 Read more ...
Matthew Wright
If, like Wynton Marsalis, you’re a gatekeeper of the jazz tradition, there’s little you’ll defend more staunchly than the Blue Note back catalogue. With the Jazz at Lincoln Center Orchestra, in London on a short tour, he presented a glossy and intriguing selection of Blue Note repertoire before an ecstatic audience in last night’s Barbican concert. Technically, this was a tour de force. Where the components of some big bands lose definition and melt into a raucous fudge, JALC boasted talon-sharp brass bite, regal articulation, and a deeply golden lustre. Marsalis’ traditionalism is well Read more ...
Peter Culshaw
Admired by Brazilian musical royalty like Milton Nascimento and Caetano Veloso, Maria Gadú, at the age of 27, already has four platinum albums to her credit, not to mention a couple of Latin Grammys. Her music blends the urban chaotic modernity of her hometown São Paulo with the grassroots sounds of the North East and Rio. Born Mayra Correa Aygadoux in 1986 Gadú was something of a child prodigy, and began writing songs and recording them onto cassette at the age of 10. Remarkably enough one of them, "Shimbalaie", would eventually make it onto her debut album and become her first hit Read more ...
alexandra.coghlan
The practical considerations and limitations of choosing a work for a student showcase can lead to some wonderfully original programming. It doesn’t get much more original than a pairing of Thomas Arne’s ballad opera The Cooper with Stradella’s oratorio San Giovanni Battista, currently being staged by the Guildhall School of Music and Drama.The new Milton Court Theatre is the natural home for something like the Arne – an intimate, close-quarters space where you can see your neighbours’ reactions as well as the action on stage. Which makes it all the more odd that the work’s broad comedy never Read more ...
Kimon Daltas
In the year of his 85th birthday, and his 60th season as a conductor, Bernard Haitink is hardly taking it easy, with concerts with various orchestras around Europe and the US including an appearance at the Proms. In this visit to London with the Chamber Orchestra of Europe he may not have been bounding up the steps to the stage, but his powers with the baton remain undimmed.His is a stately and commanding presence at the podium, almost still apart from the arms and the occasional emphatic step forwards. This proved plenty with which to wring out the tragic drama from the two works in the Read more ...