sat 30/11/2024

BBC

theartsdesk Q&A: screenwriter Jed Mercurio

So you want to be a TV screenwriter? You might do a lot worse than to sign up for Jed Mercurio's new online course at BBC Maestro, where over 28 lessons he explores the pitfalls and hurdles of a screenwriter's life, from the nuts and bolts of...

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Glastonbury Festival 2020: Beyoncé, Boo-Yaa T.R.I.B.E., marijuana and time travel

Coronavirus blah blah blah. Glastonbury cancelled. What to do? Didn’t go to the 2010 festival for reasons too tedious to go into. Suffered the worst FOMO of my life. This is different. There is no Glastonbury. But sitting around at home… we’ve all...

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New Music Lockdown 12: Glastonbury Festival Special

This morning at 9.00 AM would be when Worthy Farm opened its gates to the hedonistic hordes. The weather is scorchio and Glastonbury 50 would have been such a party. Instead, that will all be Glastonbury 2021. So right now, those who love their...

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The Luminaries, BBC One review - one of the most visually arresting dramas of the year

Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. Over the course of seven years, and apparently 200 drafts...

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Stephen Hough/Lucy Crowe, Anna Tilbrook, Wigmore Hall online/BBC Radio 3 review - the end of the beginning

After a devastating drought, even a light shower can feel like something of a miracle. Under normal circumstances, a 60 minute lunchtime piano recital from the Wigmore Hall would represent wholly unremarkable business as usual for BBC Radio 3. As it...

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Tectonics Rewind, BBCSSO review - new music festival revisits past gems

As Covid-19 puts a halt to live events around the world, the BBC Scottish Symphony Orchestra has delivered its annual festival of new music, Tectonics, online, with a selection of recordings from past performances. Since everything from the past...

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Normal People, BBC One review – adaptation of Sally Rooney’s novel evokes the deep cut of first love

Sally Rooney’s 2018 novel, which was long-listed for the Man Booker Prize, was a psychologically rich, emotive journey into the psyches of two Irish teenagers who fall in love. Only two years on from publication, it has been turned into a 12-part...

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Berlinale 2020: Berlin Alexanderplatz review - a contemporary twist on a classic

Burhan Qurbani isn’t the first director to bring Alfred Döblin’s seminal 1929 novel, Berlin Alexanderplatz, to the screen. First, there was the Weimar Republic era adaptation that Döblin himself worked on. Fifty years later, Rainer Werner...

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Lights, Camera, Malta!, BBC Concert Orchestra, Malta review – a spectacular celebration of film history

With sapphire blue waters, year-round sun and architecture that spans centuries and cultures, it’s little wonder that Malta is a favourite location for Hollywood. To celebrate its long featured history, Radio 2 brought the BBC Concert Orchestra to...

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Andy Hamilton, Brighton Festival 2019 review - gently amusing night of reminiscence

Taking place at the Theatre Royal, Andy Hamilton’s show is entitled An Evening with… rather than a straight stand-up and mainly consists of the comedy writer/performer and gameshow regular answering audience questions. During the first half this is...

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Best of 2018: TV

Bruce Springsteen once sang about there being "57 channels and nothin' on". Those were the days. Now we have so much to watch (including Netflix's Springsteen on Broadway) that all the world's remaining elephants couldn't remember them all.But...

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The Dead Room, BBC Four review - ghosts at the microphone

Fired by the spirit of the MR James ghost stories which used to be a Christmas staple on the BBC, Mark Gatiss conceived this amusing bonne bouche as both a seasonal chiller and a nod to the ghost of broadcasting past. In passing, he also managed to...

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