Berlioz
Beethoven Ninth, RLPO, Petrenko, Philharmonic Hall, LiverpoolWednesday, 28 September 2016
The new season at the Royal Liverpool Philharmonic is focusing on revolutionaries. Bach, Beethoven and Berlioz all feature strongly over the next few months, as will Stravinsky and – where else but Liverpool? – The Beatles.The RLPO has another... Read more... |
Prom 20: Roméo et Juliette, Monteverdi Choir, NYCoS, ORR, GardinerSunday, 31 July 2016
Like Prokofiev in his full-length ballet a century later, Berlioz seems to have been inspired by Shakespeare's Romeo and Juliet to bring forth his most compendious score. John Eliot Gardiner, who knows and loves every bar of light and shade in this... Read more... |
Béatrice et Bénédict, GlyndebourneThursday, 28 July 2016
Locations count for little in most of Shakespeare's comedies. Only a literal-minded director would, for instance, insist on Messina, Sicily as the setting for Much Ado About Nothing. In Béatrice et Bénédict, on the other hand, Berlioz injects his... Read more... |
Shakespeare 400 Gala, LPO, Jurowski, RFHSunday, 24 April 2016
Every year is Shakespeare year in theatre, opera house and concert hall. An anniversary's best, though, for those select few galas where the mind's made flexible by constant comparison between different Shakespearean worlds. I don't know how it was... Read more... |
Roméo et Juliette, BBCSO, Davis, BarbicanSaturday, 23 January 2016
It was another Davis, the late Colin rather than the very alive Andrew, who used to be master of Berlioz's phenomenally inventive opera for orchestra with its novel explanatory prologue and epilogue. I like to think he'd have been looking down... Read more... |
Sacre, Sasha Waltz and Guests, Sadler's WellsFriday, 13 November 2015
What dancemaker wouldn't want to tackle Le Sacre du Printemps (The Rite of Spring) at some point? Just as the Stravinsky score changed music, the original Ballets Russes production changed dance - and was then, conveniently, so completely forgotten... Read more... |
Grande Messe des Morts, Philharmonia, Salonen, Usher Hall, EdinburghSunday, 23 August 2015
It's fitting that for its 50th anniversary the Edinburgh Festival Chorus should perform Berlioz’s gigantic Grande Messe des Morts. There is nothing in the large-scale orchestral repertoire in which the chorus plays so huge and significant a role –... Read more... |
Prom 33: Orchestre Révolutionnaire et Romantique, GardinerMonday, 10 August 2015
Sir John Eliot Gardiner has made great play for years with the idea that Beethoven’s Fifth is a revolutionary symphony in not only musical but political terms. Accordingly the first bars were a call to arms, taking no heed of a restless Proms... Read more... |
theartsdesk in Dresden: Fire and IceSunday, 24 May 2015
Dresden is slowly opening up to the world. All but destroyed by British bombing in the Second World War, locked away inside Communist East Germany for 40 years, it is now becoming a tourist honeypot. On a warm day in May, you can see the snap-happy... Read more... |
Connolly, West, BBCSO, Davis, BarbicanSaturday, 16 May 2015
From the strings’ first entry, sweet and mysterious, conveying at once the erotic charge between Berlioz's Dido and Aeneas, its long-suppressed unfolding and also its transience, the BBC Symphony Orchestra played like a dream for their conductor... Read more... |
Grande Messe des Morts, Philharmonia, Salonen, RFHFriday, 26 September 2014
Hector Berlioz knew from early on in life which aspects of death he would want to avoid. He had seen quite enough of the medical textbooks that his father had tried to foist upon him. He had even got as far as smelling the dissecting table as a... Read more... |
Les Troyens, Mariinsky Opera, Gergiev, Festival Theatre, EdinburghFriday, 29 August 2014
The Edinburgh Festival reserved its biggest operatic event for last. From St Petersburg, the Mariinsky Opera brought a production of Berlioz’s Les Troyens that could truly be described as epic: a stellar cast, a vast trompe d’oeil set, and an... Read more... |
