Brexit
Diamantino review - loopy satire slaps BrexitSaturday, 11 May 2019
Imagine Cristiano Ronaldo, virtuosity intact, as buffed, blinged, and coiffed as ever, but with the sophistication and sexual maturity of an average seven-year-old, and you have a fair idea of Diamantino’s protagonist.If that sounds like this barmy... Read more... |
Vox Motus: Flight, Brighton Festival 2019 review - a novel and moving experienceSunday, 05 May 2019
Flight is a show by experimental Scottish theatre company Vox Motus, adapted from the novel Hinterland by Caroline Brothers. It’s about two Afghan child refugees making their way across Europe to the fabled land of “London” and is based very... Read more... |
Robert Menasse: The Capital review - much more than just an EU satireSunday, 10 March 2019
Forty years ago this July, Simone Veil gave her inaugural speech as first President of the European Parliament. She had many issues to include. Peace came first; as a survivor of Auschwitz and the "death march" just before liberation, she well... Read more... |
Sleeping with Extremists: The Far Right, Channel 4 review - insightful but flawed documentaryFriday, 22 February 2019
It’s always interesting to see how presenters make their presence known in documentaries. Louis Theroux hovers on the sidelines like an ethereal presence, Stacey Dooley connects immediately on an emotional level, and one-time host Keith Allen... Read more... |
Tartuffe, National Theatre review - morality-heavy version of the comedy classicFriday, 22 February 2019
Here's a recipe for a successful National Theatre production: take a well-loved classical comedy, employ an outstanding young director and a talented writer (so much the better if they have a proven track record together) and cast gold-standard... Read more... |
Keith? A Comedy, Arcola Theatre review - Molière mined for Brexit-era laughsThursday, 21 February 2019
Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy, a wild spin on the quasi-ubiquitous (these days, anyway) Tartuffe by the critic and writer Patrick Marmion... Read more... |
Counting Sheep, The Vaults review - visceral recreation of an uprisingThursday, 31 January 2019
Is there a connection between revolution and theatre? The answer has to be yes – a visceral one. The supremacy of symbols, the collective strength of a crowd, a sense that some kind of pressure valve is being released to challenge the dominant... Read more... |
Brexit: The Uncivil War, Channel 4 review - Benedict Cumberbatch gets the best tunesTuesday, 08 January 2019
One day this all will be over. Give it half a century. In 50 years' time, there will be documentaries in which today’s young, by then old, will explain to generations yet unborn exactly how and why Britain went round the twist in 2016. Much as we... Read more... |
WOMAD 2, Charlton Park review - rainbows and rumbaThursday, 02 August 2018
In the days around WOMAD there have been plenty of media about how the “hostile environment” towards migrants has created all sorts of problems for artists attempting to get here from around the world. Certainly, we are being denied some of the... Read more... |
Postcards from the 48% review - wistful memorial to forgotten valuesSaturday, 07 July 2018
Writer and director David Nicholas Wilkinson felt moved to make his reflective, rather melancholy documentary on the 48% who voted to remain in the EU, he says, because nobody else was making one. When it came to funding the project, not a single... Read more... |
ArtReview Power 100 - an artist tops the listFriday, 03 November 2017
Annual lists of the richest, the most powerful, the movers and shakers, have an awful fascination: like gossip, we like to look and comment while feeling slightly morally compromised. But they also have a function as a snapshot of where we are at.... Read more... |
Who Should We Let In? Ian Hislop on the First Great Immigration Row, review – how history repeats itselfFriday, 23 June 2017
Immigration…immigration… immigration… that’s what we need! Not the words of record-breaking, tap-dancing trumpeter Roy Castle, rather it’s the gist of a Times leader from 1853 (admittedly, fairly heavily paraphrased). It was just one of the eye-... Read more... |
