Britten
Nick Pritchard, Ian Tindale, Edinburgh International Festival 2023 review - a partnership in which to lose yourselfSaturday, 26 August 2023
Several years ago I got chatting to a young tenor who was training at the Royal Northern College of Music. He was enjoying his studies, but complained that, as a British tenor, he got offered a lot of Britten and Handel but not an awful lot else.... Read more... |
National Youth Choir of Scotland, RSNO, Bell / Quasthoff, Amatis Trio, Edinburgh International Festival 2023 review - from the heights to the depthsTuesday, 15 August 2023
The National Youth Choir of Scotland have the most easily pronounceable acronym in Scottish music: everyone up here knows who you’re talking about when you mention NYCOS.They’ve been going from strength to strength under their Artistic Director,... Read more... |
Classical CDs: Nuts, bolts and blu-tacSaturday, 08 July 2023
Michael Blake: Afrikosmos Antony Gray (piano) (Divine Art)It’s all in the name; the six volumes of Bartók’s Mikrokosmos were indeed the model for Afrikosmos, a sequence of 75 short pieces by South African composer Michael Blake (b.1951). As... Read more... |
Sinfonia of London, Wilson; Kolesnikov/Tsoy; Bozzini Quartet; Phantasm, Aldeburgh Festival review - new sounds for oldTuesday, 20 June 2023
You don’t expect to visit the Britten-Pears shrine in Suffolk and come back raving about Edward Elgar. Yes, Elgar. On Sunday evening, John Wilson and his Sinfonia of London brought the composer’s Second Symphony to Snape Maltings: that marshland... Read more... |
Osborne, BBC Philharmonic, Glassberg, Bridgewater Hall, Manchester review - energy and virtuosityMonday, 19 June 2023
The BBC Philharmonic ended its 2022-23 season in Manchester with a programme that might have been chosen as a showpiece for virtuosity.There was orchestral virtuosity in the form of Rachmaninov’s Symphonic Dances, pianistic virtuosity in the shape... Read more... |
Classical CDs: Nursery rhymes, anvils and polar explorersSaturday, 10 June 2023
Isata Kanneh-Mason: Childhood Tales (Decca)Ernst von Dohnányi’s Variations on a Nursery Song is one of the great concertante works for piano and orchestra, rightly compared to a full-scale concerto by soloist Isata Kanneh-Mason. You’ll... Read more... |
Castalian String Quartet, Wigmore Hall review - late Britten keeps equally demanding companySaturday, 29 April 2023
Rigorous, hauntingly original and unlike each other, Britten’s three numbered quartets could share a programme and still stake equal claims on our attention. That might be tough on the players, but the Castalians haven’t been easy on themselves in... Read more... |
Castalian String Quartet, Wigmore Hall review - genius in works and performanceThursday, 26 January 2023
The Castalian String Quartet is half what I remember, but only literally: while viola-player Charlotte Bonneton and cellist Christopher Graves may have departed, their replacements, Ruth Gibson and Steffan Morris, more than earned their... Read more... |
Britten Weekend, Snape review - diverse songs to mostly great poetry overshadow a problem operaTuesday, 01 November 2022
In usual circumstances, a fully staged opera and every voice-and-piano song-cycle by a single genius in one weekend would be an embarrassment of riches. The only problem about Britten hitting the heights, above all in setting toweringly great poetry... Read more... |
The Turn of the Screw, Garsington Opera review - terrors and tragedyMonday, 11 July 2022
After the long interval, as darkness falls, the screw turns in this Garsington revival more woundingly than any I can remember for Britten's most concentrated masterpiece. Evil chords, trills, cadenzas and silences from the 13 superb Philharmonia... Read more... |
Ridout, SCO, Manze, Queen’s Hall, Edinburgh review - sensual mystery and searing intensitySaturday, 07 May 2022
The programme for this concert had Andrew Manze’s fingerprints all over it. Of all the Scottish Chamber Orchestra’s semi-regular guest conductors, he’s the one who most consistently delivers on the highest level. A thinker to his fingertips, he... Read more... |
Peter Grimes, Royal Opera review - impressive, not quite devastatingFriday, 18 March 2022
"Why does he have to sentimentalise this piece?", Britten is reported by former Royal Opera director John Tooley to have said of Jon Vickers as Peter Grimes the tormented fisherman, so very different from the composer's life partner and creator of... Read more... |
