fri 25/09/2020

Bruckner

Classical Vinyl Weekly: Bruckner, Smetana

 Bruckner: Symphony No. 7 Berliner Philharmoniker/Bernard Haitink (Berliner Philharmoniker Recordings)Bruckner symphonies rarely include fast tempi and never feature Stravinskian changes of metre, but they do need conductors with enough stamina...

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Classical CDs Weekly: Bruckner, Elgar, Prokofiev

 Bruckner: Symphony No. 8 Australian World Orchestra/Sir Simon Rattle (ABC Classics)I love Bruckner’s mature symphonies, but they still baffle me. Mostly in terms of how certain performances work, or don’t work, and the near-impossibility of...

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Classical CDs Weekly: Bruckner, Holst, Piazzolla

 Bruckner: Symphony No. 9 Pittsburgh Symphony Orchestra/Manfred Honeck (Reference Recordings)I’m midway through exploring a cycle of symphonies by Heinz Winbeck, a German contemporary composer very much in the Bruckner tradition. I’ll report...

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Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraint

No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and...

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Classical CDs Weekly: Beethoven, Bruckner, Notice Recordings

 Beethoven: Piano Sonatas 1-32 Igor Levit (Sony)“Beethoven paid no attention at all to the conventions of his own time In fact, he only ever wrote music for the future.” One strength of Igor Levit’s magnificent traversal of Beethoven’s piano...

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Prom 60: Ax, Vienna Philharmonic, Haitink review - moving mountains at 90

His movements are minimal (perhaps they always were). A more intense flick of the baton, a sudden wider sweep of the expressive left hand, can help quicken a tempo, draw extra firepower from the players, but Bernard Haitink's conducting is still the...

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LSO, Guildhall School, Rattle, Barbican review - irresistible momentum

The Barbican Hall hardly boasts the numinous acoustic of Gloucester Cathedral for which Vaughan Williams composed his Fantasia on a Theme of Thomas Tallis, but Sir Simon Rattle has long known how to build space into the architecture of what he...

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Classical CDs Weekly: Bartók, Bruckner, Busoni

 Bartók: Complete String Quartets Quatuor Diotima (Näive)Technical infallibility is now a non-negotiable when it comes to Bartók's six fiendishly difficult string quartets. Still, there's much more to these pieces than simply hitting the right...

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Fellner, LSO, Haitink, Barbican review - the master at 90

So this is how Bruckner's Fourth Symphony should go. It's taken a master conductor just past his 90th birthday and an orchestra on top form to teach me. No doubt Claudio Abbado and Brucknermeister Gunter Wand could have done so, too, but I never...

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LSO, Rattle, Barbican review - Bartók dances, Bruckner sings

Bartók’s Music for Strings, Percussion and Celesta and Bruckner’s Sixth Symphony: few other conductors could get away with programming two such monolithic works, but Simon Rattle has a lightness of touch that can leaven even the weightiest musical...

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Pick of the 2018 BBC Proms: women composers first and last, blockbuster Bernstein

Let's be honest, this is the least interesting Proms season on paper for years, at least in terms of adventurous repertoire choices, following on the heels of the best in 2017. Yet in statistical terms it's more comprehensive and multi-media-...

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Berlin Philharmonic, Rattle, RFH review - everything but inscape

Questions of interpretation apart, Simon Rattle has yet again proved the great connecter, this time in concerts separated by just over a month. Having set his seal on his new, galvanizing partnership with the London Symphony Orchestra by asserting,...

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