cello
Capuçon, RPO, Dutoit, Royal Festival HallWednesday, 30 March 2016
Charles Dutoit gets the best from the Royal Philharmonic. He conducts with broad, sweeping gestures, and the orchestra responds with dramatic immediacy and vivid colours. This concert’s programme was well chosen to play to their shared strengths,... Read more... |
Written By Mrs Bach, BBC FourSaturday, 21 March 2015
The Australian musician and musicologist Martin Jarvis, connected with Charles Darwin University in the Northern Territory, has been obsessed for the past 25 years with proving that Anna Magdalena Wilcke, Johann Sebastian Bach’s second wife, was not... Read more... |
Alexander Ivashkin Memorial Concert, Queen Elizabeth HallFriday, 13 February 2015
A memorial concert to a busy man. Alexander Ivashkin, who died last January, was a cellist, a scholar, a teacher, an authority on Russian music, and much else besides. This evening’s concert faced up to the daunting challenge of commemorating the... Read more... |
Queyras, Melnikov, Wigmore HallMonday, 01 December 2014
Even the most reluctant of completists should find the prospect of the Beethoven works for cello and piano undaunting. In their totality, these pieces consist of just five sonatas and three sets of variations, which fit neatly on to just two CDs, or... Read more... |
Classical CDs Weekly: Hindemith, Colin Matthews, Walton, The Vocal ConstructivistsSaturday, 15 November 2014
Colin Matthews: No Man's Land, Crossing the Alps, Aftertones Hallé Orchestra, Hallé Choir, Hallé Youth Choir/Nicholas Collon and Richard Wilberforce, with Ian Bostridge (tenor) and Roderick Williams (baritone) (Hallé)Colin Matthews is still... Read more... |
Prom 50: Weilerstein, Czech Philharmonic Orchestra, BělohlávekMonday, 25 August 2014
Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun quality, warm and engaging and full of bright-eyed distinction in the woodwinds.... Read more... |
Gerhardt, Osborne, Queen's Hall/Keyrouz, Ensemble de la Paix, Greyfriars Kirk, EdinburghThursday, 14 August 2014
“Ah now, I can’t promise you sun,” says a Scots lady-in-waiting of her native weather to a novice Englishwoman near the start of Rona Munro’s masterly James Plays. It’s the first of many references to make the audience laugh knowingly. Well, after... Read more... |
Moser, London Philharmonic Orchestra, Michail Jurowski, Royal Festival HallThursday, 31 October 2013
Imagine how discombobulated the audience must have felt at the 1962 premiere of Shostakovich’s most outlandish monster symphony, the Fourth, 26 years after its withdrawal at the rehearsal stage. Those of us hearing its natural successor, Schnittke’s... Read more... |
Mørk, Padmore, LPO, Jurowski, Royal Festival HallThursday, 03 October 2013
Interviewed live just before his Proms performance of Britten’s Serenade, Ben Johnson was asked the usual question as to whether the composer wrote especially well for the tenor voice. “He writes amazingly for every instrument,” came the reply. If... Read more... |
theartsdesk in Bodø: a World of Music inside the Arctic CircleSunday, 11 August 2013
“Rock ‘n’ roll was invented in Bodø about 1922,” declares Elvis Costello before kicking into “A Slow Drag With Josephine”. “Then it crept down to Trondheim,” he continues. “Then the squares in Oslo got it about 1952.” Up here, 25km inside the Arctic... Read more... |
Mørk, Philharmonia Orchestra, Salonen, Royal Festival HallFriday, 08 March 2013
Curious and curiouser. Lutosławski’s Cello Concerto, centrepiece of Esa-Pekka Salonen’s latest Philharmonia concert celebrating the Polish master’s centenary, adds ballast to the idea that the composer, like Schoenberg and Tippett, burrowed into a... Read more... |
Mørk, LPO, Nézet-Séguin, Royal Festival HallThursday, 22 November 2012
Mozart and Wagner were the opposite compass points of Richard Strauss’s classical-romantic adventuring, and Amadeus has often made an airy companion to the rangy orchestral tone poems in the concert hall. By choosing Haydn instead as the clean... Read more... |
