classical ballet
The Invitation/Obsidian Tear/Within the Golden Hour, Royal BalletMonday, 30 May 2016
It shows you just how much Kenneth MacMillan changed ballet in this country that 1960's The Invitation, with its onstage rape, sexual grooming and child abuse, can act as the reassuring classic at the heart of the new Royal Ballet triple bill which... Read more... |
Stravinsky: Myths & Rituals, Philharmonia, Salonen, RFHMonday, 16 May 2016
Looking past the ballets for Diaghilev, there are still many superb scores by Stravinsky honoured more in scholarship than performance. In Myths and Rituals, the Philharmonia addresses that lack of wider appreciation with five concerts from May to... Read more... |
Carlos Acosta: A Classical Farewell, Birmingham HippodromeSaturday, 07 May 2016
Appearing before theatres full of middle-aged women in just your underpants is certainly one way to throw a retirement party. It may not be everybody's choice, but then Carlos Acosta is not like everybody, and never has been.For me, what marks... Read more... |
theartsdesk in Berlin: Three BalletsSunday, 03 April 2016
In London, seeing the same ballet company do three different pieces in three different theatres over four nights would be some kind of festival. In Berlin, it's just business as usual – albeit quite a busy week! – for the hard-working Staatsballett... Read more... |
Giselle, Royal BalletSaturday, 27 February 2016
One of the secrets to enjoying life is mastering the creative use of disappointment. Many in the Covent Garden audience last night were no doubt deeply disappointed not to be seeing Natalia Osipova's legendary portrayal of the title role in Giselle... Read more... |
Rhapsody/The Two Pigeons, Royal BalletMonday, 18 January 2016
Perhaps the director of the Royal Ballet is a pigeon fancier? With this January run of The Two Pigeons following hard on the heels of one in November, the Royal Ballet's dancers have spent most of the autumn and winter practising the fluttering,... Read more... |
Cinderella, Scottish Ballet, Edinburgh Festival TheatreThursday, 07 January 2016
When producing Cinderella, the main question is: sweet or sour? That Prokofiev score is splendid, but it's no walk in a candy shop; in Act I the stepsisters have passages so scraping, spiky and dissonant that sugar-coating would seem to be out... Read more... |
Best of 2015: Dance & BalletThursday, 31 December 2015
It was business as usual in the British dance world in 2015. Looking back over the year, theartsdesk's dance critics see the industry's many talented, capable people continuing to do their jobs well, but we don't recall being shaken, stirred or... Read more... |
Nutcracker, English National Ballet, London ColiseumFriday, 18 December 2015
Christmas legends are not born; they are made. In the case of the Nutcracker, its Christmas indispensability in Britain and America stems not from the original 1892 St Petersburg production, but from 1950s reinterpretations by emigré Russians (... Read more... |
The Nutcracker, Royal BalletThursday, 10 December 2015
With its hybrid Romantic-kitschy plot, chocolate-advert Tchaikovksy tunes, and baggage of obligatory Christmas cheer, the Nutcracker is harder to get right than you might think if you've only ever seen Sir Peter Wright's Royal Ballet version, now... Read more... |
The King Dances, Birmingham Royal Ballet, Sadler’s WellsSaturday, 17 October 2015
For an art form with a marked penchant for looking over its shoulder, it’s surprising how rarely ballet has exploited its own origins story – not least given the fabled opulence and style of its leading character. The Sleeping Beauty makes a nod to... Read more... |
Swan Lake, Birmingham Royal Ballet, Sadler's WellsWednesday, 14 October 2015
Swan Lakes are not created equal. In fact they are not even created the same: ballet is the art form with the evanescent repertoire, in which First Folios – or any folios – are singularly scarce. Even with a classic as beloved as Swan Lake... Read more... |
