contemporary ballet
Choreographics, English National Ballet, Barbican PitFriday, 23 May 2014
“We want to be the most creative and the most loved ballet company in this country,” Tamara Rojo told the audience in the Barbican Pit last night. “We want you to love us.” The director of English National Ballet knows a thing or two about gaining... Read more... |
Serenade/Sweet Violets/DGV, Royal BalletThursday, 15 May 2014
Some artists acquire (or create) cults of personality because – Byron, Wagner or Van Gogh – they are just so obviously fruity. Some others, though less fruity, are venerated because their work is so tear-prickingly astonishing that we are desperate... Read more... |
Romeo and Juliet, Scottish BalletThursday, 15 May 2014
Watching The Royal Ballet’s The Winter’s Tale a few weeks ago, I was struck by the quasi-absurdity of adapting the Bard for dance - a thought numerous choreographers must have encountered while toying with the idea. The complexity of Shakespeare’s... Read more... |
6000 Miles Away, Sylvie Guillem, Birmingham HippodromeThursday, 08 May 2014
When Sylvie Guillem became, at 19, the youngest person ever to reach the top rank of the Paris Opéra, she gained a job title – étoile (star) – that uncannily captured her essence. Most companies call their top dancers principal or prima ballerina or... Read more... |
Concert Dansé, Symphony Hall, BirminghamMonday, 05 May 2014
On the back wall of Birmingham Symphony Hall’s great oval space, two musicians are poised on a glass balcony that gives the illusion of not being there at all. A small square of warm light picks them out, vivid against the hall’s darkness. So framed... Read more... |
Quatrain/Kin./Les Rendezvous, Birmingham Royal Ballet, Crescent TheatreSunday, 27 April 2014
It is proof, as if more were needed, of how very right-on Birmingham Royal Ballet’s director David Bintley is, that he chose to open the International Dance Festival currently taking place in that city with two specially commissioned ballets... Read more... |
Rodin, Eifman Ballet, London ColiseumWednesday, 16 April 2014
Before Boris Eifman’s second visit to London this week, ballet lovers who missed the divisive Russian dancemaker last time round will have been weighing up the merits of a punt on a ticket. If they were basing their calculations on reviews, I... Read more... |
Sadler’s Wells, Ambitious New PlansTuesday, 05 November 2013Alastair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, today announced that the theatre is looking for a fourth London venue, which it hopes will open in just four years’ time.Not content with two proscenium spaces (the main stage... Read more... |
Rambert Triple Bill, Sadler's WellsWednesday, 23 October 2013
After a busy year, moving their headquarters from Chiswick to new premises on the South Bank, Rambert dance company have managed to keep momentum working with stalwarts such as Ashley Page and Mark Baldwin as well as branching out with... Read more... |
Bintley Triple Bill, Birmingham Royal Ballet, Sadler’s WellsWednesday, 16 October 2013
Is David Bintley the one that got away, the wrong turning the Royal Ballet took in the early 1990s? I have long thought so, and watching their current triple bill, the feeling only grows. Bintley trained at the Royal Ballet School, graduated into... Read more... |
Sylvie Guillem, 6000 Miles Away, Sadler's Wells TheatreTuesday, 21 May 2013
People go to see Sylvie Guillem the way they used to go to Isadora Duncan or Anna Pavlova, to see a living legend, a game-changer. Guillem became one of dance’s handful of game-changers not when she was the controversially over-fashioned classical... Read more... |
Nacho Duato, Mikhailovsky Ballet, London ColiseumTuesday, 09 April 2013
The Mikhailovsky Ballet closed their epic two-week Coliseum season with modern works by their director, Nacho Duato, presumably hoping to display their capabilities at all dance forms. Multiplicity. Forms of Silence and Emptiness is a work in two... Read more... |
