crime
The Dumb Waiter, Hampstead Theatre review - menace without a hint of mirthThursday, 10 December 2020
Add the Hampstead Theatre to the swelling ranks of playhouses opening its doors this month, in this case with a revival well into rehearsal last spring when the first lockdown struck. Re-cast in the interim, Alice Hamilton's 60th-anniversary... Read more... |
County Lines review - a scary descent into drug-dealer purgatoryThursday, 03 December 2020
This debut feature by writer/director Henry Blake is a shocking and remarkably assured drama about the “county lines” trade, where children are used as drug traffickers. Using mobile phones, city-based drug dealers employ kids to ferry their product... Read more... |
The Undoing, Series Finale, Sky Atlantic review - bluff and double-bluff as the truth is revealedTuesday, 01 December 2020
Throughout its preceding five episodes, The Undoing (Sky Atlantic) has skilfully, if a little shamelessly, kept the fickle finger of suspicion in perpetual motion. Though Hugh Grant’s oily, untrustworthy oncologist Jonathan Fraser has been smack in... Read more... |
What a Carve Up!, Barn Theatre online review – ingenious whodunnitMonday, 30 November 2020
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator. Postmodern murder mysteries play games with the genre, turning it upside down and inside out. This film adaptation of What a Carve Up!, Jonathan Coe’s 1994... Read more... |
Time review - a stunning portait of enduring loveThursday, 15 October 2020
Sometimes in fictional cinema, a character can seem so strong, so righteous, that you begin to doubt the reality of the piece. How can anyone be that good when faced with such hardship? Perhaps these thoughts make us feel better about ourselves, and... Read more... |
Ottessa Moshfegh: Death in Her Hands review - a case of murder mindTuesday, 29 September 2020
Death in Her Hands was a forgotten manuscript, the product of a series of daily automatic writing exercises performed by Ottessa Moshfegh in 2015 and then set aside to marinade in a desk drawer while the world fell apart. Moshfegh’s characters “zoom... Read more... |
Hendrix and the Spook review - a search for clarity in murky watersSaturday, 19 September 2020
September 18th is the 50th anniversary of Jimi Hendrix’s death, an appropriate moment to release Hendrix and the Spook, a documentary exploring the vexed question: was it murder, suicide or a tragic accident? Trying to unravel this conundrum,... Read more... |
Savage review - an immersive look at gang culture in Wellington, New ZealandThursday, 10 September 2020
Not to be confused with Savages, the Oliver Stone film of 2012 about marijuana smuggling, Savage is a story of New Zealand street gangs: how to join and how to escape, which, when you’ve got the words Savages and Poneke (the Maori name for... Read more... |
The Unbelievable Story of Carl Beech, BBC Two review - a stomach-turning swamp of lies and incompetenceTuesday, 25 August 2020
The story of the malignant fantasist Carl Beech is one of the more iniquitous episodes in British legal history, a stomach-turning swamp of lies, gullibility and heinous incompetence. It shook faith in some of our supposedly most robust institutions... Read more... |
Infamous review - Bonnie and Clyde for the digital age fails to deliverThursday, 30 July 2020
Like a sub-par Natural Born Killers for Gen Z, director-screenwriter Joshua Caldwell’s latest film, featuring Disney-child-star-turned-porn-director Bella Thorne, tackles the perils of social media like a parent trying to navigate TikTok.... Read more... |
Piranhas review - riding with the teenage gangs of NaplesThursday, 23 July 2020
Roberto Saviano’s book Gomorrah shone a blinding light on the Camorra crime clans of Naples, and spun off an acclaimed film and equally admired TV series. This film version of his 2016 novel La paranza dei bambini (“The Children’s Gang”) isn’t in... Read more... |
Clemency review - devastating death row dramaThursday, 16 July 2020
“All we want is to be seen and heard,” explains a lawyer to a death row inmate, paraphrasing a line from Ralph Ellison’s novel Invisible Man, from which Chinonye Chukwu’s new film Clemency takes inspiration.Chukwu’s film, like Ellison’s... Read more... |
