mon 17/12/2018

directors

Fiddler on the Roof, Menier Chocolate Factory review - family matters in this sensitive musical revival

There’s a welcome alternative to panto hijinks in this gem of a Trevor Nunn musical revival – more attuned to the biting hardships of winter, and to the elegiac aspect of change, than to festive jollies. Which is not to say that there isn’t rousing...

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Kidding, Sky Atlantic review - tears of a clown

There’s no one right way to grieve. It cuts through everyone differently, whether reverting to childhood traits or out-of-character impulses. The person you lose might mean one thing to you, and something completely different to someone else; it can...

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Macbeth, Shakespeare's Globe review - sexually-charged production draws power from the shadows

Macbeth has rarely seemed quite as metrosexual as in this gorgeous shadow-painted production that marks Globe artistic director Michelle Terry’s first production in the Sam Wanamaker theatre. Even in a play that walks the tightrope between its...

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Laurent Cantet: 'Young people have different preoccupations nowadays' – interview

Like Ken Loach and the Dardennes brothers, Laurent Cantet is a filmmaker with a keen interest in social issues and themes, often using non-professional actors and a naturalistic approach, but perfectly willing to inject a little plot contrivance to...

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Robert Hastie: 'a seam of love runs through the play' - interview

Robert Hastie is a little late for our meeting. Directing Shakespeare's darkest tragedy in London while also running Sheffield Theatres must sometimes cause a logjam of simultaneous demands, but whatever the morning's problem in the north of England...

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Wildlife review - Paul Dano's tense directorial debut

A revelatory moment comes hallway through Wildlife when frustrated American housewife Jeanette Brinson (Carey Mulligan) is observed standing alone in her family’s backyard by her 14-year-old son Joe (Ed Oxenbould), the film’s anxious, steadfast...

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Erik Poppe and Andrea Berntzen: 'When white young men do stuff like this, we just shake our heads'

On 22nd July 2011, on a tiny island off the Norwegian coast, 69 young people were killed, with another 109 injured in a terrorist attack. It was the darkest day in Norway since World War Two, and one that is still evident in its news, politics and...

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LFF 2018: The Favourite review - Queen Anne's bizarre love triangle

Olivia Colman will in due course be appearing as Elizabeth II in The Crown, surely a role of a very different hue to her portrayal of Queen Anne in Yorgos Lanthimos’s The Favourite (shown at LFF). It’s the beginning of the 18th Century, and England...

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Company, Gielgud Theatre review - here's to a sensational musical rebirth

The most thrilling revivals interrogate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical comedy Company makes a bold,...

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Parents' Evening, Jermyn Street Theatre - chemistry so negligible it's antiseptic

The playwright Bathsheba Doran has blazed a stellar trail ever since graduating from Cambridge at the same time as David Mitchell and Robert Webb. After writing for them on the sketch show Bruiser, she earned her spurs as a comedy writer on Smack...

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The Sweet Science of Bruising, Southwark Playhouse review - boxing clever

There are not that many plays about sport, but, whether you gamble on results or not, you can bet that most of them are about boxing. And often set in the past. Joy Wilkinson's superb new drama, The Sweet Science of Bruising, comes to the Southwark...

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Sir Peter Hall: a day of thanksgiving and celebration for a colossus of culture

Sir Peter Hall had no ordinary life, as might be expected from the director who more than any other defined the British theatre of the last half of the 20th century. The same can be said of the unforgettable two-part send-off he received exactly a...

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