mon 18/10/2021

directors

Macbeth, Almeida Theatre review – vivid, but much too long

Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening lines, “When shall we three meet again?”, a phrase evocative enough to be borrowed as the first line of this year’s Wolf Alice album, Blue Weekend....

Read more...

Black Bear review - unexpected knotty treat

We’ve all experienced the “fast food film” – enjoyable while we watch it, but realise afterwards it was an empty thrill with little nutritional value. Much rarer is the film that can only be truly appreciated once the credits roll. Black Bear, with...

Read more...

Filmmaker Darius Marder: 'Deafness is a culture. That's not being PC'

Sound of Metal has been a long time coming. Director and writer Darius Marder faced years of delays ranging from casting changes to the whole world shutting down. Was it worth the wait? Well, six Academy Award nominations including Best Film...

Read more...

One Night in Miami review - black history come alive

In 1964, Cassius Clay, NFL superstar Jim Nathaniel Brown, soul legend Sam Cooke and political firebrand Malcolm X gathered for one night in a dingy room at the Hampton Motel. It was a meeting that became a symbol of hope for black Americans. A photo...

Read more...

Best of 2020: Film

It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of...

Read more...

Ma Rainey’s Black Bottom review - keeping things theatrical

There was always bound to be a hint of melancholy watching George Wolfe’s Ma Rainey’s Black Bottom. Try as you might to focus on the film, you can never quite shake the fact that you’re watching the final performance of Chadwick Boseman, whose life...

Read more...

Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'

Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into...

Read more...

Billie review – new documentary captures the rebel

Listen to "The Blues are Brewin", "You Better Go Now", or even "I’ll be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience. She lived a...

Read more...

David Attenborough: A Life On Our Planet review - is the end nigh?

At 93-years-old and with a career that spans nearly 60 years, David Attenborough has spent a lifetime transporting audiences from the comfort of their sofas to the dazzling, often bewildering, majesty of the natural world. Now, he offers what he...

Read more...

Tenet review - a heady delight

Go back over Christopher Nolan’s films and count the clocks. He has an obsession that would give a horologist a run for his money. Time is a continual motif of his body of work and it finds its zenith in his latest work Tenet. Beneath the...

Read more...

The Old Guard review - serious silliness

It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare...

Read more...

Family Romance, LLC review - the chameleon blues

Werner Herzog’s appearance in The Mandalorian paid for this deadpan, documentary-like slice of extreme Japanese life, suggesting how the director’s amusingly doomy Teutonic persona now dominates his own cinema.Family Romance is a real company which...

Read more...
Subscribe to directors