fri 15/11/2024

directors

Bird review - travails of an unseen English tween

There’s a jolt or a surprise in almost every shot in Andrea Arnold’s Bird – her most impacted and energised depiction of underclass life yet. Photographed by Robbie Ryan, it’s a visual tour de force, one of the most exhilarating British films of...

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Kingdom of the Planet of the Apes review - a post-human paradise

Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich, deepening milieu. Director Wes Ball again offers serious sf, just as much as Dune, considering the consequences...

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Oh What A Lovely War, Southwark Playhouse review - 60 years on, the old warhorse can still bare its teeth

In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP."That might be the only point...

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Spider-Man: No Way Home review - The web-slinger returns

A brief warning to readers: while effort is made to avoid spoilers, I would advise anyone who has somehow missed the massive amount of online speculation about the film’s plot to not read on. See the film first, and please come back. Right… on...

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Macbeth, Almeida Theatre review – vivid, but much too long

Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening lines, “When shall we three meet again?”, a phrase evocative enough to be borrowed as the first line of this year’s Wolf Alice album, Blue Weekend....

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Black Bear review - unexpected knotty treat

We’ve all experienced the “fast food film” – enjoyable while we watch it, but realise afterwards it was an empty thrill with little nutritional value. Much rarer is the film that can only be truly appreciated once the credits roll. Black Bear, with...

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Filmmaker Darius Marder: 'Deafness is a culture. That's not being PC'

Sound of Metal has been a long time coming. Director and writer Darius Marder faced years of delays ranging from casting changes to the whole world shutting down. Was it worth the wait? Well, six Academy Award nominations including Best Film...

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One Night in Miami review - black history come alive

In 1964, Cassius Clay, NFL superstar Jim Nathaniel Brown, soul legend Sam Cooke and political firebrand Malcolm X gathered for one night in a dingy room at the Hampton Motel. It was a meeting that became a symbol of hope for black Americans. A photo...

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Best of 2020: Film

It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of...

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Ma Rainey’s Black Bottom review - keeping things theatrical

There was always bound to be a hint of melancholy watching George Wolfe’s Ma Rainey’s Black Bottom. Try as you might to focus on the film, you can never quite shake the fact that you’re watching the final performance of Chadwick Boseman, whose life...

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Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'

Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into...

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Billie review – new documentary captures the rebel

Listen to "The Blues are Brewin", "You Better Go Now", or even "I’ll be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience. She lived a...

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