sat 23/06/2018

drama

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.City of Ghosts ★★★★ Chilling but inspiring report on Syria's citizen...

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The Ciambra review - supremely effective storytelling

The Ciambra is a wonderful and subtle piece of filmmaking. Director/writer Jonas Carpignano captures the genuine heart and fire of family relationships with an amateur cast of relatives, led by the magnetic young Pio Amato. By trusting the audience...

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My Name is Lucy Barton, Bridge Theatre review - Laura Linney is luminous in a flawless production

In Harold Pinter’s memory play Old Times, one of the women declares, “There are some things one remembers even though they may never have happened.” Elizabeth Strout’s heroine in My Name Is Lucy Barton is in the reverse position. When it comes to...

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Der fliegende Holländer, Longborough Festival review - stand and deliver on an empty stage

Brilliant and innovative though it is in many respects, The Flying Dutchman is by no means a straightforward piece to stage. It’s an odd, sometimes uncomfortable mixture of the genre and the epic. At Sadler’s Wells in the sixties they had a little...

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Fatherland, Lyric Hammersmith review - loud and proud, shame about the content

Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial subject for British new writing, and this new piece from playwright Simon Stephens, Frantic Assembly director Scott Graham and Underworld musician Karl Hyde...

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Translations, National Theatre review - an Irish classic returns with cascading force

What sort of physical upgrade can a play withstand? That question will have occurred to devotees of Brian Friel's Translations, a play that has thrived in smaller venues (London's Hampstead and Donmar, over time) and had trouble in larger spaces: a...

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DVD/Blu-ray: The Post

Spielberg’s prequel to All the President’s Men was filmed at speed, and aimed squarely at the press-hating Trump, not the late Tricky Dick. This contemporary intent is already fading. What remains is the director’s second return, after Munich, to...

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The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's muse

They say that behind every successful man is a strong woman. The Flying Lovers of Vitebsk is as much – if not more so – the championing of the unsung hero in this story of the famous early modernist artist, Marc Chagall. His wife, Bella – early muse...

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The Wound review - gay love hurts in strong South African drama

The title of South African director John Trengove’s powerful first feature works in more ways than one. In its literal sense, it alludes to the ritual circumcision, or ukwaluka, that accompanies the traditional rite of passage for young Xhosa men,...

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True Horror, Channel 4 review - a Ronseal approach to ghost stories

As if the real world wasn’t scary enough... Ghost stories are en vogue at the moment, and after the BBC’s hit-and-miss Requiem, Channel 4 brings True Horror to the small screen – a collection of "real" ghost stories, told by witness interviews and...

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Custody review - unflinching and masterful

Divorce proceedings turn sour in this devastating debut from writer/director Xavier Legrand. Using the full palette of human behaviour, Custody expertly balances high tension and grounded realism to create a timely and lingering film.We start at a...

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The Plough and the Stars, Lyric Hammersmith review - trenchant reimagining of Irish classic

Sean Holmes is artistic director of the Lyric Theatre, Hammersmith, yet his revival of this seminal Irish play has taken two years to come home to him. The production was commissioned by the Abbey Theatre, Dublin, to mark the centenary of the Easter...

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