drama
Alys, Always, Bridge Theatre review - mildly perverse but rather dispiritingThursday, 07 March 2019
Okay, so this is the play that will be remembered for the character names that have unusual spellings. As in Alys not Alice, Kyte not Kite, etc. Anyway, Lucinda Coxon's adaptation of journalist Harriet Lane's 2012 bestseller for the Bridge Theatre... Read more... |
Ray & Liz review - beautifully shot portrait of povertyWednesday, 06 March 2019
Ray’s world has shrunk to a single room in a council flat. His life consists of drinking home-brew, smoking, gazing out of the window, listening to Radio 4 and sinking into an alcohol-induced stupour. There’s no need ever to leave his bedroom... Read more... |
The Son, Kiln Theatre review - darkly tragicThursday, 28 February 2019
Well, you have to give it to French playwright Florian Zeller — he's certainly cracked the problem of coming up with a name for each of his plays. Basically, choose a common noun and put the definite article in front of it. His latest, The Son, is... Read more... |
Jellyfish review - life on the edge in MargateWednesday, 13 February 2019
Oh I do like to be beside the seaside – well perhaps not, if Jellyfish is anything to go by. Set in Margate, this independent feature paints a picture of a town and people that have been left behind. Cut from the same cloth as Ken Loach’s I, Daniel... Read more... |
If Beale Street Could Talk review - love defies racism in James Baldwin adaptationSunday, 10 February 2019
Films that show a young couple’s love deepening are rare because without personal conflict there’s no narrative progression. They're especially rare in the current mainstream American cinema since romantic dramas are commercially risky, though LGBTQ... Read more... |
Blue, Chapter Arts Centre review - heartbreak in the family homeFriday, 08 February 2019
What's worse than grieving? That all-consuming loss. For those that have experienced it, nothing really comes close. It starts to bug Thomas (Jordan Bernarde, main picture second right) during his visit to the Williams household. Recently bereaved... Read more... |
Can You Ever Forgive Me? review - no page unturned in a comedy about literary forgerySaturday, 02 February 2019
What is it with all these new films based on biographies? Vice, Green Book, The Mule, Stan & Ollie, Colette… and that’s before we even get to the royal romps queening up our screens. At least Can You Ever Forgive Me? brings a lifestory... Read more... |
Burning review - an explosive psychological thrillerSaturday, 02 February 2019
Burning, which is the first film directed by the Korean master Lee Chang-dong since 2010’s Poetry, begins as the desultory story of a hook-up between a pair of poor, unmotivated millennials – the girl already a lost soul, the boy a wannabe writer... Read more... |
The Mule review - good ol' boy rides againSaturday, 26 January 2019
Baggage can weigh a movie down. The Mule comes with quite a bit of baggage, and not just the kilos of coke stashed in the car’s trunk. Clint Eastwood’s fifty plus years as a screen icon turned director, his dodgy love life and libertarian politics... Read more... |
Destroyer review - Kidman shines in middling crime dramaSaturday, 26 January 2019
Destroyer. It’s an apt name. Like the film, it's grandiose and blunt. Nicole Kidman is almost unrecognisable (a requirement when aiming for nominations) as Detective Erin Bell, a damaged survivor of an undercover heist gone wrong. When her target... Read more... |
When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the NationalThursday, 24 January 2019
When it was announced that Cate Blanchett was making her National Theatre debut with Martin's Crimp's new play, When We have Sufficiently Tortured Each Other, its website exploded with people wishing to buy tickets. To those many thousands... Read more... |
Mary Queen of Scots review - Saoirse Ronan and Margot Robbie excelSaturday, 19 January 2019
Very much a woman of today, the Catholic Stuart heroine (Saoirse Ronan) of Mary Queen of Scots frequently hacks her way out of a thicket of power-hungry males, enjoys it when her English suitor Lord Darnley (Jack Lowden) goes down on her, and is... Read more... |
