Edinburgh Fringe
Helen Hawkins
The Iranian playwright Nassim Soleimanpour is many things, some seemingly contradictory: a) a clever, poetic playwright who uses high-tech elements in his work to inventive effect; b) a mischievous presence who likes to appear in his own highly unusual plays; c) a man in pain who is traumatised by his self-imposed exile from Iran. This blend helps make his latest, ECHO (Every Cold-Hearted Oxygen), a uniquely enriching experience. This production, which is part of LIFT 2024, is like the pieces he has taken to the Edinburgh Fringe: White Rabbit, Red Rabbit in 2014, Nassim in 2017. Read more ...
Helen Hawkins
Richard Gadd won an Edinburgh Comedy Award in 2016 with material about being sexually abused by a man, in a set called Monkey See, Monkey Do that he performed on a treadmill with a gorilla at his back. He followed that with another piece of writing about abuse, this time meted out by a female stalker, Baby Reindeer, which he performed at the Fringe and then at the Bush Theatre in 2019. Spliced together, these two traumatic experiences now form his bleak Netflix seven-parter of that same name. "Baby Reindeer" is the nickname given to the object of her obsession by a middle-aged woman Read more ...
Helen Hawkins
Many an Edinburgh Fringe transfer has struggled when it moves to the big city, but the Dirty Hare company’s Gunter, sensibly embedded in the Royal Court’s intimate Upstairs space, has settled in nicely, thanks.Originally staged at the best Fringe venue for new theatre-making, Summerhall, where it won a Fringe First award last year, Gunter was devised by Lydia Higman (who also plays drums and Fender lead guitar and serves as narrator), Rachel Lemon (who directs) and Julia Grogan (who performs, main picture). Along with the other two women in the cast, Grogan plays the usual multiple roles Read more ...
Veronica Lee
Ahir Shah, Monkey BarrelAhir Shah is a fast talker, but then in Ends – which deservedly won best show in the Edinburgh Comedy Awards – he has a lot to say. It's a show about multiculturalism, family, identity, fitting in, and encompasses modern history on two continents, so he has a lot to pack in.He starts, more prosaically, by talking about how he got into this comedy lark because, as three generations of his family sat down together to watch Goodness Gracious Me in 1998, it was the first time he had heard his grandparents properly laugh out loud.Shah's family – specifically his late Read more ...
David Kettle
CHOO CHOO! (Or... Have You Ever Thought About ****** **** *****? (Cos I Have)), Pleasance Dome ★★★★Nye and Duncan seem to live a charmed life. Clad in primary-coloured dungarees, they begin their days with a song, and see what adventures the radio has in store for them. Maybe today they’ll be play-acting a game show, or recreating a famous movie scene. Anything to fill the time. Most importantly, they’re counting the days until their holiday. Well, Duncan is.There are a lot of laughs to be had at new company StammerMouth’s slightly sinister send-up of children’s entertainers, but Read more ...
David Kettle
Distant Memories of the Near Future, Summerhall ★★★★About three decades into the future, love has been "solved" – with (what else?) an algorithm, and a healthy splash of AI. It’s so successful, in fact, that states worldwide officially mandate computer-generated coupledom because of its benefits for productivity and consumption. Heaven help you if you’re one of the rare undesirables, unmatchable with another by the ubiquitous Q-PID app. Meanwhile, all the flowers have disappeared, asteroids are being mined for their rare minerals (now exhausted on Earth), and a compulsary daily 10- Read more ...
Veronica Lee
Janine Harouni, Pleasance Courtyard ★★★★Names and identity feature heavily in Janine Harouni’s new show, Man’oushe, itself titled about where her family nickname comes from. Heavily pregnant (the reason why she is ending the show’s Edinburgh run tonight), Harouni tells us her baby’s origin story, and it’s by turns moving and hilarious, as she brings us up to speed with her life since we last saw her at the Fringe in 2019, when she was nominated for best newcomer.Harouni talks about her mixed feelings about becoming a mother, in part formed by her relationship with her parents. And, as an Read more ...
David Kettle
Dark Noon, Pleasance at EICC ★★★★★If there’s a more ambitious theatre production than Dark Noon at the Fringe this year, I’ve yet to see it. That’s ambitious in terms of its staging: during the course of the show’s 100 minutes (yes, it’s a proper, full-length production), virtually an entire town is constructed on a bare red-earth stage right before our eyes. But it’s also ambitious in terms of its themes and subject matter. This is the history of the Wild West, the great American push to the Pacific, frontier pioneers, gold rushes and the law of the gun. It’s a world of corruption Read more ...
Veronica Lee
Tennessee, Rose, Pleasance Dome ★★★Clare Cockburn's new play posits the notion that all the women in Tennessee Williams' work were inspired in some way by his older sister, Rose, who spent most of her life in mental institutions after being lobotomised.Cockburn explores how Tennessee Williams' raw examination of the human spirit and the repeated themes of forbidden love, betrayal and mental fragility in his work came from his own life.Cockburn works in two timeframes: one where Rose (Anne Kidd) is old, feeble in mind and body, and another, back when she and Tennessee (Aron Dochard) are Read more ...
David Kettle
Adults, Traverse Theatre ★★★Outside the festival madness of August, Edinburgh is a bit of a village. So it’s no surprise if you keep bumping into people you know. For entrepreneurial Zara, however, it nonetheless comes as a shock that the latest client at her fair-pay sex-work collective is her former teacher Iain, there to try things out with a guy for the first time. The awkwardness levels crank up even further, though, with the arrival of Jay, Iain’s partner for his allotted 45 minutes, as well as Jay’s crying baby, and a mobile phone that can record the whole affair.There are Read more ...
David Kettle
Casting the Runes, Pleasance Courtyard ★★★★ A viciously critical review gets its unfortunate writer driven mad and sent to an untimely death in this adaptation of a macabre MR James chiller. In that case, I’d better be careful what I say about British movement and puppetry company Box Tale Soup’s fluent two-hand staging. Though to call their Casting the Runes a two-hander isn’t strictly correct: actors Noel Byrne and Antonia Christophers (who also adapted the tale for the stage, adding in a few choice elements from elsewhere in James’s output) are joined by three puppets in Read more ...
Veronica Lee
Rob Auton, Assembly @Roxy ★★★★ Rob Auton has previously done shows around a theme – the colour yellow, hair, the sky, to name a few - because, he says, he can become a little bit obsessed with a subject. Now, though, he wants to do his most personal show yet, hence The Rob Auton Show.It’s a lovely hour of storytelling as he decribes how he came to this point in his life. He talks about his childhood, his early career as a graphic artist, his swerve into comedy, his marriage last year. It’s gentle and heartfelt but packs some very big laughs.Auton, a laidback performer, isn’t a stand-up Read more ...