Edinburgh
Edinburgh Festival and Fringe 2017 reviews round-upMonday, 21 August 2017
Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far.STANDUPAthenu Kugblenu, Underbelly Med Quad ★★★ Strong debut hour of political and identity comedyCally Beaton, The Caves ★★★★ Single... Read more... |
Edinburgh Festival 2017 review: Verdi's Macbeth - exhilarating and overwhelmingMonday, 21 August 2017
Skeletal horses; piles of newborn babies smothered in a bloody sheet; a whole garden centre of prickly pears. There’s no denying that Italian director Emma Dante’s new production of Verdi’s Macbeth, which Turin’s Teatro Regio brings to the Edinburgh... Read more... |
Edinburgh Festival 2017 reviews: Meet Me at Dawn / The Shape of the Pain / Wild BoreFriday, 18 August 2017
Meet Me at Dawn ★★★★★ Edinburgh-based playwright Zinnie Harris is the subject of a particular focus at this year’s Edinburgh International Festival, with three productions in collaborations with leading Scottish theatre companies. Her... Read more... |
Edinburgh Festival 2017 review: Andreas HaefligerWednesday, 16 August 2017
It was an intriguing, contrast-filled programme that Swiss-born pianist Andreas Haefliger brought to Edinburgh for his Queen’s Hall recital at the International Festival. Two masterpieces of musical picture painting – Mussorgsky’s Pictures at an... Read more... |
Edinburgh Fringe 2017 reviews: Pike St / Box Clever / Sugar BabyTuesday, 15 August 2017
Pike St ★★★★ London-based theatre company Paines Plough’s pop-up touring venue Roundabout has been a regular Edinburgh Fringe fixture for the past four years, nestled in nicely among the redeveloped veterinary buildings of Summerhall. And it’s been... Read more... |
Edinburgh Fringe 2017 reviews: Tom Allen / Cally Beaton / Lauren Pattison / TrumpageddonTuesday, 15 August 2017
Tom Allen ★★★★ Tom Allen is celebrating his 10th year at the Fringe, and he appears to be having a ball – and so do we. He bounds on stage full of energy and does a fantastically strong 10 minutes' interaction with the audience, and... Read more... |
Edinburgh Festival 2017 review: The DivideSunday, 13 August 2017
A society that segregates men and women, prescribes what women can learn, read, wear, even which words they can say. A society willing to sacrifice its own people to maintain its repressive theocratic orthodoxy. Sound familiar?There are plenty of... Read more... |
Edinburgh Fringe 2017 reviews: Tiff Stevenson / Jarlath Regan / Urzila CarlsonThursday, 10 August 2017
Tiff Stevenson ★★★★“I identify as a 10!” Tiff Stevenson tells us in Bombshell. It’s a strong opener, particularly as she follows with: “And if you don’t agree you’re beauty-phobic.” It’s not to boast, though, more marking her territory in a show... Read more... |
Edinburgh Fringe 2017 reviews: Adam / Eve / NassimThursday, 10 August 2017
Eve ★★★★Transgender issues are high on the agenda at this year’s Fringe, with the energetic Testosterone at the Pleasance and the breezy You’ve Changed from Northern Stage at Summerhall among the stand-outs. In addition, the National Theatre of... Read more... |
Edinburgh Festival 2017 reviews: Rhinoceros / FlightWednesday, 09 August 2017
Rhinoceros ★★★★★Marketed by an image of a Trump-quiffed and -besuited pachyderm, Zinnie Harris’s new version of Ionesco’s absurdist 1959 comedy is one of the International Festival flagship shows for 2017, a collaboration between Edinburgh’s... Read more... |
DVD/Blu-ray: Long ShotFriday, 30 June 2017
Maurice Hatton’s 1978 Long Shot comes with the subtitle “A film about filmmaking”, a nod at what has practically become a cinematic sub-category in itself. But while other directors have used the genre for philosophical or aesthetic rumination,... Read more... |
Our Ladies of Perpetual Succour review - West End transfer hits all the right notesTuesday, 16 May 2017
Sacred and profane, trivial and profound blissfully combine in this irresistible, Olivier Award-winning tale of choirgirls gone wild. Lee Hall, of Billy Elliot fame, adapts Alan Warner’s 1998 novel with a similarly shrewd grasp of youthful hope... Read more... |
