thu 29/07/2021

electropop

Album: Anne-Marie - Therapy

Anne-Marie Nicholson is a hard-working young woman from Essex whose career description is “Global Girl-next-door Pop Star”. She has incrementally worked her way there, attended the marketing meetings. Anyone requiring a CV that exemplifies the...

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Album: Tones and I - Welcome to the Madhouse

This writer has often pleaded to move away from vocal homogeny in pop. The current value placed on technical skill and hackneyed vulnerability-signifying has become a bore. It’s limiting that Chris Martin-meets-Ed Sheeran or Beyoncé-meets-Whitney...

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Album: Marina - Ancient Dreams in a Modern Land

The latest album from Marina Diamandis, her fifth, is a startling explosion of vim and attitude. It mingles speeding, wordy, indie-tinted dance-pop bangers, tilting at all manner of contemporary ills, with sudden moments of broken-hearted piano-led...

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theartsdesk on Vinyl 64: Chet Baker, Lava La Rue, Bob Mould, Krust, The Yardbirds, The Fratellis and more

Things got out of hand at theartsdesk on Vinyl this month and these reviews run to 10,000 words. That's around a fifth of The Great Gatsby. It's because there's so much good music that deserves the words, from jazz to metal to pure electronic...

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theartsdesk on Vinyl 63: KMFDM, Laurie Anderson, Seratones, The Telescopes, Black Sabbath, Conrad Schnitzler and more

Rumours keep swirling of pressing plants stumped by the effects of COVID-19 lockdown, and it’s true that vinyl editions of many albums have been delayed, yet still those records keep arriving. At theartsdesk on Vinyl, no-one cares if an album was...

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Album: Tune-Yards - Sketchy

Tune-Yards have been much-feted for bringing an original sound to pop. Quite rightly so. Over the last decade the Californian duo, led by singing percussionist Merrill Garbus, have fired out four albums (and a film soundtrack) that amalgamated...

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Album: LOUISAHHH - The Practice of Freedom (HE.SHE.THEY.)

Somewhere in dance culture or other, the Eighties revival has now been going on more than twice as long as the actual Eighties did. Starting around 1998, it reached an initial peak in the early 2000s as the dayglo-fashion led electroclash, but...

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Disc of the Day 10th Anniversary: the level playing field

Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But...

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Disc of the Day 10th Anniversary: Albums We Got Wrong

Continuing our week of pieces celebrating the 10th birthday of theartsdesk’s album reviews section, today it’s time to ‘fess up! Seven of our regular reviewers reflect on occasions when, in retrospect, their writing did not correctly sum up the...

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Disc of the Day Celebrates 10 Years of Album Reviews

Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into...

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Album: Django Django - Glowing in the Dark

It’s odd that there’s still no name for the wave of genre-agnostic British bands of the '00s. Not manic enough to be nu rave, way too interesting for the retro-guitar nu rock revolution / landfill indie tsunami, the likes of Hot Chip, Metronomy,...

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Album: The Staves - Good Woman

The Staves – Emily, Jessica, and Camilla Staveley-Taylor – have routinely been described as “an indie folk act”, and while the term folk has undergone a lot of stretching over the years the band’s first two albums – Dead & Born &...

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