England
The Kid Who Would Be King review - a timeless charmerFriday, 15 February 2019
The Arthurian legend’s tight fit as a Brexit allegory perhaps proves how timeless it is as, buried and bound in the earth by Merlin, Morgana (Rebecca Ferguson) senses the land above is “lost and leaderless”, and ripe for her apocalyptic return.This... Read more... |
DVD: TidesFriday, 15 February 2019
Tides tells of fortysomething angst and camaraderie, though “tells” might be an exaggeration. In a concerted attempt to make a film with minimal incidents and structure, first-time feature director Tupac Felber made a likeable observational piece,... Read more... |
Don McCullin, Tate Britain review - beastliness made beautifulMonday, 11 February 2019
I interviewed Don McCullin in 1983 and the encounter felt like peering into a deep well of darkness. The previous year he’d been in Beirut photographing the atrocities carried out by people on both sides of the civil war and his impeccably composed... Read more... |
Trevor Nunn: 'I'm amazed by Harley Granville Barker's prescience and extraordinary modernity'Sunday, 10 February 2019
So here we are with another edition of IQ, and the subject this week is theatre. Question one: which actor originated several leading roles in the plays of George Bernard Shaw, including Marchbanks in Candida, Dubedat in The Doctor's Dilemma, and... Read more... |
All Is True review - all's well doesn't end well in limp Shakespeare biopicSaturday, 09 February 2019
All may be true but not much is of interest in this Kenneth Branagh-directed film that casts an actor long-steeped in the Bard as a gardening-minded Shakespeare glimpsed in (lushly filmed) retirement. Seemingly conceived in order to persuade... Read more... |
theartsdesk Q&A: Robert MacFarlane's Spell SongsWednesday, 06 February 2019
With books including Mountains of the Mind, The Wild Places, The Old Ways and Landmarks, Robert MacFarlane has established himself as one of the leading writers on landscape in the English language, continuing a literary tradition that contains... Read more... |
Don McCullin: Looking for England, BBC Four review - a hard look at homeTuesday, 05 February 2019
A picture is worth more than a thousand words, never more so than with the photographs of Don McCullin. The octogenarian photographer’s black-and-white imagery made the Sunday Times colour supplement the talk of international media in the 1970s.... Read more... |
Imagining Ireland, Barbican review - celebrating the Irish in EnglandFriday, 01 February 2019
Last spring, Imagining Ireland took a fresh, shamrock-free look at contemporary Ireland’s cultural scene, with spoken word and alt-folk mixing with indie rock and jazz, classical, gospel and rap, with the line-up led by Bell X1’s Paul Noonan and... Read more... |
The Last Survivors, BBC Two review - living onMonday, 28 January 2019
When they were children the interviewees in this film – the last survivors – were taken away in incomprehensible circumstances, on their way to be murdered for who they were, in Germany and places further east. A handful of the few thousands who... Read more... |
theartsdesk Q&A: Shirley Collins - 'There was no way I could ever sing to be popular'Friday, 25 January 2019
When Shirley Collins appears at The Roundhouse next week, it will be 50 years since she last played there. On 30 May 1969, she and her sister Dolly were on a bill promoting their then label Harvest Records. When she plays there on 31 January, she is... Read more... |
The Daughter-in-Law, Arcola Theatre review - searing simplicityThursday, 17 January 2019
There’s a stark power to Jack Gamble’s production of DH Lawrence’s The Daughter-in-Law, which has transferred to the Arcola’smain stage after an acclaimed opening run in the venue’s downstairs studio last May. It still plays with a concentrated... Read more... |
Pinters Five and Six, Harold Pinter Theatre review - superlatively acted esotericaTuesday, 08 January 2019
The scintillating, commercially bold season of Pinter one-acts at the theatre bearing his name plays a particular blinder with Pinter Five (★★★★★), from which I emerged keen to engage with its mystery and breadth of feeling all over again. Pinter... Read more... |
