Ewan McGregor
Kathryn Reilly
Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album When Will We Land was highly praised by those in the know. I am definitely not in the know and am more or less a stranger to electro stuff – it can often leave me cold (Guetta can get off, quite frankly). But I know a good tune when I hear it.His career has been short and rather stratospheric and he’s the first to admit his head’s reeling. He played his first live show at Glastonbury two years ago, then sold out three nights at Brixton Academy and will be headlining at All Points East in Read more ...
Joseph Walsh
Back in 2016, David Ayer’s infantile Suicide Squad burst upon us in a wash of lurid greens and purples. Ayer’s film had a myriad of problems, not least the hyper-sexualisation of Harley Quinn, played by Margot Robbie. While controversy abounded, Robbie’s performance remained a highlight. A manic mix of Betty Boop and Fatal Attraction’s Alex Forrest, she stole the film. Now Quinn has her own gleefully anarchic spin-off, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), directed by Cathy Yan and loosely based on the characters from the 1996 DC comic. It’s Read more ...
Veronica Lee
This is, as the voiceover has it, “a tale as old as time” – or pedantically one that goes back to 1740, when the French fairytale was first published – so maybe it was time for a modernising reboot. The stars – Emma Watson as Beauty and Dan Stevens as the Beast – have been keen to dismiss any psychology 1.01 readings of this Beauty and the Beast as a presentation of Stockholm syndrome, but the film’s makers, Disney, have been more than keen to trumpet it as having the first openly gay character. Of the latter, more later.So what is it? Well, foremost it’s a wonderfully lavish live action/ Read more ...
Adam Sweeting
"This had better not be shite, Danny," was the warning delivered to director Danny Boyle from his cast, amazingly reunited from the original Trainspotting 21 years later. They had reason to be fearful, knowing how things often go with sequels, but Boyle, teaming up again with original screenwriter John Hodge, has pulled a fabulously misshapen rabbit out of his hat, which triggers echoes of the 1996 film yet can stand unaided in its own right.The first film's odyssey of a bunch of Edinburgh heroin addicts yawed vertiginously between horror and farce, though its pounding pop-culture veneer Read more ...
Nick Hasted
Ewan McGregor has been judged unworthy of adapting Philip Roth in the US. But his directorial debut is finely crafted, and powered by visceral emotion embodied in one of his best performances. As Seymour “Swede” Levov, he’s an All-Jewish-American hero, living the 1950s dream, till the 1960s bring it crashing down. His beloved daughter Merry (Dakota Fanning, pictured below right) is the agent of his destruction, in a one-sided generation war unusually seen from the straight-edged parents’ side. McGregor, here a kinder artist than Roth, cares about the father and daughter with a painful Read more ...
Jasper Rees
John Le Carré made it quite clear what he thinks of the new world order in The Night Manager. All together now: a nexus of corrupt money and sinister establishment interests make for cynical realpolitik. It’s a persuasive weltanschauung that plays well to millennials priced out of their own future by ungovernable global forces beyond the reproof of electorates. But the message can become a bit of a stuck record. Take Our Kind of Traitor.The latest Le Carré adaptation features an innocent bystander sucked into a plot to bring down a shady business organisation which has links to self- Read more ...
Adam Sweeting
Catching the essence of the mercurial, secretive and notoriously abrasive Miles Davis on film might reasonably be described as a mission impossible, but Don Cheadle has put his heart and soul into it. He directed it and plays the title role, he co-wrote the screenplay with Steven Baigelman, and he put some of his own money into it. A jazz saxophonist since his youth, he took tips from Wynton Marsalis about playing the trumpet for the movie.The results are both better and worse than you might have expected. Cheadle succeeds remarkably well at embodying Davis in the different periods in his Read more ...
Katie Colombus
Blood is thicker than water. Or is it? For anyone who’s struggled with this proverb, August: Osage County is a fascinating exploration of the ties that bind us. Examining an extended, quintessentially American family in the sticky summer heat of small town Oklahoma, Meryl Streep leads the film as Violet, a volatile matriarch addicted to pills, suffering from “a touch of” mouth cancer and awaiting news of her alcoholic husband’s disappearance. The aftermath of this dysfunctional family’s crisis allows deep insight into their darkest secrets and biggest fears. The cast, which includes Read more ...
Karen Krizanovich
Anything planned as Oscar-bait never works – although the Pulitzer Prize-winning play that underpins the film August: Osage County has a pedigree to please the Academy. By some accounts, it began with a lunch between Harvey Weinstein and Emmy-winning director/producer John Wells (The West Wing). Before you knew it, Meryl Streep and Julia Roberts were cast, along with Chris Cooper, Ewan McGregor, Juliette Lewis, Benedict Cumberbatch and Sam Shepard.Tracy Letts's black comedy - seen on stage first in Chicago and then Broadway and the National Theatre in London - was a deft mix of funny and Read more ...
Nick Hasted
This is a fairy tale which may send children to sleep before the good bits, then wake them up screaming at the first glimpse of loping, bestial giants. Splicing Jack the Giant-Killer (subject of a 1962 kids’ monster movie which gave me nightmares) and the more familiar Jack and the Beanstalk, it has farmboy Jack (Nicholas Hoult) spilling the magic beans, and following mildly rebellious princess Isabelle (Eleanor Tomlinson) up the resultant beanstalk to a stone kingdom of giants above the clouds.Along for the ride are king’s men Elmont (Ewan McGregor, unfeasibly youthful and dashing) and Read more ...
Karen Krizanovich
You will cry primal tears by the end of The Impossible, a family disaster drama by director Juan Antonio Bayona - because we can’t handle its overpowering truth. A delver of emotion, Bayona (The Orphanage) bases this spectacular drama on Sergio G Sánchez’s clear if sometimes curious script; the story itself comes from Maria Belon’s tale of the 2004 tsunami in Thailand.Here, the Spanish family has been changed to a British one: Naomi Watts plays Maria herself, married to Ewan McGregor’s Henry. Travelling to Thailand for a Christmas holiday with children Lucas, Thomas and Simon (Tom Holland, Read more ...
Adam Sweeting
In one of the DVD featurettes included here, Ewan McGregor puts his finger on what gives this movie its curious air of detachment. Director Steven Soderbergh, says McGregor, is "meticulous" and "like a surgeon", master of every detail from script to sound to shooting set-up. Thus, this story of female super-agent Mallory Kane (Gina Carano), betrayed by her handlers and now out on a remorseless quest for vengeance, is a sleek technical tour-de-force lacking a heart or any discernible emotions. Even a beefy cast (Antonio Banderas, Michaels Douglas and Fassbender, Bill Paxton and Channing Tatum Read more ...