family relationships
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high... Read more... |
Jen Brister, Soho Theatre review - parenting, privilege and porn under scrutinyThursday, 13 February 2020
Jen Brister loves her five-year-old twin boys, she is at pains to tell us, even when they have a major meltdown and, like Little Lord Fauntleroys, refuse to eat broken biscuits. Stories like these are sprinkled throughout her new show, Under... Read more... |
Albion, Almeida Theatre review - more rewarding and resonant than everThursday, 06 February 2020
It's not been three years since Albion premiered at the Almeida Theatre, since which time Brexit has happened and, not without coincidence, Mike Bartlett's time-specific play is beginning to look like one for the ages. Set amongst a... Read more... |
Endgame/Rough for Theatre II, Old Vic review - Beckett played for laughsWednesday, 05 February 2020
“Nothing is funnier than unhappiness.” Director Richard Jones has certainly taken Beckett’s words to heart in this vividly comic, star-cast Old Vic double bill, pairing Endgame with a lesser-known short play – which acts as a sort of stylistic and... Read more... |
Plus One review - charm, yes, but irritation tooWednesday, 05 February 2020
The fast-rising young actor Jack Quaid comes naturally by the ease with which he takes to Plus One, a modern-day inheritor of the sorts of romcoms his mum, Meg Ryan, used to do alongside Tom Hanks. Playing a damagingly choosy singleton called Ben... Read more... |
Faustus: That Damned Woman, Lyric Hammersmith review - gender swap yields muddled resultsWednesday, 29 January 2020
Changing the gender of the title character “highlights the way in which women still operate in a world designed by and for men,” argues Chris Bush, whose reimagining of Marlowe’s play premieres at the Lyric ahead of a UK tour. It’s certainly a... Read more... |
Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant taleMonday, 20 January 2020
“Take our country back!” is the rallying cry of the self-identified “real” Americans gathered to protest the arrival of immigrants. It could be a contemporary Trump rally – or, indeed, the nastier side of current British political discourse – but in... Read more... |
Deborah Orr: Motherwell review - memoir, but so much moreSaturday, 18 January 2020
Published in the year following Orr’s death at the age of 57, Motherwell is an analysis of the author’s childhood in Motherwell, on the outskirts of Glasgow, and her first steps into adulthood. However, while this book is ostensibly about Deborah... Read more... |
DVD: The CakemakerWednesday, 15 January 2020
The Cakemaker is Ofir Raul Graizer’s debut feature, and the film must somehow reflect the parabola of the Israeli-born director's life: it’s set between Berlin and Jerusalem, the two cities apparently closest to him, and one of its main... Read more... |
The Runaways review - a road trip worth takingThursday, 09 January 2020
Oh how British indies love a road trip. Trekking across the rugged landscape, meeting a colourful cast of characters, realising it’s not the destination but the journey. It takes something special to stand out from the pack. The Runaways, debut... Read more... |
White House Farm, ITV review - gripping opener of true crime dramaThursday, 09 January 2020
It's the smallest lies that can bring you down. When he is asked by a detective how he got on with his family, who have just been murdered in a mass shooting at their Essex farm, Jeremy Bamber (Freddie Fox) says: “Really well. We were friends.” A... Read more... |
The Tyler Sisters, Hampstead Theatre Downstairs review – raucous celebration of sisterhoodWednesday, 08 January 2020
The Tyler sisters start as they mean to go on: bickering. Middle sister Gail (Bryony Hannah) has come home from uni to find that youngest Katrina (Angela Griffin) has stolen her room. “What about Maddy’s? Why didn’t you take that?” Gail snaps. “She... Read more... |
