family relationships
Trevor Nunn: 'I'm amazed by Harley Granville Barker's prescience and extraordinary modernity'Sunday, 10 February 2019
So here we are with another edition of IQ, and the subject this week is theatre. Question one: which actor originated several leading roles in the plays of George Bernard Shaw, including Marchbanks in Candida, Dubedat in The Doctor's Dilemma, and... Read more... |
Blue, Chapter Arts Centre review - heartbreak in the family homeFriday, 08 February 2019
What's worse than grieving? That all-consuming loss. For those that have experienced it, nothing really comes close. It starts to bug Thomas (Jordan Bernarde, main picture second right) during his visit to the Williams household. Recently bereaved... Read more... |
Home, I'm Darling, Duke of York's Theatre review - Katherine Parkinson rules the roostThursday, 07 February 2019
The Fifties? They were terrible: bone-cold houses where people huddled round the fireplace for heat, empty Sundays that lasted a month, drawn-out rationing, bread you could build houses with. It was all making do and mending and "grey meat, grey... Read more... |
Boy Erased review - gay vs God drama treated with empathyWednesday, 06 February 2019
Joel Edgerton’s second turn as a director is the second film in a year to treat the subject of gay conversion therapy. The first was Desiree Akhavan’s The Miseducation of Cameron Post, whose victory at Sundance a year ago confirmed, symbolically not... Read more... |
Beautiful Boy review - well-acted but a slogFriday, 18 January 2019
The tortuous road to addiction and back again – or maybe not – makes for a faintly tedious experience in Beautiful Boy, notwithstanding the committed performances of an A-list cast. On the road to his second consecutive Oscar... Read more... |
The Daughter-in-Law, Arcola Theatre review - searing simplicityThursday, 17 January 2019
There’s a stark power to Jack Gamble’s production of DH Lawrence’s The Daughter-in-Law, which has transferred to the Arcola’smain stage after an acclaimed opening run in the venue’s downstairs studio last May. It still plays with a concentrated... Read more... |
Cold Feet, Series 8, ITV, review - mortality liteTuesday, 15 January 2019
How much more is there to say about the thrills and spills of midlife? Cold Feet made a surprisingly nimble return to ITV a couple of series ago after a long furlough. There was little evidence of stiff joints or saggy bottoms in Mike Bullen’s... Read more... |
VoD: 1985Friday, 11 January 2019
Dallas writer-director Yen Tan has brought 1985 back to stylistic basics, and the resulting resolute lack of adornment enhances his film’s concentration on a story that achieves indisputably powerful, and notably reserved emotion. Independent cinema... Read more... |
Life Itself review - epically vapidSaturday, 05 January 2019
When life gives you lemons, make lemonade: that bromide is about the only one absent from the astonishingly bad Life Itself, which in actuality might require a stiff drink to make it through the film intact. Folding together an interconnected set of... Read more... |
The Curious Incident of the Dog in the Night-Time, Piccadilly Theatre review - back for a heart-tugging encoreFriday, 14 December 2018
One emotional high point in The Curious Incident of the Dog in the Night-Time, the much-lauded Simon Stephens adaptation that is back in our midst once more, comes when the teenage Christopher Boone is floated in the air as part of his dream of... Read more... |
Lizzie review - murder most meticulousThursday, 13 December 2018
The story of Lizzie Borden, controversially acquitted of murdering her father and stepmother with an axe in Fall River, Massachusetts in 1892, has been explored many times on screen and in print (there’s even an opera and a musical version, not to... Read more... |
The Double Dealer, Orange Tree Theatre review - high spirits and low moralsWednesday, 12 December 2018
It's been 40 years since The Double Dealer last had a major airing (indeed, perhaps any airing) in London, so on the basis of novelty value alone, the Orange Tree's end-of-year offering is worth our attention. But as always with Restoration comedy,... Read more... |
