family relationships
Lydia Sandgren: Collected Works review - the mysteries that surround us allTuesday, 18 April 2023
Lydia Sandgren’s debut novel, Collected Works, a bestseller in her native Sweden, has now been translated by Agnes Broomé into English, in all its 733-page glory. An epic family saga, it has flavours of the realism of her countryman, Karl Ove... Read more... |
One Fine Morning review - Léa Seydoux stars in Mia Hanson-Løve's poignant love storyFriday, 14 April 2023
In the first scene of Mia Hanson-Løve’s wonderful One Fine Morning, Sandra (Léa Seydoux in a minimal, nuanced performance), is trying to visit her father, Georg (Pascal Greggory), in his Paris flat. But, stuck on the other side, he can’t find the... Read more... |
Betty Blue Eyes, Union Theatre review - musical revival pigs out on nostalgiaFriday, 07 April 2023
People can’t find the food they want in the shops. Nobody has enough money. Public services are under pressure. And there’s a big Royal occasion to take our minds off things.England 2023? Nah, England 1947, as rationing applies to meat and fruit... Read more... |
Succession, Season Four, Sky Atlantic review - powerful beginning for the endgameTuesday, 28 March 2023
How much more is there left to be said about the excellence of Succession? It’s back for a final season, and devotees will pore over every detail, every conversational ploy from robust to downright crude, every chess move on this volatile board. As... Read more... |
Marjorie Prime, Menier Chocolate Factory review - superbly acted chiller about a contemporary crisisSaturday, 18 March 2023
Artificial intelligence has become an even hotter topic since Jordan Harrison’s Marjorie Prime was first staged in Los Angeles in 2014, so it’s not surprising that the play’s handling of AI is being seen as its unique selling point. (It subsequently... Read more... |
Other People's Children review - a Parisian woman battles the tyranny of the biological clockFriday, 17 March 2023
“Trapped?” hisses 40-year-old Rachel (Virginie Efira) at her boyfriend, Ali (Roschdy Zem), who has a five-year-old daughter and is returning, for the sake of their child, to his ex-wife, Alice (Chiara Mastroianni). “What’s trapped you? Nothing at... Read more... |
Under the Black Rock, Arcola Theatre review - political thriller turns soapySaturday, 11 March 2023
“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves... Read more... |
Will Harris: Brother Poem review - writing the poems that could have beenSaturday, 04 March 2023
You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-shortlisted RENDANG in 2020), is a brief but telling prelude, an... Read more... |
Fleishman Is in Trouble, Disney+ review - mid-life crises in ManhattanWednesday, 01 March 2023
As films and television series based in New York City tend to do, Fleishman Is in Trouble opens with an aerial shot of Manhattan – except, significantly, this sequence is presented upside down. To the celestial sound of tinkling arpeggios, the slim... Read more... |
Oklahoma!, Wyndham's Theatre review - radical reimagining adds plenty but achieves lessWednesday, 01 March 2023
It is, perhaps, important to note that this production was first staged in London at the Young Vic, a venue noted for shows possessed of a rather harder edge than that usually connoted by the description "West End musical".On leaving the theatre... Read more... |
DVD/Blu-ray: AftersunTuesday, 28 February 2023
Begin describing Aftersun to someone who’s not seen it and you’ll struggle. Charlotte Wells’ debut feature looks embarrassingly slight on paper, its 93 minutes following a young girl on a Turkish package holiday in the late 1990s with her youthful... Read more... |
Joyland review - a tender tragedySaturday, 25 February 2023
Partially banned in Pakistan, Saim Sadiq’s debut uses a young man’s affair with a trans woman to reveal the sadness and brutality of the nation’s patriarchal norms. It’s also a deeply sympathetic character study written from under the country’s skin... Read more... |
