farce
Noises Off, Lyric Hammersmith review - farce doesn't catch fireWednesday, 03 July 2019Michael Frayn's Noises Off is a modern classic, a backstage sex farce that pokes affectionate fun at a profession he loves. And now Jeremy Herrin, one of our most accomplished directors, revives it for Lyric Hammersmith, where the play was premiered... Read more... |
The Glass Piano, Print Room at The Coronet review – fascinating story undermined by absurdismThursday, 02 May 2019Often the greatest works of dramatic absurdism spring from the worst extremes of human experience, whether it’s Ionesco’s Rhinoceros responding to fascism, or Havel’s The Garden Party satirising the irrational cruelties of Prague’s Soviet occupiers... Read more... |
Keith? A Comedy, Arcola Theatre review - Molière mined for Brexit-era laughsThursday, 21 February 2019Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy, a wild spin on the quasi-ubiquitous (these days, anyway) Tartuffe by the critic and writer Patrick Marmion... Read more... |
Blue, Chapter Arts Centre review - heartbreak in the family homeFriday, 08 February 2019What's worse than grieving? That all-consuming loss. For those that have experienced it, nothing really comes close. It starts to bug Thomas (Jordan Bernarde, main picture second right) during his visit to the Williams household. Recently bereaved... Read more... |
L'heure espagnole, Mid Wales Opera review - Ravel goes like clockworkSaturday, 01 December 2018Mid Wales Opera makes small-scale touring look fun – even when you suspect that, behind the scenes, it really isn’t. Barely 24 hours before this performance of their current production of Ravel’s L’heure espagnole, and 11 dates into their current 16... Read more... |
A Very Very Very Dark Matter, Bridge Theatre review - black comedy falls flatThursday, 25 October 2018It's all in the title, isn't it? Martin McDonagh's surreal new play comes with a warning that not only screams its intentions, but echoes them through repetition. Okay, okay, I get it. This is going to be a dark story, a very very very dark story.... Read more... |
La finta semplice, Classical Opera, QEH review - consummate musicianship stokes early MozartThursday, 07 June 2018You can always be sure of impeccable casting and spirited playing as Ian Page takes his Classical Opera through Mozart year by year. Just don't expect more than the glimmer of genius to come in 1768, though. It doesn't matter in those admirable... Read more... |
Così fan tutte, Opera Holland Park review - the pain behind the prettinessSaturday, 02 June 2018A proper production of Così fan tutte should make you feel as if the script for a barrel-scraping Carry On film has been hi-jacked by Shakespeare and Chekhov – working as a team. The story is so silly (even nasty), the music so sublime. When, in... Read more... |
Loot, Park Theatre review – dizzyingly enjoyableThursday, 24 August 2017Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His debut play, Entertaining Mr Sloane, had both outraged and delighted West End audiences in 1964, and his follow-up a year later was Loot, which was a... Read more... |
The Miser, Garrick TheatreMonday, 13 March 2017Trimmings, trimmings. They prove the final straw for Molière’s Harpagon in this new adaptation of the classic French comedy-farce. The menu for his wedding banquet – which he doesn’t want to spend a centime more on than he has to – is being... Read more... |
The Barber of Seville, Welsh National OperaSunday, 14 February 2016The latest themed season from WNO, to add to their fallen women, Donizetti queens and what not, goes by the slightly worrying title (for anyone with a short attention span) of “Figaro Forever”, and consists of an operatic sequence derived from... Read more... |
Peter Pan Goes Wrong, Apollo TheatreMonday, 14 December 2015The pleasures to be found in the pitfalls that are part of live performance rear their accident-prone head yet again in Peter Pan Goes Wrong, the latest exercise in controlled (or is it?) chaos from Mischief Theatre, the young and clearly very... Read more... |