sat 17/05/2025

Globe

Globe to Globe: As You Like It, Shakespeare's Globe

In the Globe to Globe season, the Caucasus is proving as fruitful a ground as any for new views on old texts. Georgia’s Marjanishvili company, under director Levan Tsuladze, proved the region has a special style with their version of As You Like It...

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Globe to Globe: Romeo and Juliet, Shakespeare's Globe

The Globe to Globe season has enjoyed tremendous goodwill from audiences and critics alike. And this has been largely repaid, for it’s been a joy and a wonder to learn just how much contemporary relevance can be mined and brought into sharp relief,...

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Globe to Globe: King Lear, Shakespeare's Globe

Like a post-Soviet Oedipal X-Factor, the Belarus Free Theatre on Friday night gave one of the greatest productions of King Lear London has ever seen. Forget our local Lears, with naked theatrical knights and casts in emotional straitjackets: this...

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Globe to Globe: King John, Shakespeare's Globe

You might have wondered if, when Armenia was offered King John as part of the Globe to Globe season, they felt they’d drawn the short straw. Not a bit of it. Shakespeare’s early history play, the action of which pre-dates those for which he is...

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Globe to Globe: Henry IV, Parts 1 and 2, Shakespeare's Globe

The two parts of Henry IV parts 1 and 2 are very macho plays. Men drink, tell rude jokes, strut and lie their way into power and influence. In Globe to Globe's Latin American takes on the Bard, some hijo de puta and de puta madre seem fitting...

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Globe to Globe: Henry VI, Parts 1, 2 and 3, Shakespeare's Globe

There was always going to be one Borat moment in this festival. And it came courtesy of the Albanians, who, for comic effect, in the middle of their Henry VI, Part 2 indulged in the gratuitous harassment of a mentally handicapped person. It got the...

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Globe to Globe: The Two Gentlemen of Verona, Shakespeare's Globe

The concept sounds like something dreamed up towards the bottom of a bottle in a Harare shebeen: Two Gentlemen of Verona performed by two gentlemen in Shona. But if any of the plays can withstand the stripped-down treatment, it’s the likeable but...

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Globe to Globe: The Tempest, Shakespeare's Globe

This music crept by me on the waters. Bangladesh’s Dhaka Theatre’s version of The Tempest took the musical route, and why not? It was always Shakespeare’s most musical play (with extant music for “Full Fathom Five” and other songs written by Robert...

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Globe to Globe: Titus Andronicus, Shakespeare's Globe

The demands of Titus Andronicus are probably at odds with the constraints of the Globe to Globe season: a travelling troupe would find it hard to get 80 gallons of fake blood through Customs. Nor are they likely to be furnished with the sort of...

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Globe to Globe: Othello, Shakespeare's Globe

The masterstroke of this take on Othello was to draw its focus away from race. It might seem odd to say that of a production in the rhyming vernacular of hip hop in which the Moor was African-American and the rest of the cast were not – but it was...

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Globe to Globe: Richard II, Shakespeare's Globe

Mention that a Palestinian theatre company are performing Richard II and the play’s  themes are immediately thrown into sharp relief: usurpation, homeland and banishment, and the idea of a literally God-given mandate to rule amongst a resistant...

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Globe to Globe: Cymbeline, Shakespeare's Globe

This retelling of the Cymbeline story opened – or at least appeared to open – with the entire cast contributing their tuppenceworth on the issue of what the story of Cymbeline actually was. And fair dos. A “late” and abnormally tortuous...

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