fri 27/12/2024

Globe

Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

Measure for Measure may be the quintessential Shakespeare “problem” play, but just what has earned it that epithet remains a puzzle. Each generation approaches the matter from its own perspective. The developments of recent years, #MeToo most of all...

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Metamorphoses, Sam Wanamaker Playhouse review - punchy, cleverly reworked classic

Ovid was exiled – or to put it in twenty-first century terms, "no-platformed" – by an indignant Emperor Augustus for the scandal caused by his three-book elegy on love, Ars Amatoria. Most scholars believe the intrigue behind his banishment to be...

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Twelfth Night, Shakespeare's Globe review - foot-stompingly good fun

The best version of Twelfth Night I’ve seen is not called Twelfth Night. For sheer knockabout entertainment, nothing beats the 2006 film She’s the Man. But Sean Holmes’ production for the Globe’s summer season, brimming with song and physical comedy...

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Romeo & Juliet, Shakespeare's Globe review - unsatisfactory mix of clumsy and edgy

"It is dangerous for women to go outside alone," blares the electronic sign above the stage of the new Romeo and Juliet at Shakespeare's Globe. This disquieting sentiment obviously takes some of its resonance from the Sarah Everard case, yet it also...

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A Midsummer Night's Dream, Shakespeare's Globe review - a blast of colour from our post-vaccine future

A little less than two years after Sean Holmes’s kick-ass Latin American carnival-style A Midsummer Night’s Dream erupted at the side of the Thames, it has returned to a very different world. It’s no longer a natural expression of the kind of...

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A Midsummer Night's Dream, Shakespeare's Globe online review - a seasonal treat

What could be better for a lockdown summer night "out" than a virtual visit to Shakespeare's Globe? Simultaneously in a theatre and the open air, we can share the visible enjoyment of hundreds of others, the very opposite of self-isolation and...

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Theatre Lockdown Special 7: Party politics and a Broadway titan or two

The live-ness of theatre seems further away with every passing week, but at least the art form itself lives on to tantalise and entertain, whetting the appetite until such day as we are sharing an auditorium once again. National Theatre at Home...

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Theatre Lockdown Special 3: Mary Shelley twice over, Europe writ large, and one day more for a mega-musical

Time is moving in mysterious ways at the moment. It's been possible over the last month or so to mark out the beginning of each week with the arrival online of a different production streaming from the Hampstead Theatre archives. The National,...

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Theatre Lockdown Special 2: Birthdays aplenty, songs of hope, a starry quiz - and more

As lockdown continues, so does the ability of the theatre community to find new ways to tantalise and entertain. The urge to create and perform surely isn't going to be reined-in by a virus, which explains the explosion of creatives lending their...

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Theatre Lockdown Special 1: Starry podcasts, late-career Shakespeare, a celebrity basement - and more

The lockdown has been extended, but here's the good news: each week whereby we are shut inside seems to bring with it ever-enticing arrays of theatre from across the spectrum, from online cabarets to freshly conceived podcasts and all manner of...

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Women Beware Women, Shakespeare's Globe, review – wittily toxic upgrade of a Jacobean tragedy

This raunchy, gleefully cynical production takes one of Thomas Middleton’s most famous tragedies and turns it into a Netflix-worthy dark comedy. Where the themes of incest, betrayal, cougar-action and multiple murder would be spun out over several...

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The Taming of the Shrew, Sam Wanamaker Playhouse review - a confused and toothless mess

Say what you will about The Taming of the Shrew (and you’ll be in good company), but it is one of Shakespeare’s clearest plays. Asked to summarise the action of, say, Richard II or Love’s Labours Lost and you might lose your way somewhere between...

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