guitar
graham.rickson
Jãnis Ivanovs: Symphony No. 5; Juris Karlsons: Music for Symphony Orchestra 1945 Latvian National Symphony Orchestra/Andris Poga (Skani)Jãnis Ivanovs’ promising conducting career was kyboshed by the outbreak of war and the Soviet invasion of Latvia. After Riga’s liberation in October 1944, it's believed that Ivanovs was responsible for broadcasting one of the five surviving records belonging to the reactivated state radio station, and his Symphony No. 5 was completed during the following spring. Asked about the symphony's meaning, Ivanovs replied that the music “contained everything Read more ...
Thomas H. Green
Bananas is Malcolm Middleton’s first solo album to be built around guitar, bass, drums and all that stuff since 2009’s gorgeous Waxing Gibbous. Like any great artist, he soon became bored with pursuing the classic formulation that made his name (post-Arab Strap). He’s spent the last few years trying new ideas instead. His last album, Summer of ’13, was his take on electropop, there’s his Human Don’t Be Angry experimental albums and a collaboration with the artist David Shrigley. On Bananas, however, those who’ve been pining for his classic sound are rewarded.Middleton is a wordsmith, striking Read more ...
Javi Fedrick
IDLES' debut album, Brutalism, exploded onto the UK post-punk scene last year, lauded by the music press (myself included) for its lyrical blend of charm, fury, and politics, and musically, for just being a refreshingly original and catchy punk album. While IDLES haven’t moved away from these things on Joy as an Act of Resistance, they've branched out in some different, exciting directions.Taking their cues from the album title, singles “Danny Nedelko” and “Great” are possibly the poppiest songs IDLES have ever written, approaching racism, immigration and Brexit from an utterly danceable, Read more ...
Joe Muggs
This album starts on a slightly odd footing, thanks to the opener “As a Man” having phrases that sound by turns a lot like Propellorheads and Shirley Bassey's “History Repeating” and Grace Jones's cover of Flash And The Pan's “Walking in the Rain”. Not that those are bad records – both are still highly playable – and it certainly sets a tone of arch assurance and cabaret sass. But being reminded so early of such entirely distinctive and out-on-their-own tracks makes it a little hard to triangulate where Calvi is coming from here.As on previous records, there's a great degree of classicism Read more ...
Owen Richards
The most famous face in musical history, and perhaps the instigator of modern culture as we know it; he truly was the King. But for a documentary focused on such an icon, The King touches very little on Elvis Presley the man. This is not another biography on America’s first son, but a study on the persona, the myth and the brand that was created around him.Everyone has their own idea of who he was: the hip-swivelling rebel, the military hero, the irresistible leading man, the grotesque Vegas attraction. He was, in every complex and contradictory way, the living embodiment of the United States Read more ...
Javi Fedrick
Over their past five albums, Interpol have crafted a strong sound that rests on the heavily reverbed, emotive vocals of singer Paul Banks, the subtly discordant guitars, and drums that pound along underneath it all. Although these can still be found on Marauder, the album holds some of the poppiest songs Interpol have ever done – something which doesn’t always work in their favour.This is evident from the very first song, “If You Really Love Nothing”, which couples typically cryptic and morose lyrics with galloping drums and a happy chord sequence that appears to nod to Noughties indie-pop Read more ...
Owen Richards
Oh Sees have been perennial festival favourites for over 15 years now, releasing 21 albums under seven different band names. The change of name usually indicates a new direction, with previous records ranging from alt Americana (OCS) to lo-fi garage (Thee Oh Sees). 2016’s Orc christened the band’s latest moniker Oh Sees, and after a brief diversion last year, they’re back with more explorations into post-rock riffs and rhythms.Smote Reverser’s cover immediately draws to mind the melodramatic imagery of metal: a Lovecraftian leviathan tears down on a burning futuristic city. Indeed, the lyrics Read more ...
Guy Oddy
When Kentish hardcore punk two-piece, Slaves emerged with their debut album, Are You Satisfied?, they caused quite a stir with lairy tunes of austerity Britain like “The Hunter”, “Sockets” and the magnificent “Hey”. Since the heady days of 2015, however, they seem to have been somewhat stuck in the musical doldrums, in need of something to reinvigorate their sound. 2016’s follow-up album, Take Control, had great tunes like “Rich Man” and “Consume Or Be Consumed” but proved to be a set to cherry pick rather than cherish. And so, it continues to be with Acts Of Fear And Love.Isaac Holman’s Ian Read more ...
Liz Thomson
It’s been a decade since we last heard from Tom Baxter when he released his second album Skybound, which itself was four years after his debut Feather & Stone. That album included “Almost There”, a song somewhat implausibly covered by Shirley Bassey; Baxter accompanied her when she sang it at the Roundhouse’s Electric Proms.As the title suggests, it’s been a somewhat tricky 10 years for this very English singer-songwriter, one of four children of Jeff and Julie Gleave whom folkies with long memories may remember from the 1960s and ‘70s folk circuit. So with Rufus Wainwright and Tom Waits Read more ...
David Nice
Sometimes the more modestly scaled Proms work best in the Albert Hall. Not that there was anything but vast ambition and electrifying communication from soprano Anna Prohaska and the 17-piece Il Giardino Armonico under Giovanni Antonini, making that 18 when he chose to take up various pipes (★★★★★). By contrast the big BBC commission from Joby Talbot to write a work for much-touted guitarist Miloš Karadaglić and orchestra in the evening's first Prom left very little impression. Praise be, then, to Glinka and Tchaikovsky for showing what glittering substance is all about, and to Alexander Read more ...
Russ Coffey
Graham "Since You Been Gone" Bonnet has long been one of hard rock’s unlikelier stars. When everyone else was wearing denim and leather he modelled himself on James Dean. And he actually started out as an R&B singer. Bonnet's change of direction came in 1979 when he was asked to join rock supergroup Rainbow. He never looked back. After Rainbow he joined the Michael Schenker Group and later formed his own band, Alcatrazz. Now, at 70, he's still ploughing the same musical furrow.In fact, Meanwhile Back in the Garage sounds so close to Bonnet's earlier band it could almost be a bunch of Read more ...
Ellie Porter
System of a Down guitarist and vocalist Daron Malakian isn’t going to let a little thing like his band going on an extended hiatus get in the way of releasing new music. With SOAD having gone all quiet on the recording front since 2005’s double whammy of Mezmerize and Hypnotize (they have been touring, though) – a move down to frontman Serj Tankian, Malakian says – Malakian decided to get cracking on a new project, Scars on Broadway, with SOAD drummer John Dolmayan. Now, in this follow-up to Scars on Broadway’s self-titled 2009 debut album, Malakian has gone it alone Read more ...