guitar
Hendrix and the Spook review - a search for clarity in murky watersSaturday, 19 September 2020
September 18th is the 50th anniversary of Jimi Hendrix’s death, an appropriate moment to release Hendrix and the Spook, a documentary exploring the vexed question: was it murder, suicide or a tragic accident? Trying to unravel this conundrum,... Read more... |
Album: Nadine Shah – Kitchen SinkThursday, 25 June 2020
Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When... Read more... |
Album: Michael Franti & Spearhead - Work Hard & Be NiceTuesday, 16 June 2020
It’s over 30 years since Michael Franti entered the public arena, howling “Television – drug of the nation” backed by harsh, industrial sounds and explosive beats, as frontman for the Beatnigs. He then produced the Spare Ass Annie and Other Tales... Read more... |
Echo in the Canyon review – California droopin'Saturday, 13 June 2020
Echo in the Canyon is a lamentably thin documentary about the vibrant folk-rock music scene that flourished in the bohemian Los Angeles neighbourhood of Laurel Canyon from 1965 to 1967. Though it features priceless vintage footage of the Beach Boys... Read more... |
Album: Larkin Poe - Self Made ManThursday, 11 June 2020
Larkin Poe are an American blues-rock band fronted by the Lovell sisters, Rebecca and Megan, both mainstays of the US Americana scene since their teens, at the start of this century. Best known in Europe for their fired-up gigs and festival... Read more... |
The Shadows at Sixty, BBC Four review - pop's age of innocenceSaturday, 02 May 2020
Back in the day, the weekend started with Ready Steady Go. Now Friday evenings are once more essential viewing, and not just because we’re all locked down. While the endless ToTP reruns are often no more than bad-taste wallpaper, the music... Read more... |
Album: BlackLab - AbyssSaturday, 02 May 2020
Abyss is the second disc by Osaka’s self-proclaimed “dark witch doom” duo BlackLab, but their first album proper, and it certainly delivers the monster sounds that were only hinted at by the compilation of impossible to find, early releases, Under... Read more... |
Sean Shibe, Wigmore Hall review - mesmerising journey from light to darkSaturday, 07 March 2020
"All true spiritual art has always been RADICAL art": thus spake the oracular Georges Lentz, composer of the pitch-black odyssey for electric guitar that took everyone by surprise last night. In that vein, why not add that all the greatest... Read more... |
Album: Pat Metheny – From This PlaceSaturday, 15 February 2020
From This Place (Nonesuch) is a complex, meticulously produced and many-layered album which demands concentrated and repeated listening. In many ways, it is all the better for it. Pat Metheny himself has written an essay or “Album Notes” of no... Read more... |
CD: Tennis - SwimmerSaturday, 08 February 2020
There is something deliciously normal about Tennis, the Denver husband and wife team of Alaina Moore and Patrick Riley. Steeped in the best pop of a bygone age, the couple’s lyrics seem so simple and yet unpack hidden depths on repeated listening.... Read more... |
My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance powerSaturday, 07 December 2019
“Trance boogie,” states My Baby frontwoman Cato van Dijck before submersing herself in the rising tribal rhythm of “Sunflower Sutra". Trance boogie is, indeed, what My Baby do. The song is decked with floating flecks of glissando guitar from... Read more... |
Is this Jimi Hendrix’s greatest posthumous release? Producer Eddie Kramer talks about a legendary live albumFriday, 22 November 2019
This week, one of the finest gems in the entire Hendrix catalogue finally sees the light of day in its full unedited glory – Songs for Groovy Children comprises all four sets from the Band of Gypsys New Year’s Eve 1969-70 residency at the Fillmore... Read more... |
