wed 27/10/2021

Haydn

The Creation, Academy of Ancient Music, Cummings, Barbican review - back to choral paradise

Whatever the upsets and uncertainties of this musical season, the return of choral works at full scale and full power has been an unalloyed joy. And sheer, exhilarated, heaven-storming joy branded the Academy of Ancient Music’s reading of Haydn’s...

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Carducci Quartet, Wigmore Hall review - complexity and depth

This programme was a bit of a calling card from the Carducci Quartet. They have previously recorded all three works, and the three composers, Haydn, Shostakovich, Beethoven, clearly play to their strengths. Add to that a modest running time, the...

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Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favourites

The Royal Northern Sinfonia handed its players artistic control of the programme for this livestream from the Sage, Gateshead and if the result lacked coherence it certainly had the variety and diversity missing from the Wigmore Hall Nash Ensemble...

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Castalian Quartet, Stoller Hall, Manchester online review - mercurial playing fits a varied programme

The Polyphonic Concert Club is a collective of musicians – including Isata Kanneh-Mason and I Fagiolini – offering recorded chamber recitals released weekly through March and April. Like the festivals of Voces8 (I reviewed their Christmas series)...

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Two LSO concerts on Marquee TV review - vibrant triptyches

In amongst the heavy-hearted duty of supporting orchestras by watching their concert streamings – not something I’d do by choice – there are two real joys here. One is the discovery of Austrian composer Franz Schreker’s Chamber Symphony of 1916. The...

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Scottish Chamber Orchestra, Emelyanychev online review – versatile virtuosity from Edinburgh

Seated at the harpsichord, Maxim Emelyanychev introduces this concert in charmingly fractured English. “Hello from Queen’s Hall in Edimbourg, today with chamber group of musicians from Scottish Chamber Orchestra…” But he falters, the camera cuts...

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City of London Sinfonia, Southwark Cathedral review – towards Haydn’s last symphony

Nearly two weeks into the latest lockdown, and already I feel nostalgic about the last day of freedom. You should too, just watching the film released last night of the CLS’s most recent happening in Southwark Cathedral. It’s of the evening...

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The music of isolation: conductor Ian Page on 18th century 'Sturm und Drang'

My latest recording with The Mozartists is the first in a seven-volume series [reviewed by Graham Rickson in his Classical CDs Weekly column] exploring the so-called “Sturm und Drang” (literally translated, “storm and stress”) movement that swept...

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Classical CDs Weekly: Berlioz, Markus Reuter, The Mozartists

 Berlioz: Symphonie Fantastique, Rêverie et caprice, La mort d'Ophélie, Sara la baigneuse Utah Symphony/Thierry Fischer, with Philippe Quint (violin) (Hyperion)Just two big symphonies by French composers can be counted as standard repertoire....

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Classical CDs Weekly: Bach, Poulenc, Simon Höfele

 Bach: The Well-Tempered Clavier George Lepauw (piano) (Orchid Classics)How a pianist tackles the opening C major Prelude of Bach’s Well-Tempered Clavier can often set the tone for what follows. You’d expect Glenn Gould’s quirky traversal to...

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Classical music/Opera direct to home: 1 - Budapest's Quarantine Soirées

The great Chilean pianist Claudio Arrau noted of 1920s Berlin that "itimes of trouble, people seek a better life in culture". But what if that culture can no longer be accessed live? Earlier this week theartsdesk brought you reports of two...

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ECO, Zacharias, Fairfield Halls Croydon review - green-fingered Haydn

Switch off for a phrase or two and it’s easy to miss the point in a Haydn symphony that makes each one of them odd and unique. In No. 74, played last night with understated class by the English Chamber Orchestra, that point occurs in the first...

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