thu 21/11/2019

Haydn

ECO, Zacharias, Fairfield Halls Croydon review - green-fingered Haydn

Switch off for a phrase or two and it’s easy to miss the point in a Haydn symphony that makes each one of them odd and unique. In No. 74, played last night with understated class by the English Chamber Orchestra, that point occurs in the first...

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'These were the quartets that made us fall in love with the genre': Dudok Quartet Amsterdam on Haydn

As a string quartet, it’s not easy to distinguish yourselves from others. There are so many string quartets playing the great repertoire, and the level of quartets has never been as high as it is now. Everybody is trying to be unique.We are all part...

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Classical CDs Weekly: Haydn, Mahler, Matthew Whiteside

 Haydn: Opus 20 String Quartets, Nos 2, 3 & 5 Dudok Quartet Amsterdam (Resonus)When discussing Haydn’s music it's difficult to avoid using words like ‘elegant’, ‘witty’ and ‘brio’, but I'll do my best. The writer E.T.A Hoffman should...

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Classical CDs Weekly: Haydn, Korngold, Philippe Manoury

 Haydn, arr. Stegmann: Symphonies 44, 75 and 92 Ivan Ilić (Chandos)The easiest way for amateur music lovers to get to know orchestral pieces used to be through piano transcriptions and chamber arrangements. Liszt’s versions of Beethoven...

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Prom 14: The Creation, BBC Proms Youth Choir, BBC Philharmonic, Wellber - Haydn on the edge

Hello sun, hello great whales, hello choral counterpoint. If there is a more life-enhancing work than Joseph Haydn’s oratorio The Creation, I’ve yet to hear one. Its sheer joie-de-vivre was a felicitous arrival at the Proms, where it really...

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Classical CDs Weekly: Brahms, Haydn, Sibelius

Brahms: The Cello Sonatas The Fischer Duo: Norman Fischer (cello), Jeanne Kierman (piano), with Abigail Fischer (mezzo-soprano) (Centaur Records)Comparing Brahms’s pair of cello sonatas is like looking at the two piano concertos. There’s the...

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Bevan, Padmore, Foster-Williams, LPO, Jurowski, RFH review - rural bliss

Just as our brief, premature spring collapsed into the bluster of Storm Freya, the Enlightenment certainties of Haydn’s more dependable cycle of nature blew into the Royal Festival Hall. Perhaps because its lovely but (for the most part) serene...

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Endellion Quartet, Wigmore Hall review - four decades of excellence

The Endellion Quartet first rehearsed on 20 January 1979, deep in the throes of Britain’s so-called “Winter of Discontent”. That longevity – with three of the original players still on the team after four decades – makes the acclaimed ensemble...

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Mahan Esfahani / Richard Goode, Wigmore Hall review - clarity and contrast from two keyboard masters

Two successive nights, two contrasted solo keyboard recitals at the Wigmore Hall: not great for the knees but marvellous for the soul. On Saturday the Tehran-born, US-raised harpsichordist Mahan Esfahani continued a mammoth project: he has been...

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LSO, Roth, Barbican - not enough pathos, but a remarkable step-in

Missa in Angustiis. Mass in troubled times. There was a logic in programming Haydn’s D minor Mass on the Armistice Centenary day. The final words of the mass, dona nobis pacem, would be the right ones to end this day of reflection. And to juxtapose...

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CBSO, Leleux, Birmingham Town Hall review - oboe extraordinaire

There’s always a special atmosphere when the City of Birmingham Symphony Orchestra returns to Birmingham Town Hall, and it’s not just because of the building’s Greek Revival beauty: the gilded sunburst on the ceiling, or the towering, intricately...

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theartsdesk at the East Neuk Festival 2018 - Bach as bedrock

There is a tide in the best-planned festivals that comes in and out almost imperceptibly, bringing with it changes as the days move on. Put it down to the kind of perfect planning that discards any one rigid theme, and to forging long-term links...

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