history
Sarah Kent
Why is dust so fascinating yet, at the same time, so repellent? Maybe the fear of choking to death in a dust storm or being buried alive in fine sand provokes a visceral response to it. My current obsession with dust comes from having builders in my home over the last seven months. Despite everything being shrouded in dust sheets, a film of corrosive particles has infiltrated every nook and cranny and silently blanketed my world; so I couldn’t resist a Whitechapel Gallery exhibition devoted to this pervasive nuisance. The show begins with a photograph by Man Ray taken in Marcel Duchamp’s Read more ...
Saskia Baron
For those of us still mourning John Hurt, this lovely HD restoration of the actor’s favourite film is a real joy. Made in 1975 for Thames Television, it’s stood the test of time remarkably well. Funny, moving and often cited as a turning point in British acceptance of homosexuality, The Naked Civil Servant is based on the aphoristic autobiography of Quentin Crisp, who famously described himself as “one of the stately homos of England”. Born Denis Pratt in 1908 into a respectable suburban family, he reinvented himself as the flamboyantly camp Quentin Crisp, rent-boy, artists’ model, Read more ...
aleks.sierz
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed – and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive individualism of previous centuries. This idea, that we are the children of dispossession, is at the heart of DC Moore’s epic new play which occupies the main Olivier stage of the National Theatre with a large cast led by the ever-pugnacious Anne-Marie Duff.It is England, 1809. In the countryside, a rapacious Lord is hell bent on enclosing the common Read more ...
Tom Birchenough
Hungarian director Ildikó Enyedi’s 1989 debut feature My 20th Century (Az én XX. Századom) opens on a grandiose scene depicting the first public demonstration of Thomas Edison’s electric light-bulb. We see the wonder of onlookers as they witness the new phenomenon, the brightness of light contrasting with surrounding darkness. The discovery would, in due course, give rise to cinema itself.Enyedi’s film is shot in glorious black and white (by master cinematographer Tibor Máthé, who with the director supervised this luminous HD restoration), and in the course of its complex, non-linear Read more ...
Tom Birchenough
2017 is proving the year of celebrating queer. To mark 50 years of the decriminalisation of homosexuality, we are enjoying a host of cultural and historical reminders, from Tate Britain to the British Library, and many locations in between, all affording a degree of prominence that over most of the last century would have been inconceivable. And now we have Peter Ackroyd’s Queer City to put it all in context – 'Twas ever thus, if you like – charting the history of gay life in the capital from the Romans to the present day.The historian par exellence of London, and chronicler of Read more ...
Tom Birchenough
Make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. London receives its first opportunity to appraise his vibrant, quizzical talent with this production of An Octoroon, for which he received an OBIE in 2014 (jointly with his second Off-Broadway work of the same year, Appropriate). His follow-on play Gloria, opening at the Hampstead Theatre in June, was a finalist in the Pulitzer drama category in 2016.An Octoroon is a cracking piece of writing. Jacobs-Jenkins has taken on that defining American subject, slavery, and deconstructed it via the prism of an 1859 melodrama by Read more ...
Tom Birchenough
With some re-releases, the fascination is not only discovering the work of a director, but also the environment and context in which he or she worked. This immaculate BFI restoration of two films by the Filipino master Lino Brocka (1939-1991) is a case in point: Isiang and Manila in the Claws of Light are from the mid-Seventies, when his native land was under Ferdinand Marcos-imposed martial law. The key player in both is the city of Manila itself, in particular its slums where life is hard, and human life cheap.With Isiang, Brocka may have been the first director from the Philippines to Read more ...
Jenny Gilbert
There may never have been a time when Shakespeare’s Richard III did not have contemporary relevance, but surely never more than it does right now. And it’s to the credit of director Mehmet Ergen that this production doesn’t go to town on it, but instead leaves the audience to make its own connections. From the start, Richard of York is shown to be a misogynist and a sociopath who is prepared to say anything, do anything to attain the seat of power. To borrow the words of a New Yorker profile of a certain presidential hopeful, his is “an existence unmolested by the rumbling of a soul”.Greg Read more ...
Matt Wolf
"This is the most fun province in Iraq" isn't the sort of sentence you hear every day on a London stage. On the basis of geographical breadth alone, one applauds Occupational Hazards, in which playwright Stephen Brown adapts global adventurer-turned-Tory MP Rory Stewart's 2006 account of his attempt to bring order to a newly-liberated Iraq. Ambitious in scope but piecemeal in impact, the play gains immeasurably from Simon Godwin's fleet, pacy production, though you wonder if the whole enterprise might not work better on screen. In terms of content, Brown's adaptation furthers the Read more ...
Saskia Baron
How do you tell a story as complex as the eugenics movement, which is pursued afresh in writer-director Stephen Unwin's new play All Our Children? Its idealistic origins lie in Britain with Francis Galton in 1883, before leading to forced sterilisation of the disabled in several countries, starting in America in the 1920s and continung in Sweden into the 1970s; its legacy is today’s screening for conditions such as Down Syndrome.One way is to focus on eugenics’ nadir in Nazi Germany, when mentally and physically disabled children and adults were deemed "lives unworthy of life". Unwin, a Read more ...
Tom Birchenough
Chilean director Pablo Larrain has described Neruda as a “false biopic”, and it’s a film that surprises on many levels in its presentation of Pablo Neruda, the great poet who is his country’s best-known cultural figure. It captivates for the scope of its invention, its ludic combination of reality and artifice, poetry and politics, as well as the contradictions of its central character.Larrain's last film Jackie was also a biopic with a difference, but Neruda goes further in every sense. It’s also something of a departure from the director’s earlier works, such as No and Post Mortem, which Read more ...
Sarah Kent
Mary Magdalene: Art's Scarlet Woman (BBC Four) is, says art critic Waldemar Januszczak, a film about a woman who probably never existed. "So why,” he asks, “are we so obsessed with her?” He delivers the answer in breathy, lugubrious tones as if sharing a dirty secret. The story, he says, is “sweaty, sensuous and naughty... For 2,000 years we’ve been fantasising about this most alluring and intoxicating presence.”So keep watching, folks. and join the “many men who, through the ages, have drooled over her.” It's enough to make anyone switch off, which would be a shame because the story that Read more ...