indie
Thomas H. Green
Spring is in the air and vinyl is, as always, on the turntable here at theartsdesk on Vinyl. We’ve been ploughing through all the latest releases and reissues, played loud on a large sound system, each evaluated as fully as possible. Below you’ll find 7000 words to pick through and locate what sounds good to you. Unrestricted by genre, all musical life is here. Dive in!VINYL OF THE MONTHJames Domestic Carrion Repeating (Amok/TNS)Suffolk-based James Scott is in more bands than there’s space to list here, most notably punk outfit The Domestics. His solo debut is a complete treat that deserves Read more ...
Kieron Tyler
Teenage Fanclub open their set with “Home”, the first single from their last album Endless Arcade. It’s followed by the title track, “Endless Arcade”. The first was written by Norman Blake, the second by Raymond McGinley – the album’s sole songwriters.Earlier, a Teenage Fanclub album would also have featured songs by another founder, Gerard Love. He left the band towards the end of 2018 leaving Blake and McGinley as the sole original members. April 2021’s terrific Endless Arcade became their first album without Love. A few weeks ago, continuity was confirmed when the "I Left a Light on" Read more ...
Thomas H. Green
“Play something we can dance to,” heckles a fan. “Fuck off, we are not a dance band,” fires back Wayne Hussey, leader of The Mission. He’s right. They’re not. But still there is dancing.One especially notable aspect of this gig is the total and vocal devotion of The Mission’s fans. Not only do they sing along loudly, en masse, to most songs, but they have their own football-style chants, sometimes making reference to Mission arcana beyond this writer’s knowledge. The band play the gig straight and sturdy, without banter, but the crowd lifts it.In terms of show, then, there are no bells’n’ Read more ...
Tom Carr
Although the term “hipster” has become degraded to well beyond cliché, Kurt Vile is one of those artists whose fans may indeed have that in-the-know smugness. With Vile, though, this is not a bad thing. Given the increasingly confidence-shedding nature of recent world events, Vile’s mix of indie rock with psychedelia and Americana makes for a welcome escape.His first studio release since 2018’s Bottle It In, (Watch My Moves) – replete with brackets – is 15 tracks long. There’s a whole lot to dive into, beginning with “Going on a Plane Today”. With this piano-led curtain-raiser, Vile mixes in Read more ...
Kieron Tyler
Although Moon Rally has unambiguous musical roots, pinning down where it’s from is trickier. The album’s title nods to Air’s Moon Safari, as does a fair degree of the rhythmic chug and shimmering atmospherics. Sweden’s Radio Department come to mind. So do Belgium’s Antena and Estonia’s Maria Minerva.Continental European then. And with a sense of a lineage too. But although most of the album is sung in English, two of its last three tracks are in Russian. The last, “Вчерашний день” ("Yesterday"), twins an echoey vocal and acoustic guitar with a keyboard wash: it’s different to what has come Read more ...
Kieron Tyler
Acknowledging the contrast between personal and public situations, The Weather Station’s Tamara Lindeman says “I have a lot of songs about not being heard, yet I’m holding this microphone.” An individual’s voice can be ignored, but if it’s given a context which enables reaching out – it may be heard.The Weather Station’s February 2021 album, the pointedly titled Ignorance, framed her concerns about climate change and its horrifying effects as a broken relationship. It can be read as form of break-up album. However, the fissure examined is between humanity and the world hosting it. At the Read more ...
Jonathan Geddes
Rakel Mjöll has a nice line in understatement. “We released this album in July 2020”, she said at one point, referring to her band’s sophomore record “So When You Gonna...” before adding, dryly, “which wasn’t the best time”. Finally, nearly two years later, Dream Wife have managed to get out on the road and actually tour those songs, and, thankfully, this was an evening worth the wait.A glowing logo with the band name on it hung above the stage in the converted church that is St Luke’s, and like a punky Bat Signal, when lit up the band appeared, with bassist Bella Podpadec in particular Read more ...
Jonathan Geddes
Even blessed with youthful confidence, when the Coral first stepped out on the Barrowland stage 21 years ago to support the late, great Joe Strummer it’s hard to imagine they could have foreseen that they’d be able to return to the same stage over two decades later. Yet much like the former Clash frontman that night, here were the Liverpudlian group armed with a considerable back catalogue to delve into, and an audience eager for nostalgia, in the form of a run-through of the band’s debut album.The Coral themselves have changed in that time, of course, increasing to a seven-piece for Read more ...
Jonathan Geddes
White Lies began their set as many bands would end it, with a familiar hit ringing out and an explosion of confetti over the crowd. Such a tactic made you wonder if the three-piece would peak too soon here, mirroring the band’s commercial fortunes over a now lengthy career. First came a chart-topping album, then a series of mostly well regarded follow-ups that have slipped down the charts each time. Thankfully, and at times, surprisingly, the opposite was true.Although the commercial fervour of 2008’s debut "To Lose My Life" has long faded, the indie group have retained a dedicated following Read more ...
Kieron Tyler
In 2000, Broadcast’s first album The Noise Made By People entered the UK’s mainstream Top 100 and claimed the top spot on the dance charts. Three years later, their second album Haha Sound was in the Top Ten of America’s dance/electronic charts. It also went Top Five on the UK’s dance charts.Although this confirms Birmingham's Broadcast weren’t necessarily outsiders, their third album Tender Buttons did not chart. By this point, in 2005, they had slimmed down from a five-piece to core members James Cargill and Trish Keenan. Tender Buttons was followed by the 2009 collaboration album Broadcast Read more ...
Kieron Tyler
After a count in, the first lines of album opener "Commune" are “I’ve been away now far too long, lost and alone with no commune.” Fair enough. For the Sake of Bethel Woods is Midlake’s first album since 2013’s Antiphon.The second track is “Bethel Woods”. Eric Pulido sings “I could get rid of it all for the sake of the Bethel Woods, to a time and place where peacefulness was stood.” Upstate New York’s Bethel Woods was the site of 1969’s Woodstock Festival. Midlake’s flute/keyboard player Jesse Chandler grew up in Bethel. The album’s sleeve image draws from a fleeting shot of his now-passed Read more ...
Thomas H. Green
As the year starts to rev up, theartsdesk on Vinyl returns with over 7000 words on new music on plastic, a smörgåsbord of the kind you will find nowhere else. This month we also have a competition for the dance music lovers among you, a chance to win a £50 gift card for the new app Recycle Vinyl (online stock of 10,000 records + 25,000 in their warehouse + 500 more added every week). For a chance to win, simply email the answer to the following question to recyclevinylcomp@gmail.com: who is described in the reviews below as a "Canadian violinist”? (check in on Recycle Vinyl here). That aside Read more ...