Ireland
Classical CDs Weekly: Bruckner, Holst, PiazzollaSaturday, 16 May 2020
Bruckner: Symphony No. 9 Pittsburgh Symphony Orchestra/Manfred Honeck (Reference Recordings)I’m midway through exploring a cycle of symphonies by Heinz Winbeck, a German contemporary composer very much in the Bruckner tradition. I’ll report... Read more... |
Blood, Series 2, Channel 5 review - expertly-crafted thriller turns the screwThursday, 30 April 2020
Veterans of the first series of Blood will be familiar with writer Sophie Petzal’s fondness for leading the viewer up the garden path and round the mulberry bush as the story develops. Get ready to go through it all again.The setting is the rural... Read more... |
Normal People, BBC One review – adaptation of Sally Rooney’s novel evokes the deep cut of first loveTuesday, 28 April 2020
Sally Rooney’s 2018 novel, which was long-listed for the Man Booker Prize, was a psychologically rich, emotive journey into the psyches of two Irish teenagers who fall in love. Only two years on from publication, it has been turned into a 12-part... Read more... |
Sea Fever review - more ooze than aahsFriday, 24 April 2020
When Sea Fever premiered at the Toronto International Film Festival last September, no one could have guessed its story about an Irish fishing trawler attacked by a giant jellyfish would in one respect prove prophetic. Toward the end of writer-... Read more... |
Brendan Cleary, Great Eastern, Brighton review – last ordersThursday, 19 March 2020
St. Patrick’s Day, and socialising itself, has been all but cancelled. But turn the rickety door-handle of a bohemian pub near Brighton station, and a poignant scene is unfolding. The Irish poet Brendan Cleary’s reading has been officially called... Read more... |
Calm with Horses review - a stirring debutFriday, 13 March 2020
Nick Rowland marks his breakout from TV drama with this very competent feature, an adaptation of Colin Barrett’s short story. Set in a bleak, rural Ireland, Cosmo Jarvis plays Arm, an ex-boxer with an estranged girlfriend, a non-verbal,... Read more... |
On Blueberry Hill, Trafalgar Studios review - superb acting, specious plotThursday, 12 March 2020
Some wondrous acting is sacrificed on the altar of an increasingly wonky plot in On Blueberry Hill, the first play in 10 years from Sebastian Barry, the Irish playwright and novelist whose onetime Royal Court entry The Steward of Christendom... Read more... |
Album: The Boomtown Rats - Citizens of BoomtownSaturday, 07 March 2020
The new Boomtown Rats album – their first for 36 years! – is both preposterous and rather wonderful. This is as it should be. The Irish band surfed the so-called “New Wave” after punk rock to brief chart-topping stardom. They had some cracking... Read more... |
Imagining Ireland, Barbican review - raising women's voicesMonday, 24 February 2020
Recent politics surround the EU and nationhood, fantasies of Irish Sea bridges and trading borders more porous than limestone have revived the granular rub between Eire and Britain, and the Celtic Tiger cool of the Nineties is a history module these... Read more... |
Michael Keegan-Dolan, MÁM, Sadler's Wells review - folk goes radicalWednesday, 12 February 2020
The Dingle Peninsula is a thumb of land that protrudes into the Atlantic as if trying to hitch a ride from Ireland to America. The choreographer Michael Keegan-Dolan recently moved there, and its crags and vales and unspoilt coast have sucked him... Read more... |
Collapsible, Bush Theatre review - a high-wire solo engagementTuesday, 11 February 2020
There’s such remarkable symbiosis between material and performance in Irish dramatist Margaret Perry’s Collapsible that you wonder how the hour-long monologue will fare in any future incarnation. I don’t know how much Perry had the performer... Read more... |
On McQuillan's Hill, Finborough Theatre review - timely glance at Northern Irish myths and tensionsMonday, 10 February 2020
The news that the Continuity IRA created a bomb destined for England on Brexit Day has added to the timeliness of this revival of Joseph Crilly’s gut-punching comedy. Set in the aftermath of the Good Friday Agreement, it takes a merciless glance at... Read more... |
