wed 27/11/2024

Janáček

Sir Charles Mackerras, 1925-2010

Sir Charles Mackerras has died at the age of 84. In tribute to one of the most highly respected and best-loved of conductors, theartsdesk republishes here an interview he gave on the eve of conducting Benjamin Britten's The Turn of the Screw for the...

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Classical Music CDs Round-Up 9

Zoltan Kodály devised the hand signals which accompany the UFO's five-note signature  in Close Encounters of the Third Kind

This month’s selection includes a flamboyant fin-de-siècle Italian symphony that could give you a nosebleed. A little-known American band provide a fresh take on a British 1930s warhorse, and classy Viennese musicians play some delectable...

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The Seckerson Tapes: Catherine Malfitano Interview

She was the Tosca who played live to an audience of one billion in 107 countries; she is the director of English National Opera's new staging of the opera they once dubbed Puccini's "shabby little shocker". How times change. In this exclusive ENO...

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Szymanowski Focus, Wigmore Hall

'Poland's most imaginative composer after Chopin': Szymanowski by Witkacy, 1930

Poland's most imaginative composer after Chopin, and his natural heir in the realm of sensual reverie, certainly knew how to yoke a full orchestra to his dreams and fantasies. Yet the work by Szymanowski I've most longed to hear in concert is the...

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The Cunning Little Vixen, Royal Opera

The Vixen and the lard-arse Hens: 'love and loss and the joys of being alive'

I have no compunction laying into vastly overrated composers, crazily overpaid conductors or lazily over-employed directors. I feel slightly more guilty doing the same to struggling singers or musicians. But a cast of tiny children dressed up as...

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1954 Cunning Little Vixen

Front of Suprapon's recording of The Cunning Little Vixen

Filmed extracts of a fantastically vivid 1954 production of Janáček's The Cunning Little Vixen have been unearthed by the great blogger Doundou Tchil of Classical Iconoclast. Václav Neumann is the conductor; Berlin's Komische Oper is the house....

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Katya Kabanova, English National Opera

It's amazing how much you can tell of what lies ahead from the way a conductor handles a master composer's first chord. Katya Kabanova's opening sigh of muted violas and cellos underpinned by double basses should tell us that the Volga into which...

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The Seckerson Tapes: David Alden Interview

On the eve of his brand-new staging of Janáček's Katya Kabanova for English National Opera, David Alden  - the one-time "bad boy" of opera - talks about first-night riots, Britten and Donizetti triumphs, and the dramatic potency of Janáček. Live and...

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theartsdesk Q&A: Sir Charles Mackerras

At 84 years of age, Sir Charles Mackerras is one of the best-respected and best-loved operatic conductors working in the world today. He conducts Benjamin Britten's The Turn of the Screw for the English National Opera tonight and, despite bouts of...

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Salonen, Philharmonia, Royal Festival Hall

You’re playing, say, a Brahms sonata. You’ve got jam on your face. Your trousers fall down. Your accompanist starts to play the piano with his head. What you’re meant to do in this situation, I remember my violin teacher drilling into me, is to...

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