Classical Music CDs Round-Up 9 | reviews, news & interviews
Classical Music CDs Round-Up 9
Classical Music CDs Round-Up 9
This month's recommended releases
Saturday, 19 June 2010
Zoltan Kodály devised the hand signals which accompany the UFO's five-note signature in Close Encounters of the Third Kind
This month’s selection includes a flamboyant fin-de-siècle Italian symphony that could give you a nosebleed. A little-known American band provide a fresh take on a British 1930s warhorse, and classy Viennese musicians play some delectable Schumann symphonies. Everyone’s favourite Latin American youth orchestra give us a Stravinsky classic, coupled with a fascinating Mexican rarity. Contrast is provided by two wonderful discs of more intimate music-making - Zoltan Kodály’s magnificent solo cello sonata and some lesser-known songs by Britten. Finally we dip our toes into the world of opera, with a vintage Janáček rarity and a remarkable chunk of Wagner recorded last year in Manchester.
This month’s selection includes a flamboyant fin-de-siècle Italian symphony that could give you a nosebleed. A little-known American band provide a fresh take on a British 1930s warhorse, and classy Viennese musicians play some delectable Schumann symphonies. Everyone’s favourite Latin American youth orchestra give us a Stravinsky classic, coupled with a fascinating Mexican rarity. Contrast is provided by two wonderful discs of more intimate music-making - Zoltan Kodály’s magnificent solo cello sonata and some lesser-known songs by Britten. Finally we dip our toes into the world of opera, with a vintage Janáček rarity and a remarkable chunk of Wagner recorded last year in Manchester.
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more Classical music
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall review - a joyful, fascinating laboratory of noise
Celebrating the avant-garde through different cultures
Classical CDs: Vitamins, kings and magic spells
A neglected ballet score, romantic piano concertos and contemporary British music
Kavakos, Philharmonia, Blomstedt, RFH review - a supreme valediction forbidding mourning
Nonagenarian conductor provides the flow, his players the passion, in Mahler's Ninth
Perianes, Orchestre Symphonique de Montréal, Payare, Barbican review - elegance and drama but not enough bite
Often dynamic Venezuelan conductor misses the darkness of the 'Symphonie fantastique'
La Serenissima, Wigmore Hall review - an Italian menu to savour
Tasty Baroque discoveries, tastefully delivered
Roman Rabinovich, Wigmore Hall review - full tone in four styles
Fascinating Haydn, Debussy and Schumann, odd Beethoven
Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall, Edinburgh review - ebullient but bitty
‘Carmina Burana’ is fun in parts, but Langer’s ‘Dong’ doesn’t flow
Gerhardt, BBC Philharmonic, Chauhan, Bridgewater Hall, Manchester review - from grief to peace
Anna Clyne, Shostakovich and Richard Strauss tell us about loss, struggle and healing
Bach Brandenburg Concertos, OAE, QEH review - forever young
Zest, dash and fun in rejuvenated favourites
First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertos
On ignoring the composer's 'Basta, basta!' above the part for the original soloist
Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and light
Radical masterpieces by Sibelius and Stravinsky have never sounded more extraordinary
Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue
Neglected London church now the home of a vibrant concert series
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