The Seckerson Tapes: Catherine Malfitano Interview | reviews, news & interviews
The Seckerson Tapes: Catherine Malfitano Interview
The Seckerson Tapes: Catherine Malfitano Interview
One of the great Toscas of her generation on directing the opera for the ENO
Sunday, 09 May 2010
She was the Tosca who played live to an audience of one billion in 107 countries; she is the director of English National Opera's new staging of the opera they once dubbed Puccini's "shabby little shocker". How times change. In this exclusive ENO podcast, Catherine Malfitano says that it's high time we moved on from the Tosca-as-diva portrayal - that, she says, should remain offstage where Puccini left it.
She was the Tosca who played live to an audience of one billion in 107 countries; she is the director of English National Opera's new staging of the opera they once dubbed Puccini's "shabby little shocker". How times change. In this exclusive ENO podcast, Catherine Malfitano says that it's high time we moved on from the Tosca-as-diva portrayal - that, she says, should remain offstage where Puccini left it.
more Opera
La Traviata, Welsh National Opera review - memorable revival, unforgettable lead
Stacey Alleaume has an astonishing feeling for the stage, her Violetta one in a thousand
Peter Grimes, English National Opera review - not quite the pity or the truth
Strong sounds, but the tension sometimes flags in this hit-and-miss revival
The Yellow Wallpaper, Lilian Baylis Studio review - a tense and intimate monodrama
New opera re-works classic short story with committed performances and striking staging
Das Rheingold, Royal Opera - knotty, riveting route to destruction
Barrie Kosky and Antonio Pappano work superbly with a true team of singer-actors
First Person: mezzo Stephanie Wake-Edwards on open dialogue and shared goals in the new show 'FEAST'
On class, identity and the joy of true collaboration
Ainadamar, Welsh National Opera review - hits hard without breaking ground
Pungent musical and visual imagery that sometimes wears thin
Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece
A stunning reminder of how relevant the opera’s themes remain today
Tannhäuser, Deutsche Oper Berlin, Edinburgh International Festival 2023 - compelling concert Wagner
Donald Runnicles returns to Scotland with his top German company
Prom 43: Endgame, BBC Scottish SO, Ryan Wigglesworth review - beautiful sounds but slow, slow drama
Astonishing orchestration and brilliant singing can’t overcome the snail’s pacing
Prom 31: Dialogues des Carmélites, Glyndebourne, BBC Radio 3 review - full force on air
The atmospheric essence of this operatic triumph comes across without the visuals
The Pilgrim's Progress, Three Choirs Festival review - revelatory performance by young musicians
Vaughan Williams opera that continues to echo in the mind
Semele, Glyndebourne review - the dark side of desire
A sturdy, thoughtful but downbeat take on Handel's hybrid masterpiece
Add comment