mon 19/04/2021

LGBT+

Sequin in a Blue Room review - soullessness and sex in Sydney

Sequin is the screen name for the questing 16-year-old at the slowly awakening heart of Sequin in a Blue Room, a 2019 Australian film only now reaching the UK. The graduation project of its New Zealand-born director and co-writer Samuel Van Grinsven...

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DVD/Blu-ray: Mädchen in Uniform

The late Weimar-era film Mädchen in Uniform (1931) was visionary – a delicate Queer love story set in a repressive girls’ boarding school that denounced the Prussian militarist creed as dehumanising. Like The Blue Angel (1930), another German early...

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Album: LOUISAHHH - The Practice of Freedom (HE.SHE.THEY.)

Somewhere in dance culture or other, the Eighties revival has now been going on more than twice as long as the actual Eighties did. Starting around 1998, it reached an initial peak in the early 2000s as the dayglo-fashion led electroclash, but...

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The Capote Tapes review - lush portrait of the louche writer

"A candied tarantula" is one of the many great descriptions of Truman Capote that light up this conventionally made but enjoyable profile of the American author most famous for Breakfast at Tiffany’s and In Cold Blood. Written and...

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It's a Sin, Channel 4 review - poignant, funny, vibrant masterpiece

Finally, it seems, the time is right for a major British TV drama about how the AIDS crisis hit the early 1980s London gay scene. We’ve come a long way even since the audacious launch of Russell T Davies’s triumphant Queer As Folk, also on Channel 4...

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DVD/Blu-ray: Are We Lost Forever

The title of Swedish director David Färdmar’s feature debut gains a degree of helpful context from one of its opening lines, “But there’s no more we”. One partner, Hampus (Jonathan Andersson), is telling the other, Adrian (Björn Elgerd), that...

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Overflow, Bush Theatre review – fear, fury and fun

Travis Alabanza is black, trans, queer and proud. And they’ve got a lot to be proud about. In 2016, they were the youngest recipient of the artist in residence post on the Tate workshop programme, and two years later starred in Chris Goode’s wildly...

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Album: Dolly Parton - A Dolly Holly Christmas

Think hard. How much schmaltz do you think there is in this album? OK, double that. Now double it again. Nope, you’re still nowhere close. This is the world schmaltz lake with the entire EU cheese mountain forming an island in the middle, all...

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GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' roll

A 35-year-old gay man has to figure out which way to turn in GHBoy, the Paul Harvard play whose connection to the chemsex world is embedded in its title. Will Robert (Jimmy Essex) settle into a relationship with Catalan university student Sergi (...

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Zaina Arafat: You Exist Too Much review - second-generation love addiction

Zaina Arafat’s debut details the trials and tribulations of its first generation American-Palestinian narrator, desperately seeking love, but unable to stand its stifling reciprocation. Her struggles are all tied up with her inability to admit her...

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Uncle Frank review - well-acted but painfully contrived

A top-rank cast swims against the tide in Uncle Frank, writer-director Alan Ball's well-intentioned but fatally contrived film that presumably contains more than a trace of the Oscar-winning filmmaker's own past. Telling of a gay southerner called...

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Extract: 'On Loneliness' by Fatimah Asghar, from 'The Good Immigrant USA'

The infamous border wall. Prolonged detention. Children in cages. Even as Biden's election promises a sea change in Trump's devastatingly hardline immigration policy, immigrants, both first- and second-generation, face a spectrum of prejudice,...

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