thu 08/12/2022

LGBT+

Album: Christeene - Midnite Fukk Train

Christeene is not so much a musical entity, as a performative assault, an artist who pushes drag somewhere visceral, caustic, wilfully edgy and defiantly unpolished. The creation of New York-based, Louisiana-raised Paul Soileau, her videos and shows...

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Something in the Air, Jermyn Street Theatre review - evocative London mood music

As its title suggests, Peter Gill’s Something in the Air is an elusive piece – it’s about catching at instinct, responding to intuition, bringing together overlapping hints of present and past lives. From these different stories, spun out of lived...

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The Doctor, Duke of York's Theatre review - Juliet Stevenson will see you now

Robert Icke is an expert in corporate tragedy. I don’t mean that in a bad way - just that he has a penchant for taking classics (Hamlet, The Oresteia, Mary Stuart) and transporting them, with the help of designer Hildegard Bechtler, to the frosted-...

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Bright Half Life, Kings Head Theatre review - ups and downs of a tender lesbian love affair

A tender love story has arrived at the Kings Head theatre from the US, where its author, Tanya Barfield, is an award-winning playwright for both television and theatre. The plot is simple: two women — one white, one Black — meet in an office where...

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The P Word, Bush Theatre review - persecution and pride

Britain is a divided nation, but one of the divisions that we don’t hear that much about is that between Pakistani gay men. Written by Waleed Akhtar (who also stars in this impressively heartfelt two-hander), The P Word is about the differences in...

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Who Killed My Father, Young Vic review - Hans Kesting excels in this solo show

A bare interior with tarnished walls, a single bed, and an oxygen tube. The stage seems to have been set for a Beckett play, but the figure who comes to inhabit this dejected enclosure for 90 minutes is grounded in a far different world.Powerful...

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Album: Beyoncé - Renaissance

There’s polarising discourse and there’s polarising discourse, and then there’s Beyoncé discourse. On the one hand, there’s “the Bey Hive”: the very model of a furious modern fandom who will boost her and monster her critics at a microsecond’s...

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Album: Lizzo - Special

You can’t really blame Lizzo for playing to her strengths. When she started putting out records some nine years ago, there wasn’t really a niche in the market for a flute playing, twerking, positive-thinking, plus-size rapper-stroke-disco-diva....

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Glastonbury Festival 2022: an unexpurgated odyssey around the best party on the planet

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and poisoned perspiration rolls down my forehead, stinging my eyeballs.You’ll already have seen a trillion...

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Moon, 66 Questions review - captivating daughter-father drama

It takes some confidence for a first-time feature director to interrupt her essentially realistic first feature with a splash of psychedelic abstraction, but Jacqueline Lentzou doesn’t lack for visual or aural daring. Two-thirds of the way...

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Swan Song review - the fabulous Udo Kier as a small-town hairdresser on his last legs

The piercing-eyed German actor Udo Kier is best known for his supporting roles in many high-profile films, including those of Lars von Trier, Gus Van Sant and Fassbinder. In Swan Song, he carries off his first starring role magnificently as wry ex-...

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Album: Hercules & Love Affair - In Amber

A gothic aesthetic is very common in the left field of electronic/club music these days – but it tends to go with fairly extreme sounds: either industrial pummelling, or glitched-out “deconstructed club” as in artists like Ziúr.But Andy Butler...

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