London
geoff brown
Long before the invention of digital technology and the birth of Keira Knightley, cinema shows in Britain contained not one feature, or two features, but also what the advertisements called a "full supporting programme". That meant newsreels, maybe a cartoon, or what the trade called "interest" films: travelogues and such. Many of those weren’t interesting at all, nor have they become so with age, though that’s not the case with the 12 examples drawn by the BFI National Archive from a travelogue series shot all over London’s highways and byways in 1923/1924. The producer of the series, Read more ...
Natalie Shaw
Madonna earned her place in the pop elite many years ago, and there are many reasons for this, which needn't be reduced into a list. Certainly though, a big reason will be the obvious - how much better her fans' lives are with her songs in them. And 65,000 of them turned up in Hyde Park to see the spectacle and dance to the hits. Her latest album MDNA may be a weak, disengaged affair with singles that have failed to chart well, but with a back catalogue like no other, there was a huge expectation that its best moments may be reinvigorated for the live setting - or at least swarmed with Read more ...
alexandra.coghlan
“Let a woman in your life," roars Professor Henry Higgins, “and your serenity is through. She'll redecorate your home, from the cellar to the dome and then go on to the enthralling task of overhauling you.” It’s a scenario not unlike letting the winsome darling that is musical theatre loose among the club armchairs and smoking jackets of a classical music festival.The dome of the Royal Albert Hall may have been safe from a substantial redesign, but last night the lights glowed hot pink and the stage teemed with more action than a whole cycle of Beethoven symphonies. John Wilson and his Read more ...
Ismene Brown
Sound the trumpets triumphantly - Matthew Bourne’s most original masterpiece has come out of hiding into full view, a giddy, sexy, diabolical confection that hovers on the edge of hellish, and deserves to become a global smash. Play Without Words is everything that any sex comedy could aspire to, everything that a film noir could aim for, and much more dangerous than either theatre or film can be, because it’s what bodies do, not what mouths say, that is leading you into your own sinful nature.Bourne made the work in a National Theatre workshop 10 years ago, and that experimental milieu drew Read more ...
Russ Coffey
It seems almost a lifetime since Tom Jones was a man in very tight clothes who did well in the clubs of Las Vegas. After the fallow years, his 1988 cover of Prince’s “Kiss” kick-started a tongue-in-cheek rehabilitation period that lasted a decade, right up to the unforgettable “whoowauh!” of “Sex Bomb”. But what happened next surprised everyone. Jones started to relearn his craft. And now, after the last two decidedly post-ironic albums, the question remains, has “Jones the Voice” really become a genuinely credible artist?The organisers of the 2012 Blues Fest series certainly felt so. And Read more ...
alexandra.coghlan
Riding the same wave of affectionate, riotously melancholic Englishness which carried Jez Butterworth’s Jerusalem to success, Damon Albarn’s Dr Dee is dark enough to delight even the most cynical of Jubilee naysayers, gorgeous enough in its national pageantry to crown the cultural celebrations of this landmark year.Originally seen at last year’s Manchester International Festival (a reliable promise of good things). the show has been reworked for its Coliseum staging, and if the result is little clearer in its hallucinatory narrative, its confusion remains as compelling, as black-magical as Read more ...
Natalie Shaw
Sean Paul, the accessible face of dancehall, is back. It’s been 10 years since he rose to the big league with his 2002 breakout album Dutty Rock, and he recently released his fifth album Tomahawk Technique. His mix of dancehall rhythms, bhangra beats and old-school reggae with boyband-cheesy lyrics gave him temporary pop pin-up status during the early 2000s. He brought dancehall to an international audience, and ended up having a huge influence on American hip-hop.In the intervening years, Sean Paul admirably resisted the urge to Americanise his Jamaican dancehall stylings - until this latest Read more ...
Natalie Shaw
The rise of Korean pop (or K-pop, for short) in Europe has been steady; conceivably, all that’s needed for the common or garden music fan to become enraptured is one crossover artist. Countless new acts sprung up following the first wave of K-idols - G.O.D., SES, H.O.T., Shinhwa - and a new one continues to appear almost every week, unveiled after years of training. They often live in boarding schools with strict diets and no guarantee of success, a regime for which the Korean culture industry is estimated to have generated some $3 billion. K-pop has started influencing western Read more ...
Adam Sweeting
And so we came to episode six, where all the plotlines that have been hovering like vultures since the opener came screaming down to beat the closing deadline. Would Clive Reader's career be terminated by the Bar Standards Board? How would Martha Costello cope with being manoeuvred into defending the evil Jody Farr? Could Shoe Lane Chambers ever prise themselves loose from the malign tentacles of solicitor Micky Joy?All this and more was duly resolved, in an episode that gripped ferociously from the opening seconds and hauled us over some scorching dramatic coals. Silk is almost unfailingly Read more ...
alexandra.coghlan
The RSC’s Twelfth Night dumps its audience unceremoniously onto the shores of Ilyria in the thump and beat of waves. While Viola struggles from the (very deep and very real) water, asking “What country friends is this?”, we by contrast find ourselves in familiar territory. Like this season’s opener, A Comedy of Errors, both Twelfth Night and The Tempest take their birth in the water. But as the triptych progresses and comedy turns to uncertainty and ethics, so Shakespeare’s drama itself suffers something of a sea-change.Jon Bausor’s designs are a miracle of twisted ingenuity, defeating Read more ...
Adam Sweeting
Amid the splurge of programmes about London saturating the airwaves, apparently designed as a crude propaganda offensive to divert us from the impending Olympics clampdown, Matthew Collings's examination of the mystical relationship between the Thames and JMW Turner was thoughtful and rather touching. It's true that Collings sometimes ties himself in knots while trying to express some inexpressible truth about art, but he successfully conveys the idea that he's making an honest effort to tell you about something he genuinely believes in.Though a shrewd businessman who marketed himself Read more ...