London
Album: Nitin Sawhney - IdentityFriday, 13 October 2023Nitin Sawhney never fails to produce albums that draw on the talent of his brilliant friends, touch on issues of current urgency, and bridge musical styles with great deftness and in a way that avoids the frequent artifice of fusion.Perhaps more... Read more... |
Blue Mist, Royal Court review - authentic, but not entirely convincingThursday, 12 October 2023Multiculturalism, according to the Home Secretary, has failed, so where does that leave British Black and Asian communities? Well, certainly not silent. In Mohamed-Zain Dada’s vigorous 90-minute debut play, Blue Mist, the pronouncements of the... Read more... |
The Changeling, Southwark Playhouse review - wild ride proves too bumpy to land all its pointsThursday, 12 October 2023Writing about the upcoming 60th anniversary of the founding of the National Theatre in The Guardian recently, the usually reliable Michael Billington made a rare misstep. He called for the successor to Rufus Norris, the departing artistic director,... Read more... |
Death of England: Closing Time, National Theatre review - thrillingly and abundantly aliveTuesday, 10 October 2023It’s closing time somewhere in the East End. Nah, not the pub, but at a small local shop. Inside, Denise is banging around with some big pans, while Carly is packing up the flowers. Their business is coming to an end and they are about to hand over... Read more... |
Imposter 22, Royal Court Theatre review - ace on representation, less so on structureWednesday, 04 October 2023The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah... Read more... |
Boiling Point, BBC One review - chef drama that's simmering nicelyMonday, 02 October 2023The problem facing any chef series is that its daily dramas are essentially rooted in the same small, sweaty space. It’s like one of the reductions prepared there, all the flavours compressed into an intense spoonful of sauce.As in Disney+’s... Read more... |
I Fagiolini, Hollingworth, Kings Place review - magnificent Monteverdi VespersSunday, 01 October 2023It was great to see Kings Place full on Saturday night for I Fagiolini’s take on the Monteverdi Vespers, added, rock’n’roll style, as an “additional date due to public demand” after the Friday show sold out. And it was superb. Hearing the Vespers,... Read more... |
PJ Harvey, Roundhouse, London review - incandescent perfectionSunday, 01 October 2023London’s Roundhouse is a very special venue. For decades the circular shed, with its elegant ironwork supporting structures has hosted a wonderful and varied series of performances. Like a great cathedral, the space has a hallowed feel about it. The... Read more... |
Unbelievable, Criterion Theatre review - Derren Brown-directed show misses his otherworldly dangerFriday, 29 September 2023Unbelievable is a strange title for a slightly strange show, the brainchild of Derren Brown, Andrew O’Connor and Andy Nyman, a trio with an impeccable pedigree in creating successful magic-based events. It’s a strange title because suspension... Read more... |
Rebecca, Charing Cross Theatre review - troubled show about a troubled house nonetheless divertsSaturday, 23 September 2023There are times when it’s best to know as little as possible before taking one’s seat for a show – this new production of Rebecca would be a perfect such example.It was once talked up as the new Phantom, the next smash hit musical that would do on... Read more... |
Pygmalion, Old Vic review - zappy wit and emotional intelligenceWednesday, 20 September 2023Many of us have perhaps grown too accustomed to the friendly face of My Fair Lady. George Bernard Shaw’s very original play is sharper, less sentimental yet ultimately more profoundly human. Its wit and wisdom zip along in Richard Jones’s... Read more... |
Top Boy, Season 5, Netflix review - grime and punishmentSaturday, 16 September 2023And so Ronan Bennett’s Hackney gangster odyssey reaches its conclusion, having made the leap from its Channel 4 origins back in 2011 to become, over its last three series, one of Netflix’s top-rating and most acclaimed shows. And it has managed to... Read more... |