LPO
Williams, LPO, Alsop, RFH review - sleek lines and pastoral tonesMonday, 11 November 2019
The London Philharmonic’s Isle of Noises, a year-long festival dedicated to music of the British Isles, drew towards its close with this programme of Butterworth, Elgar and Walton. Marin Alsop was a good choice to lead, especially for Walton’s... Read more... |
The Apostles, LPO, Brabbins, RFH review - Elgar's melancholy New Testament snapshotsMonday, 28 October 2019
The Apostles is a depressing work, mostly in a good way. Elgar's one good aspirational theme of mystic chordal progressions is easily outnumbered by a phantasmal parade of dying falls, hauntingly shaped and orchestrated. After The Dream of Gerontius... Read more... |
Gerstein, LPO, Adès, RFH review - engaging new piano concertoThursday, 24 October 2019
Every ten years or so Thomas Adès writes a piano concerto and the latest had its UK premiere last night at the Royal Festival Hall, played by Kirill Gerstein and conducted by Adès himself. Following on from the youthful, skittish Concerto Conciso of... Read more... |
Verdi Requiem, LPO, Gardner, RFH review – beyond the big noiseMonday, 14 October 2019
You seldom expect to feel the breath of apocalypse and the terror of the grave amid the modestly rationalist architecture and passion-killer acoustics of the Royal Festival Hall. In fact, before Edward Gardner and the London Philharmonic Orchestra... Read more... |
Fischer, LPO, Jurowski, RFH review - total focus in shattering threnodiesSaturday, 28 September 2019
Throughout his 11 years as Principal Conductor of the London Philharmonic Orchestra to date, Vladimir Jurowski has focused on two elements, programme-wise: tellingly-linked concerts of the rich and rare, and fine-tuned interpretations of the... Read more... |
Prom 41: Ghindin, LPO, Jurowski review - perfect sound in a Russian spectacularMonday, 19 August 2019
It was a Disney theme-park of Russian music, and in an entirely good way: none of the usual rides, but plenty of heroes and villains, sad spirits and whistling witches, orientalia from the fringes of empire, pagan processionals and apocalyptic... Read more... |
Bronfman, LPO, Jurowski, RFH review - weight and witMonday, 29 April 2019
Vladimir Jurowski is always a conductor for making connections, so one wonders why Brahms's Second Piano Concerto wasn't the first-half choice in this programme from the start (the advertised original had been the much stormier No 1). The sleight-of... Read more... |
Soltani, LPO, Gardner, RFH review – disciplined and dynamic accountsMonday, 25 March 2019
No successor has yet been named to Vladimir Jurowski as Principal Conductor of the London Philharmonic, so it is interesting to note that Edward Gardner is making several appearances with the orchestra this season. The two conductors are similar in... Read more... |
Bevan, Padmore, Foster-Williams, LPO, Jurowski, RFH review - rural blissMonday, 04 March 2019
Just as our brief, premature spring collapsed into the bluster of Storm Freya, the Enlightenment certainties of Haydn’s more dependable cycle of nature blew into the Royal Festival Hall. Perhaps because its lovely but (for the most part) serene... Read more... |
Die Walküre, LPO, Jurowski, RFH review - love shines outMonday, 28 January 2019
Harpers on the undeniably offensive aspect of Wagner the man might question attending a concert performance of his second Ring opera on World Holocaust Day. Fortunately there's nothing anti-semitic to be found anywhere in Die Walküre. As embodied by... Read more... |
The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous BerioMonday, 10 December 2018
The London Philharmonic’s year-long Stravinsky festival, Changing Faces, concluded here in spectacular style, with a tribute to “The Swingling Sixties”. Vladimir Jurowski, the soon to be leaving – and soon to be much-missed, Principal Conductor of... Read more... |
Borodin Quartet, LPO, Jurowski, RFH review - mixed results in oddball CzechfestThursday, 08 November 2018
How many times have you heard live in concert a concerto for string quartet and instrumental ensemble? In my case, three, all of the occasions performances of John Adams's Beethoven-based giant scherzo Absolute Jest. Two more got added to the list... Read more... |
