music industry
Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'Tuesday, 08 December 2020
Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into... Read more... |
Billie review – new documentary captures the rebelFriday, 13 November 2020
Listen to "The Blues are Brewin", "You Better Go Now", or even "I’ll be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience. She lived a... Read more... |
theartsdesk Q&A: Sally Anne Gross and Dr George Musgrave, authors of 'Can Music Make You Sick?'Saturday, 10 October 2020
Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the... Read more... |
AIM Awards 2020, SBTV review - a game attempt to rewire awards ceremoniesThursday, 13 August 2020
Music awards shows are a strange beast: part window display, part industry conference and part party. Especially if you don’t have Brit Awards or Mercury Prize budget to create a whizz-bang spectacle, the ceremonies can be an interminable pileup of... Read more... |
On the Record review - #MeToo turns its lens to the music industry, gives the mic to women of colourFriday, 26 June 2020
On the Record, the latest documentary from Kirby Dick and Amy Ziering (acclaimed directors of The Hunting Ground), dives into the sexual misconduct allegations against music mogul Russell Simmons, the so-called ‘Godfather of Hip Hop.’ It... Read more... |
The High Note review - Tracee Ellis Ross shines in so-so music dramedyThursday, 28 May 2020
Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson... Read more... |
Album: BTS – Map of the Soul: 7Saturday, 22 February 2020
To anyone out of their teens or without a grasp of the Korean language, BTS are probably an unknown quantity. Yet, they are probably the most successful boyband, if not the most successful band, in the world. In fact, just as Abba had a massive... Read more... |
Classic Albums: Tears for Fears, Songs From The Big Chair, BBC Four review - anatomy of an anthemSaturday, 15 February 2020
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He... Read more... |
Show Me the Picture: The Story of Jim Marshall review - needles, guns and grassSaturday, 01 February 2020
In photographer Jim Marshall’s heyday in the 60s and 70s, before the music business became corporate and restrictive, and before Marshall unravelled – he was partial to cars, cocaine and guns as well as cameras – musicians asked for him, they... Read more... |
Darius Brubeck, Jazz Café review – a touching celebration of 'Time Out' at 60Monday, 16 December 2019
It is a very rare thing, as Darius Brubeck reflected, to “inherit a hit.” This gig by the pianist and his quartet marked the exact day of the 60th anniversary of the launch of Time Out by his father Dave Brubeck. Time Out was the first million-... Read more... |
Get Rich Or Try Dying: Music’s Mega Legacies, BBC Four review – inside the RIP businessSaturday, 02 November 2019
Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to... Read more... |
What Girls Are Made Of, Soho Theatre review - euphoric gig-theatreFriday, 13 September 2019
It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Though the broad shape of this... Read more... |
