new writing
Lydia Sandgren: Collected Works review - the mysteries that surround us allTuesday, 18 April 2023
Lydia Sandgren’s debut novel, Collected Works, a bestseller in her native Sweden, has now been translated by Agnes Broomé into English, in all its 733-page glory. An epic family saga, it has flavours of the realism of her countryman, Karl Ove... Read more... |
The Dry House, Marylebone Theatre review - fine performances in Irish three-handerSaturday, 08 April 2023
Eugene O’Hare’s The Dry House is the kind of spare but oddly lyrical three-hander that would have made a good Wednesday Play back in the day. For Conor McPherson fans, it will seem like familiar terrain, with all the ingredients for an unusual... Read more... |
First Person: playwright Joe White on how he came to write his Hampstead Theatre hitFriday, 07 April 2023
Before I knew – or realised – I wanted to write about alcoholism in my play Blackout Songs (premiered last autumn at the Hampstead Downstairs and moving this weekend to the mainstage), I wanted to write about love and memory... Read more... |
Brilliant Jerks, Southwark Playhouse review - busy three-hander casts a biting glance toward UberWednesday, 08 March 2023
It never hurts the trajectory of a promising young playwright if they have a good eye for the zeitgeist, and the writer Joseph Charlton can certainly be said to possess that. His last play Anna X, inspired by high society scammer Anna Delvey and... Read more... |
Sleepova, Bush Theatre review - sweet coming of age play with a soft centreMonday, 06 March 2023
Can a play ever be a bit too much like real life? The thought came to me while watching Matilda Feyisayo Ibini’s entertaining new play Sleepova at the Bush. This latest opening is almost a bookend to the excellent Red Pitch, premiered at the same... Read more... |
Women, Beware the Devil, Almeida Theatre review - bewitching, up to a pointThursday, 23 February 2023
A man in modern garb reads a tabloid newspaper and makes smarmy wisecracks about the malaise of contemporary Britain – strikes, NHS waiting lists and the rest of it. But hang on a minute: isn’t this meant to be a period drama? Lulu Raczka’s new... Read more... |
Akedah, Hampstead Theatre review - long-separated sisters reunite to battle over their pastWednesday, 22 February 2023
Michael John O’Neill’s first full-length play, premiering at the Hampstead's studio space downstairs, is a puzzler. There’s the title, to start with, a Hebrew word that means “binding” and is a reference to the story of Abraham preparing his son... Read more... |
Winner's Curse, Park Theatre review - Clive Anderson takes to the boardsWednesday, 15 February 2023
Who better to write a piece about the game-playing of a peace-talks negotiation than a former peace-talk negotiator, Daniel Taub? And who better to sprinkle some comedy oofle dust on the proceedings than the TV producer and writer Dan Patterson,... Read more... |
Extract: The Northern Silence - Journeys in Nordic Music and Culture by Andrew MellorWednesday, 15 February 2023
“Silence,” Andrew Mellor contends, “is more prominent in the northernmost reaches of Europe.” Yet it is more like a texture or an apprehension of vacancy than a state of true soundlessness: sometimes “real and pure”, sometimes it “lingers despite... Read more... |
The Unfriend, Criterion Theatre review - dark comedy is (largely) audience-unfriendlySaturday, 21 January 2023
We all have that friend. The person you met on holiday and couldn’t shake off. You added each other on Facebook, but they posted so much you’ve quietly unfollowed them. You can’t quite bring yourself to unfriend them, though. In The Unfriend, a new... Read more... |
Hakawatis: Women of the Arabian Nights, Sam Wanamaker Playhouse review - magical stories by candlelightMonday, 19 December 2022
Do you remember how the 1001 Nights ends? You know how it starts: Scheherazade has been married to a king who kills his brides the day after he marries them. She tells him a story so good that he simply has to know what happens next, and she... Read more... |
Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedyThursday, 15 December 2022
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil Gibran, the Lebanese-American mystical author of the 1923 best-seller The Prophet, concludes that, despite suffering, “all is well”, but how true is that?... Read more... |
