Northern Ireland
Cyprus Avenue, Royal Court Theatre online review - a mind in mesmerising meltdownTuesday, 07 April 2020
One of the most blistering stage performances in recent memory gets a renewed lease on life with the streaming of the 2019 screen version, aired last autumn on BBC Four, of Cyprus Avenue, the David Ireland play in which Stephen Rea unravels to... Read more... |
theartsdesk Q&A: musician Rick McMurrayTuesday, 03 March 2020
With them having famously been just teenagers when they released their debut single in 1994 it seems fitting – and not a little tongue in cheek – that the indie rock trio chose Teenage Wildlife for the title of their 25th anniversary compilation.... Read more... |
Ordinary Love review - small but (almost) perfectly formedThursday, 05 December 2019
Amidst the deluge of high-profile year-end releases, it would be a shame if the collective Oscar-bait noise drowned out Ordinary Love, as quietly extraordinary a film as has been seen in some time. Telling of a couple whose marriage is... Read more... |
The Day Mountbatten Died, BBC Two review - the IRA's audacious strike at the heart of the British EstablishmentTuesday, 20 August 2019
It was a lovely summer’s day in southern England, much as it was in County Sligo. I was with my parents, driving to visit a very elderly relative. We arrived not long after the news of Lord Mountbatten’s death was announced and my great aunt was... Read more... |
CD: Foy Vance - From Muscle ShoalsSunday, 23 June 2019
Endlessly gigging Northern Irish performer Foy Vance's profile first rocketed after touring with fellow singer-songwriter Ed Sheeran. The pair became pals, Vance went onto support the likes of Elton John, and signed to Sheeran’s Gingerbread Man... Read more... |
Derry Girls, Series Two, Channel 4 review - welcome back, gangWednesday, 06 March 2019
When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix... Read more... |
Cyprus Avenue, Royal Court Theatre review - Stephen Rea is utterly compellingWednesday, 20 February 2019
David Ireland is a playwright who likes to jolt his audience and Cyprus Avenue, a dark absurdist comedy about an Ulster unionist afraid of losing his identity, does just that. This co-production between Dublin's Abbey Theatre and the Royal Court was... Read more... |
Death and Nightingales, BBC Two, review - slow, lyrical, slightly dullThursday, 29 November 2018
And now for something completely different from The Fall. The nerve-shredding drama from Northern Ireland was written by Allan Cubitt and featured, as its resident psychopathic hottie, Jamie Dornan (pictured below). It seems the two couldn’t get... Read more... |
Postcards from the 48% review - wistful memorial to forgotten valuesSaturday, 07 July 2018
Writer and director David Nicholas Wilkinson felt moved to make his reflective, rather melancholy documentary on the 48% who voted to remain in the EU, he says, because nobody else was making one. When it came to funding the project, not a single... Read more... |
Come Home, BBC One review - a drama of family disintegration, divided loyaltiesWednesday, 28 March 2018
A woman walks out on her husband and their three kids – two teens, one five-year-old - after 19 years of marriage. She doesn’t want custody. What could be so wrong with the man that she’s driven to such drastic action? Eleven months later, Greg (... Read more... |
Derry Girls, Channel 4 review – bring on series two!Friday, 09 February 2018
When first announced, Derry Girls seemed a strange prospect. Derry during The Troubles wasn’t an obvious choice for a sitcom; neither was writer Lisa McGee, whose only previous comedy outing London Irish was slammed for negative... Read more... |
Art UK, Art of the Nation review - public art in a private spaceWednesday, 17 January 2018
Art fairs are vaguely promiscuous. So much art, so many galleries, so very many curators. They’re a glut for the eye yet curiously anodyne — the ranks of white cubicles could belong to a jobs fair, except there’s a Miró round the corner. And it’s... Read more... |
