paranormal
Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful worldTuesday, 17 June 2025
Tate Britain is currently offering two exhibitions for the price of one. Other than being on the same bill, Edward Burra and Ithell Colquhoun having nothing in common other than being born a year apart and being oddballs – in very different ways.... Read more... |
Ghostbusters: Frozen Empire review - a modest, well-meant returnSunday, 24 March 2024
Who you going to call? Five films into the Ghostbusters franchise, every persuadable survivor from the ’84 original, plus the ad hoc, Paul Rudd-led Spengler clan introduced in the series-reviving Ghostbusters: Afterlife (2021). The low-key, humane,... Read more... |
Here, Southwark Playhouse review - award-winning kitchen sink drama goes down the drainThursday, 17 November 2022
The kitchen sink drama has been a standby of English theatre for 70 years or more, but not always with an actual sink on stage. But there it is, in an everyday home that harbours a secret or two in Clive Judd’s debut play, the winner of the 2022... Read more... |
Album: Hercules & Love Affair - In AmberSaturday, 11 June 2022
A gothic aesthetic is very common in the left field of electronic/club music these days – but it tends to go with fairly extreme sounds: either industrial pummelling, or glitched-out “deconstructed club” as in artists like Ziúr.But Andy Butler... Read more... |
Courttia Newland: A River Called Time review - an ethereality checkTuesday, 05 January 2021
It is near impossible to imagine what the world would look like today if slavery and colonialism had never existed, let alone to write a book on the subject. Courttia Newland sets himself this daunting task in his latest novel, A River Called Time.... Read more... |
Krabi, 2562 review - a trance-like visitationFriday, 29 May 2020
Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi... Read more... |
Velvet Buzzsaw review - an acerbic takedown of the LA art sceneFriday, 01 February 2019
Sitting somewhere between Ruben Östlund’s The Square and Final Destination, Dan Gilroy’s Velvet Buzzsaw is a satirical supernatural thriller that goes for the jugular of the LA art scene.We open at the Art Basel Miami Beach, where art snobs with fat... Read more... |
Macbeth, Shakespeare's Globe review - sexually-charged production draws power from the shadowsThursday, 15 November 2018
Macbeth has rarely seemed quite as metrosexual as in this gorgeous shadow-painted production that marks Globe artistic director Michelle Terry’s first production in the Sam Wanamaker theatre. Even in a play that walks the tightrope between its... Read more... |
Suspiria review - kindly, slow-motion grand guignolThursday, 15 November 2018
The first Suspiria was a sensation, and spectacularly, monomaniacally new. Its young heroine Susie Bannon’s ride from an innately hostile airport through eldritch woods in which a panicked girl ran from her destination, the Markos Academy of Dance,... Read more... |
Matthew Holness: 'I wanted to make a modern silent horror film'Friday, 19 October 2018
Watching Matthew Holness’ debut feature Possum, you’d be forgiven in thinking he was a tortured soul. Lead character Phillip (played by Sean Harris, pictured below) is a lean marionette of a man, prone to horrific flights of fantasy involving a... Read more... |
A Sicilian Ghost Story review - a beautiful, confusing journeyTuesday, 31 July 2018
Childhood is an inimitable experience – the laws of the world are less certain, imagination and reality meld together, and no event feels fixed. A Sicilian Ghost Story recreates this sensation in the context of real world trauma, producing a... Read more... |
The Woman in White, BBC One review - camp VictorianaMonday, 23 April 2018
The BBC excels at a very particular kind of drama, namely one where production values overawe dramatic content. Its version of The Woman in White (BBC One) proves no exception. Our hero is Walter, a bemused sappy painter played by ex-Eastender Ben... Read more... |
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