Aidan Turner may not reveal those famously bronzed pecs that have made TV's Poldark box office catnip in his West End debut. But what Michael Grandage's funny and fiery revival of The Lieutenant of Inishmore reveals in spades is the irresistible charisma and stage savvy of an actor fully at home in what can only be called Martin McDonagh-land.

Luca Changretta got his just desserts, Alfie Solomons made a last gasp for the quiet life, and Thomas Shelby revealed his true enemy – Peaky Blinders wrapped up another exciting series in a high-octane and neat finale.

So, a rough tally. We’ve had a trial, a near suicide, a punch-up, death by drowning, a near bankruptcy, a tin rush, another punch-up, a baby, a probable rape, a riot, another baby, and another one on the way, possibly a product of that probable rape. And more. Poldark (★★★), in the delivery of incident upon full-blooded incident, could be accused of many things, but it will not die wondering.

Those who frequent Cornwall know that most of its place names begin with one of three prefixes. Indeed, check your copy of Richard Carew’s Survey of Cornwall (1602) for the source of the rhyme: “By Tre, Pol and Pen / Shall ye know all Cornishmen”. (With thanks to Wiki). As to the suffixes, well there it’s open season. The name Poldark was Winston Graham’s invention – and, if we're being pedantic, the stress really should be on the second syllable.

Hooray! The BBC has learned its lesson from the "Mumblegate" furore that erupted around last year's adaptation of Jamaica Inn, and ensured that even the most unwashed and toothless Cornish yokel in this all-new Poldark is almost 90 per cent intelligible. As the central character Ross Poldark, Aidan Turner (of Hobbit fame) is a model of robust actorly diction.