fri 15/01/2021

Ravel

Gillam, Hallé, Bloxham, Hallé online review - music of poetry

Jonathan Bloxham makes his debut as conductor with the Hallé Orchestra in the third of the Hallé’s Winter Season concerts on film. It’s a poetry-connected programme in several respects and features poet laureate Simon Armitage reading both his the...

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Kanneh-Mason Trio/Cassadó Ensemble, Kings Place review - the fewer the players, the greater the music

For the performers and the venue there can be nothing but praise. To be back in Kings Place’s Hall One after so long was to realise afresh that no other London venue gives such air to soaring strings – and these ones truly did soar and gleam. For...

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Classical CDs Weekly: Kirill Petrenko, Avi Avital, Ravel

 Berliner Philharmoniker/Kirill Petrenko: Music by Beethoven, Tchaikovsky, Franz Schmidt, Rudi Stephan (Berliner Philharmoniker Recordings)Kirill Petrenko’s supposed indifference to making recordings is overstated: there’s a whole load of stuff...

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L'enfant et les sortilèges, VOPERA, LPO, Reynolds online – Ravel and Colette reimagined

Colette’s sharply fantastical libretto for Ravel’s second one-act opera imagines wrongs exercised upon objects and animals by a naughty child revisited by the victims upon the perpetrator. In a giddying venture which may be the most imaginative use...

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Julia Bullock, Philharmonia, Salonen, RFH review – bewitching dreamscapes

Nobody would wish it this way, but orchestras playing on a stage specially built-up for distancing to a handful of invitees have never sounded better in the Royal Festival Hall. The Philharmonia’s outgoing principal conductor Esa-Pekka Salonen is a...

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Classical CDs Weekly: Gabriela Montero, Ravel, Caroline Shaw, Edith Hemenway

 Gabriela Montero: Piano Concerto No 1, ‘Latin Concerto’, Ravel: Concerto in G Gabriela Montero (piano), The Orchestra of the Americas/Carlos Miguel Prieto (Orchid Classics)Venezuelan pianist Gabriela Montero describes herself as “a globalised...

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CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - joy unbounded

You can tell a lot from the opening of Brahms’s Second Symphony. Mirga Gražinytė-Tyla and the City of Birmingham Symphony Orchestra began it – and it’s not the first time they’ve done this in a big German symphony – as if in mid-...

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Clara Mouriz, Roderick Williams, Joseph Middleton, Wigmore Hall review - the song recital as mixtape

It’s the age of the mixtape. And of the Only Connect sequences round. Last night’s Wigmore Hall song recital, under the curious strap-line “Basque Blood and the Folksong” was centred around Ravel songs – the Wigmore Hall has a focus on them this...

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Trifonov, LSO, Rattle, Barbican review - Russian style with French chic (and cheek)

The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way. Russian Wunderkind pianist bags a sackful of competition trophies (Rubinstein, Tchaikovsky prizes; Gramophone Awards). Early recitals and...

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Van Woerkum, BBCPO, Gernon, Bridgewater Hall, Manchester review - a symphony of cinema

In contrast to a classic film soundtrack played live with the film, the idea in "symphonic cinema" is that the music, and its interpretation, come first. So the conductor is literally setting the pace, and to some extent the atmosphere, while the...

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Classical CDs Weekly: Beethoven, Strauss, La Symphonie de Poche, Temple Church Choir

 Beethoven: Symphony No 3, Strauss: Horn Concerto No 1 Pittsburgh Symphony Orchestra/Manfred Honeck, William Caballero (horn) (Reference Recordings)Funny how one's first experience of encountering a piece can still cast a shadow decades on; I...

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L'heure espagnole, Mid Wales Opera review - Ravel goes like clockwork

Mid Wales Opera makes small-scale touring look fun – even when you suspect that, behind the scenes, it really isn’t. Barely 24 hours before this performance of their current production of Ravel’s L’heure espagnole, and 11 dates into their current 16...

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