sci-fi
DVD/Blu-ray: The Final ProgrammeTuesday, 14 March 2023
Michael Moorcock’s Jerry Cornelius is a multiversal dandy, androgynous harlequin, English assassin and sometimes Cockney, an sf adventure hero who grew through four novels into a walker in the elegiac post-Sixties wastelands. He’s an apocalyptic... Read more... |
Ant-Man and the Wasp: Quantumania review - Marvel head into infinity and beyondSunday, 19 February 2023
We’ve now reached film 31 and Phase Five of the Marvel Cinematic Universe’s increasingly baroque franchise. Four years after Avengers: Endgame’s false finale, Scott Lang aka Ant-Man (Paul Rudd) is still basking in his role in reversing Thanos’s... Read more... |
Avatar: The Way of Water review - is that all there is?Friday, 23 December 2022
You may wonder: is this it? James Cameron’s Avatar sequel replays Earth’s colonial assault on Pandora in the original, cancelling out the blue-skinned native Na’vi’s victory under the Dances With Wolves-like, blue-white saviour command of Jake Sully... Read more... |
1899, Netflix review - Atlantic voyage turns into cosmic nightmareThursday, 24 November 2022
Baran bo Odar and Jantje Friese won delirious acclaim for their previous Netflix series Dark, a labyrinthine and fantastical account of children vanishing from a small German town. Anyone familiar with its baffling events and leaps across different... Read more... |
'We needed to find the perfect sound of vibranium, an alien metal specific to the Marvel Universe': Foley artist Shelley Roden on creating audible movie miraclesMonday, 14 November 2022
The projection screen reflects light onto the Foley stage. I can just make out the edges of the built-in cement and metal surfaces around the floor’s perimeter and the large dirt pit centre stage. Bamboo poles, a hockey stick, and a shovel poke... Read more... |
Science Fiction: Voyage to the Edge of the Imagination, Science Museum review - travel to a galaxy not so far awayWednesday, 26 October 2022
Scenes that stay in the mind: Arnold Schwarzenegger as the Terminator peeling back the skin on his forearm to reveal the gleaming machinery within; a beady-eyed, new-born Alien bursting from John Hurt’s abdomen; that all-species bar in Star Wars;... Read more... |
Vesper review - impressively art-directed sci-fi filmMonday, 24 October 2022
Vesper is a piece of arty European sci-fi, filmed in the forests of Lithuania (homeland of co-director Kristina Buozyte) and set in a dystopian future conjured up by its French co-director Bruno Samper (a "digital experience designer"). The two... Read more... |
Bluedot Festival 2022 review - science and space travel meet musical frolicking at Jodrell BankWednesday, 27 July 2022
FRIDAY 22 JULY by Caspar GomezWhen my regular festival pal Finetime and I have set up the wibbly, inflatable-poled tents he bought from Lidl, we settle to drinks, his from a chill-box, mine from a 35-pint container of Pilton Labyrinth scrumpy... Read more... |
Lightyear review - can infinity be a yawn?Wednesday, 15 June 2022
The animation may be stunning, but in every other department, Lightyear is a disappointment. It’s a crying shame for anyone who loved the original Toy Story and its (mainly) excellent sequels. If you were expecting a buzz... Read more... |
Jurassic World Dominion review - extinction eventFriday, 10 June 2022
Franchise burnout continues apace, in this asteroid strike of a finale. Doctor Strange in the Multiverse of Madness showed the previously agile and humane Marvel machine weighed down by plot mechanics and fan service, and this Jurassic Park/World... Read more... |
Emily St John Mandel: Sea of Tranquility review - time travel, pandemics and the simulation hypothesisTuesday, 26 April 2022
Emily St John Mandel’s wonderful novel of 2020, The Glass Hotel, featured people and places from her previous pandemic-themed blockbuster, the brilliant Station Eleven.In Sea of Tranquility, named after the "silent flatlands" on the moon where the... Read more... |
Don't Look Up, Netflix review - hitting most targets in high styleThursday, 13 January 2022
Most dystopian satires are located in a nightmarish future, but their scripts build on the worst of our world today. Adam McKay's Don’t Look Up is different: this is now, and the notion of a comet hurtling towards the assured destruction of planet... Read more... |
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