tue 24/12/2024

sci-fi

Hypnotic review - a riotously enjoyable thriller

Masterminded by writer-director Robert Rodriguez (Sin City, Spy Kids etc), Hypnotic is a speedy, twisty, riotously enjoyable thriller that seeks to bend your mind into impossible shapes while also delivering more than a few droll wisecracks. Ben...

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Matthew Shindell: For the Love of Mars: A Human History of the Red Planet review - a world of possibility

Humans are unsettled by incomplete data, unanswered questions. Show us dots on paper, and we’ll join them to make a picture. Show us objects in the night sky, and we create worlds.So it has been with Mars, conspicuous to us Earthbound gazers as one...

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Guardians of the Galaxy Volume 3 review - raw and repetitive supergroup swansong

James Gunn is running the whole DC show now, but his Guardians films have stayed free from Cinematic Universe snares, even the group’s Avengers cameos beaming in from their own pop-art corner. This swansong is their indulgent, sometimes meandering...

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DVD/Blu-ray: The Final Programme

Michael Moorcock’s Jerry Cornelius is a multiversal dandy, androgynous harlequin, English assassin and sometimes Cockney, an sf adventure hero who grew through four novels into a walker in the elegiac post-Sixties wastelands. He’s an apocalyptic...

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Ant-Man and the Wasp: Quantumania review - Marvel head into infinity and beyond

We’ve now reached film 31 and Phase Five of the Marvel Cinematic Universe’s increasingly baroque franchise. Four years after Avengers: Endgame’s false finale, Scott Lang aka Ant-Man (Paul Rudd) is still basking in his role in reversing Thanos’s...

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Avatar: The Way of Water review - is that all there is?

You may wonder: is this it? James Cameron’s Avatar sequel replays Earth’s colonial assault on Pandora in the original, cancelling out the blue-skinned native Na’vi’s victory under the Dances With Wolves-like, blue-white saviour command of Jake Sully...

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1899, Netflix review - Atlantic voyage turns into cosmic nightmare

Baran bo Odar and Jantje Friese won delirious acclaim for their previous Netflix series Dark, a labyrinthine and fantastical account of children vanishing from a small German town. Anyone familiar with its baffling events and leaps across different...

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'We needed to find the perfect sound of vibranium, an alien metal specific to the Marvel Universe': Foley artist Shelley Roden on creating audible movie miracles

The projection screen reflects light onto the Foley stage. I can just make out the edges of the built-in cement and metal surfaces around the floor’s perimeter and the large dirt pit centre stage. Bamboo poles, a hockey stick, and a shovel poke...

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Science Fiction: Voyage to the Edge of the Imagination, Science Museum review - travel to a galaxy not so far away

Scenes that stay in the mind: Arnold Schwarzenegger as the Terminator peeling back the skin on his forearm to reveal the gleaming machinery within; a beady-eyed, new-born Alien bursting from John Hurt’s abdomen; that all-species bar in Star Wars;...

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Vesper review - impressively art-directed sci-fi film

Vesper is a piece of arty European sci-fi, filmed in the forests of Lithuania (homeland of co-director Kristina Buozyte) and set in a dystopian future conjured up by its French co-director Bruno Samper (a "digital experience designer"). The two...

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Bluedot Festival 2022 review - science and space travel meet musical frolicking at Jodrell Bank

 FRIDAY 22 JULY by Caspar GomezWhen my regular festival pal Finetime and I have set up the wibbly, inflatable-poled tents he bought from Lidl, we settle to drinks, his from a chill-box, mine from a 35-pint container of Pilton Labyrinth scrumpy...

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Lightyear review - can infinity be a yawn?

The animation may be stunning, but in every other department, Lightyear is a disappointment. It’s a crying shame for anyone who loved the original Toy Story and its (mainly) excellent sequels. If you were expecting a buzz...

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