mon 02/12/2024

sculpture

Helaine Blumenfeld: 'Beauty has become synonymous with something banal'

Helaine Blumenfeld was living in Paris in the 1960s when she received an invitation from the Russian-born sculptor Ossip Zadkine to attend one of his salons. Zadkine had emigrated to Paris at the beginning of the century, evolving a style influenced...

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Bricks!, BBC Four

The wilder shores of contemporary visual art are now ephemeral or time-based: performance, installation, general carry-on and hubbub. But once upon a time – say, the 1960s – it was the nature of objects, pared down to essentials, and often made from...

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Giuseppe Penone, Marian Goodman Gallery

Guiseppe Penone’s lyrical and tactile works, made from the simple elemental materials that typify the 1960s Italian Arte Povera movement (of which he is a key exponent), belong largely to the outside world of woods and gardens. But they also find an...

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Imagine... Danger! Cornelia Parker, BBC One

Squash! Bulldoze! Blow-Up! Tie Up! Break-Up! Re-Build! There is practically nothing the artist Cornelia Parker won’t and can’t do with found materials, offcuts, the discarded and the recycled, not to mention tieing up Rodin’s The Kiss at the Tate in...

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Alberto Giacometti, Sainsbury Centre for Visual Arts, Norwich

An exceptionally wide-ranging exhibition of paintings, sculptures, drawings and lithographs by Alberto Giacometti (1901-1966) commemorates the 50th anniversary of his death. Amidst the flurry of Giacometti exhibitions – the National Portrait Gallery...

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Sicily: Culture and Conquest, British Museum

This exhibition – the UK's first major exploration of the history of Sicily – highlights two astonishing epochs in the cultural history of the island, with a small bridging section in between. Spanning 4,000 years and bringing together over 200...

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10 Questions for Artist Clare Woods

Visceral and vividly colouristic, Clare Woods' paintings are at once abstract and figurative, perpetuating traditional genres but simultaneously occupying a less easily defined area of artistic practice. She puts innocuous or ambiguous subject...

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Best of 2015: Art

From weaselly shyster to spineless drip, the biographies of Goya’s subjects are often superfluous: exactly what he thought of each of his subjects is jaw-droppingly evident in each and every portrait he painted. Quite how Goya got away with it is a...

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We Made It: Stage Designer John Napier

It may seem like a long way from Shakespeare to Siegfried and Roy, but John Napier has had a remarkable career in which high and low art come together and share the applause. So not only has the theatre designer staged a magic show in Vegas, he’s...

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Imagine… Antony Gormley: Being Human, BBC One

Metal figures on the foreshore of Crosby Beach, Liverpool, set against a sunset, signify the preoccupations of Antony Gormley. The sculptor has been concerned consistently with the human figure, manifested in metal – lead or iron – casts of his own...

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Giacometti, National Portrait Gallery

Any number of puzzling and fantastical stories were told by Alberto Giacometti in the construction of a personal mythology that helped secure his reputation as an archetypal artist of the avant-garde. Less heroic than the oft-quoted accounts of his...

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theartsdesk in Oslo: From heritage to art now

Things you might know about Oslo: it’s expensive and the cost of a beer, wine, dinner for two – whatever your tourist yardstick – might make your hair stand on end (the cost of living is currently second only to Singapore city, according to a 2014...

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