mon 02/12/2024

sculpture

Anthony Caro, 1924-2013

Sir Anthony Caro, who died on Wednesday of a heart attack aged 89, was an artist who remained not only active but inventive to the last. In the past year alone he had three major exhibitions: a distilled retrospective at the Museo Correr in Venice (...

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Francis Bacon/Henry Moore: Flesh and Bone, Ashmolean Museum

It is a shock, in this succinct exhibition of two British colossi of the past century, Henry Moore (1898-1986) and Francis Bacon (1909-1992), to be reminded of just how colossal and original are their achievements. We are shown their curiously...

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Anthony Caro: Park Avenue Series, Gagosian Gallery

Sir Anthony Caro, OM, is wowing them in Venice with his masterly retrospective, but for those of us who can’t get there, there is a generous helping of his characteristic late work in his first show in Gagosian’s airy large gallery. Late Caro (he’s...

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Jacob Epstein: Portraits, National Portrait Gallery

“I don’t like the family Stein; There is Gert, there is Ep and there’s Ein; Gert’s Poems are bunk, Ep’s statues are punk, And nobody understands Ein” (Anon).Jacob Epstein (1880-1959) did indeed sculpt Albert Einstein when the physicist was briefly...

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Moore Rodin, Henry Moore Foundation

Rodin’s The Burghers of Calais have decamped from their usual perch next to the House of Lords to cosy up to the work of Henry Moore. They can be found at Moore’s home and studio at Perry Green in Hertfordshire, in a tellingly succinct anthology of...

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Interview: Artist Richard Wentworth

Richard Wentworth is the eminence not-so-grise of British contemporary art. The perpetually youthful sculptor’s activities span an extraordinary range of eras and ideas: serving as a teenage assistant to Henry Moore in the Sixties; building sets for...

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Ice Age Art: Arrival of the Modern Mind, British Museum

Prehistory – human life before written language - enters art’s mainstream with this seminal and eye-opening exhibition. This one-off show, amplified by excellent labelling and atmospheric lighting, is enormously ambitious:  the largest...

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Carving in Britain from 1910 to Now, Fine Art Society

Carving in Britain from 1910 to Now is an accurate but unalluring title for what is a seminal show. The Fine Art Society is one of the oldest commercial galleries in Britain, founded in 1876 and still in its original building. Due to this...

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Russell Maliphant, The Rodin Project, Sadler’s Wells

Imagine that Rodin’s Thinker gets bored with sitting, head-on-hand, contemplating the folly of humankind and, springing to life, descends from his lofty perch above The Gates of Hell. Having been immobile for a century or more, he is extremely stiff...

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Bronze, Royal Academy

A Dancing Satyr leaps into the air, his head thrown back in ecstasy. His alabaster eyes appear like two pinpoints of illumination in the dimly lit gallery. The bronze figure, which is the first work you encounter in an exhibition spanning 5,000...

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Pertaining to Things Natural: Contemporary Sculpture, Chelsea Physic Garden

There is a growing fashion for new public sculpture and anthologies of contemporary sculpture outdoors, inspiring various polemics for and against. Kew Gardens has been at it for nearly a decade: there was a triumphant Henry Moore show several years...

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Into Orbit: The Culture Show Special, BBC Two

What a mismatch of ambitions was unearthed in this Culture Show special on the ArcelorMittal Orbit. Boris Johnson admitted that he’d wanted slides on it, joking heartily that “there’s nothing too vulgar for me”, whilst Anish Kapoor wished for it to...

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